Leaders of more than 100 countries, including Brazil, China and the United States, vowed on Monday at climate talks in Glasgow to end deforestation by 2030, seeking to preserve forests crucial to absorbing carbon dioxide and slowing the rise in global warming.
The pledge will demand “transformative further action,” the countries’ declaration said, and it was accompanied by several measures intended to help put it into effect. But some advocacy groups criticized them as lacking teeth, saying they would allow deforestation to continue.
Prime Minister Boris Johnson of Britain was scheduled to announce the deforestation agreement at an event on Tuesday morning attended by President Biden and the president of Indonesia, Joko Widodo.
“These great teeming ecosystems — these cathedrals of nature — are the lungs of our planet,” Mr. Johnson is expected to say.
climate summit, known as COP26. Intact forests and peatlands, for example, are natural storehouses of carbon, keeping it sealed away from the atmosphere. But when these areas are logged, burned or drained, the ecosystems switch to releasing greenhouse gases.
If tropical deforestation were a country, it would be the third-biggest emitter of greenhouse gases in the world, according to the World Resources Institute, after China and the United States. Much of the world’s deforestation is driven by commodity agriculture as people fell trees to make room for cattle, soy, cocoa and palm oil.
even make rain, supporting agriculture elsewhere. They are fundamental to sustaining biodiversity, which is suffering its own crisis as extinction rates climb.
Previous efforts to protect forests have struggled. One program recognized in the Paris climate accord seeks to pay forested nations for reducing tree loss, but progress has been slow.
Previous promises to end deforestation also have failed. A United Nations plan announced in 2017 made similar commitments. An agreement in 2014 to end deforestation by 2030, the New York Declaration on Forests, set goals without a means to achieve them, and deforestation continued.
The same will happen this time, some environmentalists predicted.
“It allows another decade of forest destruction and isn’t binding,” said Carolina Pasquali, executive director of Greenpeace Brazil. “Meanwhile, the Amazon is already on the brink and can’t survive years more deforestation.”
Supporters of the new pledge point out that it expands the number of countries and comes with specific steps to save forests.
“What we’re doing here is trying to change the economics on the ground to make forests worth more alive than dead,” said Eron Bloomgarden, whose group, Emergent, helps match public and private investors with forested countries and provinces looking to receive payments for reducing deforestation.
The participating governments promised “support for smallholders, Indigenous Peoples and local communities, who depend on forests for their livelihoods and have a key role in their stewardship.”
have begun emitting more carbon than they store.
China is one of the biggest signatories to the deforest declaration, but the country’s top leader, Xi Jinping, did not attend the climate negotiations in Glasgow. China suffered heavy forest losses as its population and industry grew over the past decades, but more recently, it has pledged to regrow forests and to expand sustainable tree farming.
By China’s estimate, forests now cover about 23 percent of its landmass, up from 17 percent in 1990, according to the World Bank. Though some research has questioned the scale and the quality of that expanded tree cover, the government has made expanded reforestation a pillar of its climate policies, and many areas of the country are notably greener than they were a couple of decades ago.
Still, China’s participation in the new pledge may also test its dependence on timber imported from Russia, Southeast Asia and African countries, including large amounts of illegally felled trees.
In a written message to the Glasgow meeting, Mr. Xi “stressed the responsibility of developed countries in tackling climate change, saying that they should not only do more themselves, but should also provide support to help developing countries do better,” Xinhua news agency reported.
Building dams that flood land, the beavers have infuriated farmers. Some have obtained permits to kill the animals — setting off outrage among conservationists.
By Stephen Castle
Photographs by Kieran Dodds
EDINBURGH — Wrapped inside a brown hessian sack, the baby beaver wriggled as it was carried to an examination table, but gave up the fight as a veterinarian deftly punched a microchip into its thick pelt and removed clumps of brown fur for samples.
