The Honresfield Library took shape not far from the parsonage at the edge of the West Yorkshire moors, where Charlotte, Emily, Anne and their brother, Branwell (born between 1816 and 1820), grew up creating elaborate shared imaginary worlds. It was assembled starting in the 1890s by Alfred and William Law, two self-made mill owners who had grown up less than 20 miles from the Brontë home in Haworth (which is now the Brontë Parsonage Museum).
The Laws’ collection, held in the library at their home, Honresfield House, included what Heaton called “grand country-house books” like a Shakespeare First Folio (long since sold off). But the brothers, less typically, were also keen collectors of manuscripts, acquiring the Brontë cache from a dealer who had bought them directly from Charlotte’s widower. William, the more serious collector, also paid frequent visits to Haworth to buy family relics that had been saved by neighbors and relatives.
After the deaths of the brothers (who never married), the collection passed to a nephew, who granted access to select scholars, and had facsimiles made of some items. But after his death in 1939, the originals fell out of public view.
By the 1940s, the collection had become “well-nigh untraceable,” as one scholar put it at the time. In recent decades, some artifacts from the collection, like Charlotte’s writing desk (now at the Brontë Parsonage Museum), have come up for auction. But the whereabouts of the rest remained unclear.
“When I was first approached about this material, I thought, ‘Hang on — maybe it’s that collection?’” Heaton recalled. “To then go actually see it was quite a thrill.” (The sellers, who wish to remain anonymous, are family descendants of the Laws, he said.)
The original 2007 video “Charlie Bit My Finger,” a standard-bearer of viral internet fascination, has sold as a nonfungible token for $760,999, and the family who created it will take down the original from YouTube for good.
The original video, which has close to 900 million views, features Charlie Davies-Carr, an infant in England, biting the finger of his big brother, Harry Davies-Carr, and then laughing after Harry yells “OWWWW.”
The owner will also be able to create their own parody of the video featuring Charlie and Harry Davies-Carr.
Many duplicates of the video remain online, including one apparently rebranded by the family itself in anticipation of the auction. But the auction allowed bidders to “own the soon-to-be-deleted YouTube phenomenon” and be the “sole owner of this lovable piece of internet history.”
Disaster Girl,” a meme from a photo of Zoë Roth in 2005 looking at a house on fire in her neighborhood, sold last month in an NFT auction for $500,000. Nyan Cat, an animated flying cat with a Pop-Tart torso that leaves a rainbow trail, sold for roughly $580,000 in February. Jack Dorsey’s first tweet sold as an NFT for more than $2.9 million; a clip of LeBron James blocking a shot in a Lakers basketball game went for $100,000 in January; and an artist sold an NFT of a collage of digital images for $69.3 million, among other headline-grabbing auctions.
During an NFT sale, computers are connected to a cryptocurrency network. They record the transaction on a shared ledger and store it on a blockchain, sealing it as part of a permanent public record and serving as a sort of certification of authenticity that cannot be altered or erased.
There were 11 active bidders in the battle for the NFT that was driven mainly between two bidders named 3fmusic and mememaster. When the bidding ended Sunday, mememaster was outbid by 3fmusic by $45,444. A person with the same name also bought the “Disaster Girl” meme NTF.
years after it was first posted. It was written into a Gerber spot and a “30 Rock” episode and was the subject of countless parody videos. But it’s still well known for setting off a genre of contagiously shareable videos.
Howard Davies-Carr, the father of Charlie and Harry, told The New York Times in 2012 that even though he didn’t think of his sons as celebrities, they had nonetheless become a brand. The family was recognized in random places, like on the subway in London.
In an interview with the brothers in 2017 on The Morning, a British talk show, Howard Davies-Carr said he was filming the brothers growing up “just doing normal things” and that Charlie bit his brother’s finger while watching T.V. after a busy day in the garden.
“The video was funny, so I wanted to share it with the boys’ godfather,” Howard Davies-Carr said, adding that their godfather lived in America and that the video was initially private, but people, including his parents, had asked to see it since it was difficult to share, so he made the video public.
A few months later, when the video had at least 10,000 views, Howard Davies-Carr said he almost deleted it. Profits from the video and other opportunities allowed the family to send Charlie, Harry and their two other brothers to private school, said Shelley Davies-Carr, the boys’ mother.