“It’s stressful for the animal,” said Romain Pizzi, a wildlife specialist, as he extracted blood from the scaly flat tail of the male kit captured just a few hours earlier. Nonetheless, he added, this was a lucky young beaver.
“The alternative,” he said, “is that it’s going to be shot.”
But the sanctioned killing of an otherwise protected species has enraged conservationists, prompting a legal challenge and igniting a polarizing debate about farming, biodiversity and the future of Scotland’s countryside.
Although there was an official trial reintroduction of beavers in 2009 in the west of Scotland, the animal’s return is primarily a result of earlier escapes or unauthorized releases of beavers imported privately, mainly from Bavaria or Norway. The growing population is most evident in the streams of Tayside, north of Edinburgh.
The five-month-old kit in the examining room, weighing in around nine pounds, had been caught in a trap in Tayside and rescued from what is called a “conflict area” — where, because of the damage the animals cause, farmers have won licenses to kill them. In 2020, they killed 115 of the animals, about 10 percent of a beaver population that now stands at roughly 1,000 across Scotland.
the new Scottish government’s draft policy program.
In Scotland, beaver territories, which vary in size but typically feature around four animals, have increased steadily — from 39 in 2012 to 251 in 2020-21, according to an official report. In 2019, beavers were given protected status, albeit with farmers able to apply for licenses to cull.
Now, a rewilding charity, Trees for Life, has challenged the Scottish government’s nature agency, NatureScot, in court claiming that it issues licenses too readily.
Bamff estate in Perthshire, where Paul and Louise Ramsay run an eco-tourism operation. The Ramsays brought Scotland’s first recent-era beavers to the site in 2002, when there were fewer restrictions, as part of their own beaver rewilding project.
The idea was to restore natural habitats on their land after centuries of drainage designed to maximize farm yields. A significant transformation can be seen in a wild, scenic stretch of the 1,300-acre estate, which has been in the family since 1232.
Tall trees felled by beavers have crashed into pools of water separated by dams. Along the bank of a small river stood birch trees that were almost gnawed through; a few meters away a beaver could be seen swimming with a large clump of foliage in its mouth.
regulate the water level of their aquatic habitats.
The 20 or so beavers living here have killed many trees, a point of contention for the Ramsays’ critics. But they have attracted otters, allowed water pools to fill with trout, frogs and toads, and given a nesting place in dead trees to woodpeckers, Ms. Ramsay said.
She said the problem was not the beavers, but farmers who think that any land that does not produce a crop is wasted.
“Their motivation is to drain, drain, drain, so a beaver comes along and wants to make a wet bit here or there — which might be a brilliant habitat — that’s against the farmer’s interest,” she said.
Some beavers did escape from Bamff, Ms. Ramsay acknowledged. She claimed that by the time that happened, though, others had already escaped from a wildlife park some distance away.
The Ramsays took over management of the estate in the 1980s. In the late 1990s, Mr. Ramsay said, he became excited by the idea of introducing beavers at a time when he says the farming and fishing lobby had blocked an official trial project. He denies suggestions from critics that he deliberately let beavers escape to speed things up.
At his farm not far away in Meigle, Adrian Ivory was unconvinced. “Those animals have now escaped for whatever reason,” he said, “and the financial burden is not on the person who caused the problem but on us where the issue now is. They’re now being hailed as heroes for getting beavers back in and there is no thought about what damage it’s doing to our livelihoods.”
Beaver dams in a stream on his land must be removed regularly, Mr. Ivory said, because they threaten the drainage system in a nearby field and caused one year’s crop to rot. Burrowing threatens the stability of banks, making it potentially dangerous to use tractors.
Mr. Ivory said the damage may have cost him £50,000, including wrecked crops and labor costs. “If you rewild everywhere, where’s your next meal coming from?” he asked. “Food becomes a lot more expensive, or you have to import it.”
Mr. Ivory declined to discuss whether he had culled the beaver population on his land, but said he allowed the animals to be trapped for relocation, a task undertaken in Tayside by Roisin Campbell-Palmer, the restoration manager at the Beaver Trust charity.