The video with humble beginnings, which Charlie and Harry decided to sell, helped Shelley Davies-Carr stop working full-time when her fourth child was born.
“I was just watching TV and just decided to bite him,” Charlie Davies-Carr said in the interview. “He put his finger in my mouth, so I just bit.” Harry Davies-Carr couldn’t remember the pain from that bite.
Fifteen objects from cultural institutions passed through Sotheby’s at auction on Wednesday, showing that the debate among museum and industry leaders over deaccessioning hasn’t stopped these sales from occurring.
One work, Thomas Cole’s “The Arch of Nero” (1846) from the Newark Museum of Art, was a highlight, going for $988,000 with fees to a private foundation operated by the Florida-based collectors Thomas H. and Diane DeMell Jacobsen, in a sale of American art totaling $15 million. Last week, Sotheby’s made a combined $703.4 million from its contemporary, impressionist and modern art auctions. Its competitor, Christie’s, had similar successes, reaching more than $775.2 million for the week.
Talk of deaccessioning, the sale by museums of artworks to cover some operating costs, had been divisive earlier this year. The Newark Museum of Art’s decision this month to consign the Cole and 16 other artworks (including pieces by Thomas Eakins, Marsden Hartley and Georgia O’Keeffe) drew criticism from more than 80 curators and historians who signed a public letter that described the sale as “inflicting irreparable damage” on the institution.
The Newark Museum of Art’s director, Linda Harrison, defended the plan earlier this month, calling it “thoughtfully considered” and saying it represented a loss of less than 1 percent of the institution’s 130,000 artworks.
have argued that losing public access to works like the Cole landscape, which allegorizes the fragility of American democracy and the dangerous allure of oligarchs, limits society’s understanding of history.
“It’s a sad day for the people of Newark who are losing objects that have been at the heart of their great art museum for many decades,” William L. Coleman, a former associate curator of American art at the museum, who is now the director of collections and exhibitions at Olana Partnership in upstate New York, said in an interview. “We did not succeed in stopping the sale and that will be a source of regret for a long time.”
The Brooklyn Museum also participated in the auction, selling a Mary Cassatt painting, “Baby Charles Looking Over His Mother’s Shoulder (No. 3),” for $1.6 million with fees to the same collectors who bought the Cole painting. Before this latest sale, the museum had raised close to $35 million at auctions in the United States and Europe for the care of its artworks.
Commodore Amiga personal computer. They will be sold as NFTs, or nonfungible tokens, a type of investment conferring ownership of works that exist only in the digital world.
Funds from the Christie’s sale will benefit the Warhol Foundation’s grant initiatives, including its substantial annual funding of the Andy Warhol Museum in Pittsburgh.
“As the great visionary of the 20th century who predicted so many universal truths about art, fame, commerce and technology, Warhol is the ideal artist and NFTs are the ideal medium to reintroduce his pioneering digital artworks,” said Noah Davis, the Christie’s specialist leading the sale.
It began life began as a white refrigerator door in an apartment in SoHo, but by the 1990s, it was anything but plain. It was covered with the graffiti tags and wide-marker signatures of the famous friends of the tenant in the apartment. “Madonna Loves Keith,” read one inscription.
Yes, that Madonna. The tenant was the artist Keith Haring, a star of the SoHo art scene, who partied with Andy Warhol and graffiti artists like LA II (whose real name is Angel Ortiz) and Fab Five Freddy (Fred Brathwaite), both of whom signed the refrigerator. Also on the door are the letters JM, which the auctioneer Arlan Ettinger, in an interview, speculated had belonged to Jean-Michel Basquiat, the downtown artist who became a megawatt celebrity. (Ettinger said he had tried to verify the Basquiat signature but that “there’s no way of absolutely confirming” it’s his writing or not.)
Ettinger, who will sell the refrigerator door on Wednesday at Guernsey’s, said the door served as Haring’s guest register. “It seemed like everybody who was anybody showed up there,” he said, “and you signed in on that refrigerator door. It’s not beautiful, but it’s of that moment, of that time. It reflects a certain spirit, a creativeness, that is alive today if you think about the people who were there — Madonna, and a long, long list of artists.”
Ettinger said the owner, a yoga instructor in California, had insisted on privacy, so much so that he said he did not even know her name. He said his contract to sell the door was with a friend of the owner who forwarded an email describing how the owner had found the apartment on Broome Street — she saw an ad for a “spacious railroad apartment” in The Village Voice in 1990. It came with “this amazing refrigerator covered with the graffiti of the Haring era.” The walls had once been covered, too, but she said that the landlord had repainted them.
She returned home one sweltering day to learn that the refrigerator had conked out and was removed; the delivery men had left it on the street to be picked up with the garbage.
“I raced outside,” the email said. “There, in the back alley, was our old friend, the Haring fridge, lying on its side. The door slipped off the body of the fridge easily. I brought it upstairs while my roommate retrieved the smaller top freezer door.”
In 1993, when she moved to California, she carted the door to her parents’ home in Washington, and stored it in their attic, where it stayed until about 2010, when her mother shipped it to her.
Andy Warhol, whose signature is also on the refrigerator door, figures in another item in the auction: A moose head he owned. The auction will be conducted online through Liveauctioneers.com and Invaluable.com, and by telephone from Guernsey’s. Ettinger’s estimate for the refrigerator door is “in the hundreds of thousands of dollars.”
It was a cool and dark environment, but not your traditional wine cellar.
Not when it involved orbiting the Earth about 250 miles up at a speed of 17,500 miles per hour aboard the International Space Station, which is where a celebrated bottle of red wine from France’s Bordeaux region spent 14 months, according to Christie’s auction house.
The bottle, a Pétrus from the year 2000, is now being sold by Christie’s, which lists the estimated price of the bottle at $1 million.The company is calling it a “space-aged” wine for discerning connoisseurs, as private-sector monetization of space exploration and research ascends. Sip slowly.
“This bottle of Pétrus 2000 marks a momentous step in the pursuit of developing and gaining a greater understanding of the maturation of wine,” Tim Triptree, the international director of Christie’s wine and spirits department, said in a statement on Tuesday.
Renowned for its complexity and tasting notes of black truffles, black cherries, licorice and mulberry, the 21-year-old Pétrus is regarded as one of the best vintages in the world of wine. A 750-milliliter bottle typically fetches several thousand dollars.
Wine Spectator reported.
That same year, a rare bottle of Macallan whisky hand-painted by the Irish artist Michael Dillon sold for 1.2 million pounds (about $1.7 million in current U.S. dollars), Christie’s said. Earlier in 2018, two other rare bottles of whisky each sold for $1 million.
Blue Origin, the rocket company founded by Jeff Bezos, will launch a rocket into space with passengers on board for the first time in July, the company said on Wednesday.
One seat on the flight, which will carry six astronauts on a short jaunt to the edge of outer space, is up for auction.
The first astronaut flight of New Shepard, a suborbital spacecraft, is scheduled for July 20, the 52nd anniversary of the Apollo 11 moon landing.
“We’ve spent years testing, so we’re ready,” Ariane Cornell, director of astronaut sales for Blue Origin, said at a news conference on Wednesday.
millions of people eventually living and working in space.
For now, most of Blue Origin’s business has stayed closer to Earth. It builds and sells rocket engines to another rocket company, United Launch Alliance. A rocket that would lift cargo to orbit is not expected to be ready for years, and the company recently lost a competition with SpaceX for a contract to build a moon lander for NASA’s astronauts (it has protested the award). Customers have also paid to fly science experiments for NASA and private scientists during test flights of the New Shepard spacecraft.
It has been preparing for years for the start of its space tourism program, which would offer suborbital trips to what is considered the boundary of outer space, 62 miles above Earth. A competitor, Richard Branson’s Virgin Galactic, also plans to fly space tourists on suborbital jaunts. Virgin Galactic’s space plane, known as SpaceShipTwo, is flown by two pilots, so it has carried people to space on test flights, but no paying passengers yet.
Blue Origin’s tourist rocket is named after Alan Shepard, the first American to go to space. It has undergone 15 test flights, none of which had passengers aboard. Ahead of the latest test, in April, a crew rehearsed boarding and exiting the capsule.
For July’s crewed launch, astronauts will arrive to the launch site in West Texas four days before their flight for safety training, Ms. Cornell said.
terms of agreement for the auction listed on Blue Origin’s website, the winning bidder must have a height and weight from five feet tall and 110 pounds to 6-foot-four and 223 pounds.