She works with farmers, rising early in the morning to check traps, then relocating animals to beaver projects in England, where more than 50 have been sent. (Scotland does not allow the animals to be relocated within the country.)
Ms. Campbell-Palmer said she found beavers fascinating and admired their dam-building skills, tenacity and single-mindedness. That said, she understands the complaints of farmers and admits that, having seen some particularly destructive tree-felling, has occasionally said to herself, “‘Of all the trees to cut down, why did you do that one?’”
As she inspected a trap filled with carrots, turnips and apples, Ms. Campbell-Palmer reflected on the ferocious debate and concluded that beavers had undeniably achieved one thing in Scotland.
“I think what they are doing,” she said, “is making us ask wider questions about how we are using the landscape.”
This article was produced in partnership with the Pulitzer Center’s Rainforest Investigations Network.
RIO DE JANEIRO — Facing strong international condemnation over the destruction of the Amazon, President Jair Bolsonaro’s government came up with a strategy: It offered companies the chance to “adopt” a patch of rainforest.
But the plan — which invites companies to contribute money to help preserve the forest — has been marred by disorganization and met with skepticism by critics, who see it as an effort to “green wash” the Bolsonaro administration’s poor record on the environment.
It also hasn’t found many takers.
The program was announced in February, as the Biden administration made clear that it expected Brazil to reverse some of the forest loss and dismantling of environmental protections that marked Mr. Bolsonaro’s first two years in office.
the Adopt-a-Park program would accomplish two of the Bolsonaro administration’s goals: redeem Brazil’s tarnished environmental image, which industry leaders have feared could shut them out of international markets, and outsource the costs of conservation at a time of tightening budgets.
“Many of these companies, investment funds that signed letters demonstrating their concern about the Amazon,” said Ricardo Salles, the minister of the environment, “now have in Adopt a Park a concrete, very simple and efficient possibility of transforming their statements into action.”
The government offered 132 federal reserves in the Amazon for sponsorship. So far, only three foreign companies — the grocery chain Carrefour, Coca-Cola and Heineken — and five Brazilian corporations have enrolled. Their donations total just over $1 million — a tiny fraction of the $600 million that Mr. Salles aspires to raise.
Protected Areas of the Amazon program has raised tens of millions of dollars from governments and companies for protected areas in the Amazon.
Through the Adopt-a-Park program, sponsoring companies pay at least $9.5 per hectare of the reserve’s area per year. To sponsor the biggest park costs almost $35 million annually, while the smallest go for $23,000 a year.
Once sponsorship deals are finalized, companies donate goods and services — which could include vehicles or a fire brigade — to the Chico Mendes Institute office in each reserve.
July to share responsibility for protecting the Amazon with nongovernment actors. As protests over fires in the Amazon rainforest intensified, he challenged the actor Leonardo DiCaprio, one of the government’s most prominent critics, to sponsor a reserve.
“Are you going to put your money where your mouth is?” Mr. Salles wrote on Twitter in September.
Beyond proposing the park-adoption program before the climate change summit convened by the Biden administration last month, Brazil’s government seems to have done little to improve its environmental policies.
At the summit, Mr. Bolsonaro vowed to allocate more money to environmental protection agencies. But the very next day the government did the opposite, signing into law a budget that further slashed funding for the agencies.
And federal lawmakers are considering a bill that would make it easier for companies to get environmental permits for new farming, mining and infrastructure ventures.
“Is receiving donations as they are proposing going to compensate for all that?” asked Natalie Unterstell, a climate policy expert who has been tracking the program. “No. It’s a palliative measure.”
When you stand in the Chimanimani Mountains, it’s difficult to reconcile their present serenity with their beleaguered past. From the valleys below, enormous walls of gray stone rise above dense deciduous forests. Hidden among various crevices are ancient rock paintings, made in the late Stone Age by the San people, also known as Bushmen; they depict dancing men and women, and hunting parties chasing after elephants. There’s even a painting of a crocodile so enormous that it may forever deter you from the riverbank.
As you climb higher, toward Mount Binga, Mozambique’s highest peak, the forests flatten into expanses of montane grasslands. Wild, isolated, lost in time, it’s a place where rich local traditions live on, where people still talk about ancestral spirits and sacred rituals. A local guide there once told me about a sacred mountain, Nhamabombe, where rainmakers still go to make rain.
Gorongosa, Mozambique’s most famous national park, Chimanimani National Park marks the latest triumph in an environmental renaissance for a country where, just 30 years ago, armies were still funding wars with the blood of poached wildlife.
BIOFUND, a nonprofit dedicated to conservation, and Fauna & Flora International, an international wildlife conservation organization. The expeditions involved scientists from seven countries, including several from Mozambique.
As a doctoral student completing my field research in Gorongosa, I participated as the mammal expert on the annual biodiversity surveys. After finishing my Ph.D. in 2018, I shifted to a career in photojournalism. I went on my last two biodiversity surveys in 2018 and 2019 — first in Chimanimani’s buffer zone, then in the heart of Chimanimani — as the photographer.
These surveys are like biological treasure hunts. Scientists, each with a different specialty, are let loose in the landscape to unearth as many species as they can.
The mammalogists set camera traps for large mammals like antelope, live traps for small mammals like rodents, and mist nets for bats. The ornithologists arm themselves primarily with binoculars, their ears and an astonishing memory for bird songs. By day, the entomologists sweep their butterfly nets in the grassland and, by night, often stand at a light surrounded by clouds of insects, picking them out of their hair and waiting for something interesting to land.
The herpetologists, or reptile and amphibian specialists, shoot rubber bands to temporarily stun lizards, dive into knee-high water after agile frogs, and generally avoid being bitten by venomous snakes while far away from medical care.
By contrast, the botanists have a tranquil task: there’s something relaxing and almost elegant about strolling across the mountainside, inspecting beautiful flowers and pressing some in paper for posterity.
Biodiversity surveys are not for the faint of heart, and they cast more than a little doubt on the idea that scientists are all boring nerds in lab coats.
Through the years, I myself have been bitten by a tarantula, several bats, a mouse, countless insects and even a (nonvenomous) snake. Once, back in New Jersey after a survey, a doctor flushed my ears when I complained of muffled hearing. Out poured dozens of tiny, wax-entombed insects in various shapes and sizes. (The experts often wear plugs in their ears while standing at the insect light for this exact reason.)
There’s something about this change of pace that I’ve always found immensely appealing. In the cool Chimanimani mornings, the scientists who didn’t have to be up before dawn chasing their species would lounge, sipping instant coffee from plastic mugs and watching the clouds cast shadows onto the giant rock dome.
Featuring a diverse set of rare and endemic avian species, Chimanimani is a bird-watcher’s paradise. At Rio Nyahedzi, a camp some 4,000 feet above sea level, the survey’s ornithologists found the bokmakierie, a bird that was last seen in Mozambique in the 1970s. (Nyahedzi is close to Mount Binga, which lies directly on the border between Mozambique and Zimbabwe.)
As the park gets more attention, it will also attract hikers and rock climbers. Some of the park’s most beautiful waterfalls are 15 miles from the nearest road, and you can hike for days without seeing another human being. The park vibrates with solitude, adventure and discovery.
At the end of the two surveys, scientists in Chimanimani had found more than 1,400 species: 475 plants, 43 mammals, 260 birds, 67 amphibians and reptiles, and at least 582 species of insects. Some are new to science.
“It was amazingly productive as a rapid survey,” said Rob Harris, of Fauna & Flora International’s Mozambique program, emphasizing that the discoveries took place in a relatively short period of time.