The astronaut must also be comfortable with walking at heights above 70 feet above ground level on the gangway, be able to climb the launch tower — equivalent to seven flights of stairs — in less than 90 seconds and be able to fasten his or her own harness in less than 15 seconds.
The astronaut must also be comfortable with lots of pressure pressing down on him or her for several minutes during both the ascent and descent.
Proceeds from the winning bid will be donated to Club for the Future, a science and technology education foundation affiliated with Blue Origin, Ms. Cornell said.
Ms. Cornell declined to comment on potential pricing for regular tickets, and when they might go on sale for the general public. But she said there would be “a couple more crewed flights before the end of the year.”
She also declined to answer whether Mr. Bezos would be on the first flight and did not say if and when he would go to space.
On Wednesday, two of the three major auction houses announced shifts in the makeup of their leadership teams.
Phillips announced that Stephen Brooks would become the company’s next chief executive as its former leader, Edward Dolman, transitioned to a new role as executive chairman. Separately, Sotheby’s said that the head of its fine art division, Amy Cappellazzo, would depart the company after more than five years guiding it toward billionaire clients and major sales; her duties will be divided among three different employees when she leaves the auction house this summer.
Changes in the upper echelons of the auction world demonstrate how companies are trying to reposition themselves for growth during the pandemic, said Natasha Degen, chair of art market studies at the Fashion Institute of Technology.
26 percent decline in global auction sales last year. “So auction houses quickly pivoted online. They have taken a real interest in new categories like NFTs, sneakers and streetwear. There are also more collaborations between auction houses and luxury brands.”
Earlier this week, Phillips revealed a new advisory service intended to help their clients find works of art in the primary market, which consists of galleries and artists’ studios. The initiative demonstrated how auction houses have taken the year to diversify their offerings, making incursions into business areas once firmly controlled by art galleries.
“Our ambition is considerable,” said Brooks, who regards the advisory service as part of a larger plan to accelerate growth at the auction house. Brooks, 56, a key member of the board of Christie’s and its executive management team for over 11 years, also has plans to expand Phillips’s footprint in Asia and the 20th-century art market. He added that he would like to see the company double the size of its overall business in the next five years.
At Sotheby’s, change involves a triumvirate of new positions. Brooke Lampley will oversee auctions and private sales for categories including old masters and contemporary art; Mari-Claudia Jiménez will lead the company’s global business development activities; and Gregoire Billault is being promoted to chairman of contemporary art.
Art Agency, Partners, in 2014. Two years later, Sotheby’s acquired the company for $85 million and she signed a five-year contract, which ended in January.
Her tenure at Sotheby’s helped cement her reputation as an industry rainmaker. In 2016, she organized an auction of the musician David Bowie’s trove of artworks and a year later oversaw the $110.5 million sale of a Basquiat painting. Earlier this year, she also helped secure the $150 million collection of the philanthropist Anne Marion, which will be auctioned at Sotheby’s this spring.
“You sort of know when it’s the right time to leave,” Cappellazzo said in an interview, declining to discuss her next venture except to say that it would not be in direct competition with Sotheby’s. “The real story is what I’m doing next, but first I want this chapter to finish.”
Vietnam and Switzerland as manipulators in its final report in 2020. The Biden administration’s report undid those designations, citing insufficient evidence.
Instead, the department said it would continue “enhanced engagement” with Vietnam and Switzerland and begin such talks with Taiwan, which includes urging the trading partners to address undervaluation of their currencies.
“Treasury is working tirelessly to address efforts by foreign economies to artificially manipulate their currency values that put American workers at an unfair disadvantage,” Ms. Yellen said in a statement.
Taiwan is the United States’ 10th largest trading partner in 2019, according to the United States trade representative. Vietnam is the 13th largest, and Switzerland is 16th.
The Treasury Department did not label China as a currency manipulator, instead urging it to improve transparency over its foreign exchange practices.
Treasury kept China, Japan, Korea, Germany, Italy, India, Malaysia, Singapore and Thailand on its currency monitoring list, and added Ireland and Mexico.
Millions of workers are wondering what the office will be like when they go back after a long stretch of remote work. Employers are trying to prepare them for it.
IBM has designed a “reorientation” program to help its employees adjust when they return to a familiar setting but face a host of unfamiliar new procedures, the DealBook newsletter writes.
“It’s sort of like the first day of school,” said Joanna Daly, the company’s vice president of talent. “A day early, kids go and get to see the classroom or see how things work.”