The incredible diversity uncovered by the surveys is only a part of what’s known. As a whole, the Chimanimani Mountains are known to contain almost 1,000 plant species alone. Seventy-six plant and animal species are endemic to the Chimanimani Mountains, meaning they exist nowhere else on Earth.
Like all wild places, Chimanimani’s future is anything but certain. Endemic species are particularly threatened by climate change; because of their restricted range, they don’t have anywhere else to go as conditions become unsuitable. And human population growth will continue to jeopardize the fringes of the park. “The deforestation outside the park and in the buffer zone was alarming,” said Zak Pohlen, an ornithologist.
But as I reflect on these surveys and my time in Mozambique, I can’t help but feel full of hope. I am inspired every day by the passion of young Mozambican conservationists to safeguard their country’s disappearing wilderness. And most of all, I’m inspired by their optimism.
One of the goals of these surveys is to train young Mozambicans to take over leadership roles in conservation. Ana Gledis da Conceição, a Mozambican mammalogist, for example, spent several years assisting me in surveying mammals; by 2019, she was co-leading the mammal team with Mnqobi Mamba, a master’s student at the University of Eswatini.
Ms. da Conceição says she’s exactly where she’s supposed to be — a young scientist who fights for the conservation of biodiversity. “I want to invite young people like me to embrace this cause for the good of all of us,” she said.
“In spite of everything,” she added, “Mozambique has much to contribute to the future of conservation.”
For as long as I can remember, the forests, lakes and mountains of my native Sweden have been my refuge. Half of the photos from my childhood depict me with an armful of wildflowers or a bucket brimming with — not to mention my face covered with the juices of — blueberries.
After moving abroad with my family at the age of 10 and adopting an ever more nomadic lifestyle as an adult — in the last decade I’ve worked primarily in Africa and Asia, usually without a permanent base — I have developed the happy knack of feeling at ease wherever I find myself, almost regardless of the circumstances.
WildSweden, took me along for what remains perhaps the most magical moment of my life: sitting at the edge of a lake, surrounded by a forest and the semidarkness of Swedish summer, listening to the howling of wolves just a few hundred meters away. They knew we were there, of course, but chose to remain nearby, making this auditory encounter one entirely on their terms.
photo essay about Swedish winter, I soon understood that things were far from ideal in what I had previously believed to be a largely untouched wilderness. Despite the extensive and expensive public relations campaigns run by Sweden’s forestry industry, it became very apparent that we are in real danger of losing our last old-growth forests through a process of clear-cutting and monoculture plantations. A curtain was pulled aside, as it were, and my feelings about the nature-loving country of my birth are now far more muddled.
Does it seem absurd if I claim to be as grateful for this insight as I am to have been introduced to the fascinating beauty of microscopic fungi? Well, I am. Ignorance might be bliss up to a point, but it rarely resolve existential threats.
There is a Swedish word — “hemmablind,” or home-blind — that I think is particularly relevant today, given our reduced ability to travel. We often overlook that which is close to home. We travel abroad to experience the exotic, just as we donate money to support faraway causes.
But venturing beyond our borders needn’t come at the expense of appreciating our immediate surroundings. Wherever home is, it undoubtedly offers much to appreciate and experience — as well as plenty to fight for.
Animal protection associations said they hoped the raid would put new focus on the illegal activity in the country that is the most egregious songbird killer in Europe.
Last week, a Brescia court held the first hearing of a local man who kept 788 dead songbirds in his freezer. They included robins, which are sold illegally for 3 to 5 euros to restaurants. They are particularly appreciated for their thin bill, which is, for some, considered edible.
In Italy, hunting any animal is permitted only with a license, and there are penalties for hunting protected species and selling them. For years, the issue has been at the center of a political clash between animal rights advocates often backed by progressive politicians — which have demanded stricter limitations — and hunters’ associations and conservative politicians, who aim to facilitate hunting.
Animal rights activists point out that songbirds are in danger throughout Europe, with 40 once-abundant migratory species disappearing.