This is needed, she said, because it is “not simply returning to the workplace as it existed before or the ways of working as it existed before.”
IBM made a “day in the life” video to show employees what to expect. One version of the 11-minute-long video seen by DealBook starts with “Paul” going back to one of IBM’s offices in Britain. To start the day, he goes through a self-screening checklist to assess potential exposure. He enters the office through designated entrances and picks up his masks for the day (and disinfectant wipes if he needs them). Arrows guide him through the halls and up one-way staircases. Only one person is allowed in the bathroom at a time.
The cafeteria is closed, so Paul must bring his lunch. He can’t use the whiteboards or marker pens in conference rooms (and he shouldn’t linger there longer than necessary). If Paul sees other IBMers not following the safety protocols, “It is OK to politely remind them,” the narrator assures him.
Along with the video, IBM produced an 18-page presentation depicting “Sonia’s’’ return to the workplace, serving as a friendly, cartoon-filled back-to-work manual.
“We’re looking now at how might anxiety manifests itself differently for different employees around being back together and then how do we address that,” Ms. Daly said, “through practical understanding of health and safety and also through having enough flexibility in the environment that everyone can kind of get used to coming back.”
IBM, which has 346,000 employees, hasn’t set a timeline for when its U.S. workers will return to the office. The company’s chief executive, Arvind Krishna, has said he expects 80 percent of them will work in a hybrid fashion when they do.
Mercedes-Benz unveiled an electric counterpart to its top-of-the-line S-Class sedan on Thursday, the latest in a series of moves by German automakers to defend their dominance of the high end of the car market against Tesla.
The EQS, which will be available in the United States in August, is the first of four electric vehicles Mercedes will introduce this year, including two S.U.V.s that will be made at the company’s factory in Alabama and a lower-priced sedan. Mercedes did not announce a price for the EQS, but it is unlikely to be lower than the S-Class, which starts at $94,000 in the United States.
The cars could be decisive for Daimler, the parent company of Mercedes, as it tries to adapt to new technology.
“It is important to us,” Ola Källenius, the chief executive of Daimler, said of the EQS during an interview. “In a way it is kind of day one of a new era.”
The EQS has a range of 770 kilometers or about 480 miles, according to Mercedes. If that figure is confirmed by independent testing, the EQS would dethrone the Tesla Model S Long Range Plus as the production electric car that can travel the farthest between charges. The Tesla currently occupies the No. 1 spot with a range of just over 400 miles, according to rankings by Kelley Blue Book.
The EQS owes its stamina to advances in battery technology and an exceptionally aerodynamic design, Mr. Källenius said. Some analysts question whether Mercedes can sell enough electric vehicles to justify the cost of development, but Mr. Källenius said, “We will make money with the EQS from the word ‘go.’”
The EQS is the latest attempt by German carmakers to show that they can apply their expertise in engineering and production efficiency to battery-powered cars. Vehicles are Germany’s biggest export, so the carmakers’ success or failure will have a significant impact on the country’s prosperity.
On Wednesday, Audi, the luxury unit of Volkswagen, unveiled the Q4 E-Tron, an electric SUV. The Q4 shares many components with the Volkswagen ID.4, an electric SUV that the company began delivering to customers in the United States in March. Though priced to compete with internal combustion models, neither vehicle offers as much range as comparable Tesla cars.
In the S-Class tradition, the EQS offers over-the-top luxury features like software that can recognize when a driver might be feeling fatigued and can offer to turn on the massage function embedded in the seat.
“You’re going to get S-Class level refinement in a very, very high performing electric car,” Mr. Källenius said. “That’s your buying argument.”
China on Friday reported that its economy grew by a remarkable 18.3 percent in the first three months of this year compared with the same period last year.But the spike is as much a reflection of how bad matters were a year ago — when the China’s output shrank by 6.8 percent — as it is an indication of how China is doing now.
Global demand for the computer screens and video consoles that China makes is soaring as people work from home and as a pandemic recovery beckons. That demand has continued as Americans with stimulus checks look to spend money on patio furniture, electronics and other goods made in Chinese factories.
China’s recovery has also been powered by big infrastructure. Cranes dot city skylines. Construction projects for highways and railroads have provided short-term jobs. Property sales have also helped strengthen economic activity.
Exports and property investment can carry China’s growth only so far. Now China is trying to get its consumers to return to their prepandemic ways.
Unlike much of the developed world, China doesn’t subsidize its consumers. Instead of handing out checks to jump-start the economy last year, China ordered state-owned banks to lend to businesses and offered tax rebates.
Travel restrictions over the Lunar New Year holiday dampened consumer appetite and slowed the momentum of Chinese shoppers. But retail data on Friday showed that March sales were better than expected, raising hopes that consumers might be starting to feel confident.
By: Ella Koeze·Data delayed at least 15 minutes·Source: FactSet
Global stocks rose on Friday after a string of strong economic reports and company earnings.
The S&P 500 rose 0.2 percent, set for its fourth straight week of gains and another record. The benchmark had gained 1 percent in the week through Thursday and is up nearly 5 percent so far this month.
The Stoxx Europe 600 rose 0.6 percent on Friday, also climbing to a record, while the FTSE 100 in Britain climbed above 7,000 points for the first time since February 2020. Stock indexes in Japan, Hong Kong and China all closed higher.
China reported on Friday that its economy grew by 18.3 percent in the first three months of the year compared with the same period last year, when swathes of the country had been shut down because of the coronavirus pandemic. On Thursday, data showed U.S. retail sales in March leapt past expectations, increasing by nearly 10 percent, and initial state jobless claims fell last week to their lowest level of the pandemic.
This week, banks including Goldman Sachs and JPMorgan Chase reported better-than-expected earnings, and their chief executives delivered upbeat economic forecasts.
The yield on 10-year Treasury notes slipped to 1.57 percent on Friday. Last month, concerns that government spending would overheat the economy and lead to higher inflation sent bond yields shooting higher, to 1.74 percent on March 31. But those worries appear to have been soothed by central bank officials, who have repeatedly said they expect increases in inflation to be temporary.
Earlier this week, data showed that prices in the United States rose2.6 percent in March from a year earlier, a larger-than-normal increase partly because prices of some items fell in March 2020 as the pandemic took hold.
Another reason yields have drifted lower is a “remarkable” demand for bonds, ING, a Dutch bank, said. Recent Treasury bond auctions have received more bids than normal, and JPMorgan Chase sold $13 billion of bonds on Thursday, the biggest sale ever by a bank, according to Bloomberg.
“Cash has to go somewhere, and it can’t all go into equities,” the ING analysts wrote in a note to clients.
Twitter said on Thursday that it had blocked the account of James O’Keefe, the founder of the conservative group Project Veritas.
Mr. O’Keefe’s account, @JamesOKeefeIII, was “permanently suspended for violating the Twitter Rules on platform manipulation and spam,” specifically that users cannot mislead others with fake accounts or “artificially amplify or disrupt conversations” through the use of multiple accounts, a Twitter spokesman said.
In a statement on his website, Mr. O’Keefe said he will file a defamation lawsuit against Twitter on Monday over its claim that he had operated fake accounts.
“This is false, this is defamatory, and they will pay,” the statement said.
“Section 230 may have protected them before, but it will not protect them from me,” Mr. O’Keefe said, referring to a legal liability shield for social media. That shield, part of the federal Communications Decency Act, has become a favorite target of lawmakers in both parties.
In February, Twitter permanently suspended the Project Veritas account, saying it had posted private information. It also temporarily locked Mr. O’Keefe’s account.
To keep you watching, YouTube serves up videos similar to those you have watched before. But the longer someone watches, the more extreme the videos can become.
Caolan Robertson learned how making clever edits and focusing on confrontation could help draw millions of views on YouTube and other services. He also learned how YouTube’s recommendation algorithm often nudged people toward extreme videos.
Over more than two years, he helped produce and publish videos for right-wing Youtube personalities including Lauren Southern, Cade Metz reports for The New York Times.
Knowing what garnered the most attention on YouTube, Mr. Robertson said, he and Ms. Southern would devise public appearances meant to generate conflict. They attended a women’s march in London and, with Ms. Southern playing the part of a television reporter, approached each woman with the same four-word question: “Women’s rights or Islam?”
They often received a confused, measured or polite response, according to Mr. Robertson. They continued to ask the question and sharpened it. Ms. Southern, for example, said it would be difficult for Muslim women to answer the question because their husbands wouldn’t let them attend the march. That caused anger to build in the crowd.