“There is a general crisis of biodiversity,” said Annamaria Procacci, a board member of ENPA, Italy’s animal protection league, and a former Green Party senator.
“And then there are people feasting on it.”
Mr. Massardi, the official who called the protected bramblings a delicacy, is a hunter who has proposed removing protections for some songbirds, including those on Friday’s menu. He said he wanted to save tradition.
He was acting “in the name of the Brescian spit,” he said, a typical dish made of skewered slices of pork, chicken, rabbit and songbirds. The chaffinch and the brambling, he said, give the spit a distinctive tart taste that he has not savored for 10 years.
Have months of self-isolation, lockdown and working from home irrevocably changed what we will put on once we go out again? For a long time, the assumption was yes. Now, as restrictions ease and the opening up of offices and travel is dangled like a promise, that expectation is more like a qualified “maybe.” But not every country’s experience of the last year was the same, nor were the clothes that dominated local wardrobes. Before we can predict what’s next, we need to understand what was. Here, eight New York Times correspondents in seven different countries share dispatches from a year of dressing.
Italian Vogue called “a luxury version of classic two-piece sweats.”
Fabio Pietrella, the president of Confartigianato Moda, the fashion arm of the association of artisans and small businesses, said that while consumer trends indicated a shift from “a business look to comfort,” it was “not too much comfort.” Italian women, he said, had eschewed sportswear for “quality knitwear” that guarantees freedom of movement but with “a minimum of elegance.”
flyest city on the planet.
In the Senegalese capital, at Africa’s westernmost tip, men in pointy yellow slippers and crisp white boubous — loosefitting long tunics — still glide down streets dredged with Saharan dust. Young women still sit in cafes sipping baobab juice in patterned leggings and jeweled hijabs. Everyone from consultants to greengrocers still wears gorgeous prints from head to toe.
Occasionally they now wear a matching mask.
While much of the world was shut up at home, many people in West Africa were working or going to school as normal. Lockdown in Senegal lasted just a few months. It was impossible for many people here to keep it up. They depend on going out to earn their living.
the poet and revolutionary Amílcar Cabral loved.
joint report by the Boston Consulting Group and Retailers Association of India.
While infections were low during the winter, the past few weeks have seen cases rising to staggering levels in many parts of the country. Right now, it looks as though many people will be working from home for most of 2021 too.
For Ritu Gorai, who runs a moms network in Mumbai, that means she has barely shopped at all, instead using accessories like scarves, jewelry and glasses to jazz up her look and add a little polish.
For Sanshe Bhatia, an elementary schoolteacher, it has meant trading her long kurtas or formal trousers and blouses for caftans and leggings. In order to encourage her class of 30 kids to get dressed in the morning rather than attending lessons in their pajamas, she takes care to look neat and makes sure her long hair is brushed properly.
into a tailspin,” interviews with a range of Parisians suggest a compromise of sorts had been reached.
When Xavier Romatet, the dean of the Institut Français de la Mode, France’s foremost fashion school, went back to work, he didn’t wear a suit, but he did wear a white shirt under a navy blue cashmere sweater and beige chinos, as he would at home. He paired his outfit with sneakers by Veja, a French eco-friendly brand.
Similarly, Anne Lhomme, the creative director of Saint Louis, the luxury tableware brand, dresses the same whether remotely or in person. A favorite look, she said, includes a camel-colored cashmere poncho “designed by a friend, Laurence Coudurier, for Poncho Gallery” and loosefitting plum silk pants. Also lipstick, earrings and four Swahili rings she found in Kenya.
light blue or white shirts, which I buy at Emile Lafaurie or online from Charles Tyrwhitt, with a round-collar sweater if it’s cold” — and, from the waist down, “Uniqlo pants in stretch fabric.”
And Sophie Fontanel, a writer and former fashion editor at Elle, said, “I am often barefoot at home, alone, wearing a very pretty dress.”