“It appears in the videos that we are just trying to figure out what is going on, gather information, understand people,” Mr. Robertson said. “But really, we were trying to find the most incendiary way of making them mad.”
Ms. Southern described the situation differently. “We asked the question because we knew it was going to force people to question their own political views and realize the contradiction in being a hard-core feminist but also supporting a religion that, quite frankly, has questionable practices around women,” she said. And, she added, they used video techniques that any media company would use.
A court has awarded attendees of the infamous Fyre Festival approximately $7,220 apiece, nearly four years after they were left scrounging for makeshift shelter on a dark beach. The $2 million class-action settlement, reached Tuesday in U.S. Bankruptcy Court in the Southern District of New York between organizers and 277 ticket holders from the 2017 event, is still subject to final approval, and the amount could ultimately be lower depending on the outcome of Fyre’s bankruptcy case with other creditors.
CBS is turning to a pair of outsiders to restore the fortunes of a news operation that trails its rivals at ABC and NBC. CBS said on Thursday that Neeraj Khemlani, a vice president at the publishing powerhouse Hearst, and Wendy McMahon, a former ABC executive, would succeed Ms. Zirinsky. The two will serve as presidents and co-heads of CBS News, a division that will be expanded to include local stations owned by the network.
WASHINGTON — The Biden administration on Thursday announced tough new sanctions on Russia and formally blamed the country’s premier intelligence agency for the sophisticated hacking operation that breached American government agencies and the nation’s largest companies.
In the broadest effort yet to give more teeth to financial sanctions — which in the past have failed to deter Russian activity — the sanctions are aimed at choking off lending to the Russian government.
In an executive order, President Biden announced a series of additional steps — sanctions on 32 entities and individuals for disinformation efforts and for carrying out the Russian government’s interference in the 2020 presidential election. Ten Russian diplomats, most of them identified as intelligence operatives, were expelled from the Russian Embassy in Washington. The country also joined with European partners to sanction eight people and entities associated with Russia’s occupation in Crimea.
The announcement is the first time that the U.S. government had placed the blame for the “SolarWinds” hacking attack right at the Kremlin’s feet, saying it was masterminded by the SVR, one of the Russian intelligence agencies that was also involved in the hacking of the Democratic National Committee six years ago. The finding comports with the findings of private cybersecurity firms.
SolarWinds; to the C.I.A.’s assessment that Russia offered bounties to kill American troops in Afghanistan; and to Russia’s longstanding effort to interfere in U.S. elections on behalf of Donald J. Trump. The key to the sanctions’ effectiveness, officials concede, will be whether European and Asian allies go along with that ban, and whether the United States decides to seek to extend the sanctions by threatening to cut off financial institutions around the world that deal in those Russian bonds, much as it has enforced “secondary sanctions” against those who do business with Iran.
In a conversation with President Vladimir V. Putin on Tuesday, Mr. Biden warned that the United States was going to act to protect its interests, but also raised the prospect of a summit meeting between the two leaders. It is unclear whether Russia will now feel the need to retaliate for the sanctions and expulsions. American officials are already alarmed by a troop buildup along the border of Ukraine and Russian naval activity in the Black Sea.
And inside American intelligence agencies there have been warnings that the SolarWinds attack — which enabled the SVR to place “back doors” in the computer networks — could give Russia a pathway for malicious cyber activity against government agencies and corporations.
Jake Sullivan, Mr. Biden’s national security adviser, has often said that sanctions alone will not be sufficient, and said there would be “seen and unseen” actions against Russia. Mr. Biden, before his inauguration, suggested the United States would respond in kind to the hack, which seemed to suggest some kind of clandestine cyber response. But it may take weeks or months for any evidence that activity to come to light, if it ever does.
SolarWinds attack because that was the name of the Texas-based company whose network management software was subtlety altered by the SVR before the firms customers downloaded updated version. But the presidential statement alludes to the C.I.A.’s assessment that Russia offered bounties to kill American troops in Afghanistan and explicitly links the sanctions to Russia’s longstanding effort to interfere in U.S. elections on behalf of Donald J. Trump.
In the SolarWinds breach, Russian government hackers infected network-management software used by thousands of government entities and private firms in what officials believe was, at least in its opening stages, an intelligence-gathering mission.