Fifth, as well as high-fashion labels, have focused on bright satin, silk and linen shirts with bow ties or stand-up collars, striped patterns or gathered sleeves. The trend for such showy tops has led to a boom in clothing subscription services.
One such platform, AirCloset, announced that 450,000 users had subscribed in October 2020, three times more than in the same period in 2019. Often users request tops only (one bottom item is usually included), and there is now a limit of three in any one order.
“Customers prefer brighter colors to basics such as navy or beige for online meetings, or they prefer asymmetric design tops,” said Mari Nakano, the AirCloset spokeswoman. About 40 percent of subscribers are working mothers for whom the subscription service saved time because they didn’t have to be bothered with washing. They just put the tops in a bag, return them and then wait for the next package to arrive with their new items.
Ushatava, an independent label of sleek, geometrically tailored sleek designs in mostly muted natural colors. It was founded in Yekaterinburg, a city in the Ural Mountains that in the last few years has turned into a Russian fashion hub. 12Storeez, another rising brand from Yekaterinburg, saw its turnover balloon by 35 percent over the last year, even as the market overall shrank by a quarter, said Ivan Khokhlov, one of the founders.
Nastya Gritskova, the head of a P.R. agency in Moscow, said the effect of the pandemic was that for the first time in the Russian capital people stopped “paying attention at who wears what.” Yet last fall, when the government eased coronavirus-related restrictions, things started going back to normal.
“There isn’t a pandemic that can make Russian women stop thinking about how to look beautiful,” she said.
Elisabetta Povoledo, Ruth Maclean, Mady Camara, Flávia Milhorance, Shalini Venugopal Bhagat, Daphné Anglès, Hisako Ueno and Ivan Nechepurenko contributed reporting.
Tropical forests around the world were destroyed at an increasing rate in 2020 compared with the year before, despite the global economic downturn caused by the pandemic, which reduced demand for some commodities that have spurred deforestation in the past.
Worldwide, loss of primary old-growth tropical forest, which plays a critical role in keeping carbon out of the atmosphere and in maintaining biodiversity, increased by 12 percent in 2020 from 2019, according to the World Resources Institute, a research group based in Washington that reports annually on the subject.
Overall, more than 10 million acres of primary tropical forest was lost in 2020, an area roughly the size of Switzerland. The institute’s analysis said loss of that much forest added more than two and a half billion metric tons of carbon dioxide to the atmosphere, or about twice as much as is spewed into the air by cars in the United States every year.
pro-development policies of the country’s president, Jair Bolsonaro, led to continued widespread clear-cutting. Surging forest losses were also reported in Cameroon in West Africa. And in Colombia, losses soared again last year after a promising drop in 2019.
a severe fire season, with 16 times more forest loss in 2020 than the year before.
anecdotal reports from Brazil and other countries suggested that deforestation was rising because of the pandemic, as the health crisis hampered governments’ efforts to enforce bans on clear-cutting, and as workers who lost their jobs because of the downturn migrated out of cities to rural areas to farm. But Mr. Taylor said the analysis showed “no obvious systemic shift” in forest loss as a result of the pandemic.
If anything, the crisis and the resulting global economic downturn should have led to less overall forest loss, as demand, and prices, for palm oil and other commodities fell. While falling demand may have helped improve the situation in Indonesia and a few other countries, Ms. Seymour said that globally it was “astonishing that in a year that the global economy contracted somewhere between 3 and 4 percent, primary forest loss increased by 12 percent.”
Global Land Analysis and Discovery laboratory at the University of Maryland, who have devised methods for analyzing satellite imagery to determine forest cover. The World Resources Institute refers to their findings as “forest cover loss” rather than “deforestation” because the analysis includes trees lost from plantations and does not distinguish between trees lost to human activities and those lost to natural causes.
STEEPLE CLAYDON, England — A chorus of bird song gives way to the roar of a chain saw and then the creaking and splintering of timber. A 50-foot tree sways, wobbles and finally crashes to the ground, while protesters shout and jeer.