The SVR, also known as the Russian Foreign Intelligence Service, is primarily known for espionage operations. The statement said American intelligence agencies have “high confidence in its assessment of attribution” of responsibility to Russia.
In an advisory, the United States described for private companies specific details about the software vulnerabilities that the Russian intelligence agencies used to hack into the systems of companies and governments. Most of those have been widely known since FireEye, a private security firm, first found evidence of the hack in December. Until FireEye’s discovery, the actions had been entirely missed by the U.S. government, largely because the attack was launched from inside the United States — where, as the Russians know well, American intelligence agencies are prohibited from operating.
Previous sanctions against Russia have been more narrowly drawn and have largely affected individuals. As such, the Kremlin has largely appeared to absorb or shrug off the penalties without changing its behavior.
trading in Moscow before the announcement, the ruble’s exchange rate to the dollar dropped about 1 percent, reflecting nervousness over how the sanctions would play out. The main stock index, Mosbirzhi, also fell just over 1 percent.
The fallout so far reflects years of Russian government policy to harden its financial defenses against sanctions and low oil prices by running budget surpluses and salting away billions of dollars in sovereign wealth funds.
Balanced budgets have been a core economic policy principle of Mr. Putin, who came to power more than 20 years ago during a post-Soviet debt crisis that he saw as humiliating for Russia and vowed not to repeat.
Still, analysts say strains from the past year of pandemic and the drop in the global price of oil, a major Russian export commodity, have left Russia more vulnerable to sanctions targeting sovereign debt. By the first quarter of this year, however, a recovery in oil prices had helped return the federal budget to surplus.
Michael D. Shear and David E. Sanger reported from Washington, Steven Erlanger from Brussels, and Andrew E. Kramer from Moscow.
The marble idol was carved as many as 6,000 years ago, a 9-inch-tall female figure with a sleek, abstract form, its head tilted slightly upward as if staring into the firmament.
By the 1960s the idol had been transported to the United States, where it was in the possession of the court tennis star and art collector Alastair Bradley Martin and his wife, Edith, and known as “The Guennol Stargazer.”
Christie’s listed the stargazer for sale in 2017, drawing the attention of the Turkish government, which asked for the auction to be halted.
The Turkish government then sued Christie’s, saying the idol had been looted. The government asked the court to find that it is the rightful owner of the idol and cited the 1906 Ottoman Decree, which asserts broad ownership of antiquities found in Turkey. But the auction proceeded and the idol fetched a price of $14.4 million, before the unidentified buyer backed away.
agreed to return a collection known as the Lydian Hoard, which included more than 200 gold, silver and bronze objects from the reign of King Croesus of Lydia, a kingdom in western Asia Minor that flourished in the seventh and sixth centuries B.C.
And in 2012, the government of Turkey asked museums in Los Angeles, New York and Washington to turn over dozens of artifacts it said were looted from the country’s archaeological sites.
It is generally accepted that the item at issue in the lawsuit originated in Kulaksizlar, the home of the only workshop known to have produced the stargazers. The figures were so-called because of the angle at which a large head rests on a thin neck, Christie’s said in an online description, creating “the whimsical impression of the figure staring up at the heavens.”
When the Guennol Stargazer was first listed for auction, Christie’s said it was “considered to be one of the most impressive of its type known to exist,” adding that it had been on loan at the Metropolitan Museum of Art at various periods from 1966 to 2007.
The Turkish government said that one of its witnesses, Neil Brodie, a senior research fellow in the School of Archaeology at the University of Oxford, would provide “comprehensive scientific evidence” for his conclusion that the idol was almost certainly found in Turkey.
for part of the Lydian Hoard. (The museum’s former director, Thomas Hoving, once referred to Klejman as among his “favorite dealer-smugglers.”)
Christie’s and Steinhardt have maintained that the Turkish government cannot prove ownership of the idol under the 1906 decree because it has “no direct evidence of where or when the Stargazer Idol was found, excavated or exported: it has no witnesses to the excavation or export and no photographs.”
The defendants also have said that Turkey knew about the presence of the idol in New York as early as 1992 but did not act on that knowledge.
“Turkey’s 25-year delay in making its claim baited the trap for dealers, collectors and auction houses,” defense lawyers said in court papers. “And set them up for huge losses when Turkey claimed the Idol only after it came up for sale at a major auction house.”