The construction of the British government’s largest public works project — a high-speed rail line known as HS2 — has long been promoted as helping to save the environment. But it is under growing challenge from those who accuse it of doing the exact opposite.
They have waged a mostly fruitless fight against the project, a grand scheme to cut air and road travel by connecting the north of England to the more prosperous south with trains traveling at up to 225 miles per hour.
Now, with the pandemic prompting a surge in working from home and a slump in train travel, the opponents believe the argument is finally tilting their way, eroding the already shaky rationale for an effort that could cost more than $140 billion.
thought to have cost the project around £50 million already. Activists caught the authorities by surprise when they occupied tunnels dug near Euston Station in London, where the line starts and where Larch Maxey, a veteran of such protests, spent three weeks underground despite suffering from claustrophobia.
“I was living in an incredibly confined space, but it got better in the second and third weeks and it became an empowering experience,” he said in an interview. He described the project as “a 20th century scheme foisted on the 21st century,” adding, “The business model for HS2 was always shaky — it was based around the expected growth of business travel — and that has disappeared.”
At a protest camp at Jones Hill Wood, about 25 miles from Steeple Claydon, activists have built tree houses and other shelters on a landscape that inspired the writer Roald Dahl, and where tree felling was scheduled last year.
They say they have worked hard to monitor wildlife, including the location of badger dens and bat colonies, to hold officials to their promises to protect some species. But construction work is going on behind a green metal fence erected by security guards who take video footage on their phones of anyone who approaches.
Sitting around a campfire, Ross Monaghan, an activist who has spent a year here, much of it sleeping in a treehouse 80 feet above the ground, said it was “a victory that Jones Hill Wood is still standing, but we haven’t won that battle yet.”
To prevent more felling, he said, “people are going to have to step forward, put their bodies on the line, put their freedom on the line, and I think you will see that happen.”
The challenges of the past year gave designers every reason to recede into the shadows, but creativity won’t be denied.
If anything, they are finding inspiration in global upheaval. From hundreds of possibilities, here are just a few examples we selected of projects begun or realized despite closed borders, disrupted supply chains and economic collapse.
Designers are recycling the rubble from Mexico City’s streets, for example, creating play spaces so Beirut’s children can find comfort in a city ripped apart by an explosion and proposing textiles as a building material to replace environmentally cruel concrete. More than just surmounting challenges, many are looking ahead to a greener, healthier and more equitable world.
Dadaï, a Thai, Vietnamese and dim sum restaurant that opened in August in the Shibuya district of Tokyo, takes its inspiration from the avant-garde Dada art movement — or at least a 21st-century Japanese interpretation of it.
A chevron, or zigzag, pattern covers the walls, floor and ceiling. Arched bays are filled with classical-style nude statues that look as if they’ve been ensnared in webs of washi tape. And at the center of the dining room, angled vertiginously over the bar, is a giant photographic portrait of a woman interrupted by collaged smears of color.
Located in the new, fashion-centric Miyashita Park retail development, the restaurant’s design, by Yasumichi Morita of the aptly named Tokyo studio Glamorous, makes no obvious concessions to a post-pandemic world. (Japan’s self-described “state of emergency” ended on March 21.)
Institute for Advanced Architecture of Catalonia in Barcelona designs a self-sufficient structure aimed at reducing the effects of climate change. But the class of 2019-2020 chose to take on another global crisis by imagining an architectural response to the coronavirus pandemic.
“We had two crises at the same time,” said Vicente Guallart, a director of the master’s program in advanced ecological buildings and biocities. “And the question was what we can learn about that.”
Over five months and under strict quarantine conditions, Mr. Guallart and his co-director Daniel Ibáñez led the group of 17 students in constructing an ecological wood cabin, known as the Voxel, a structure designed with everything one might need to quarantine for 14 days. The design was executed with just 40 pine trees, all harvested less than a mile from the construction site in Barcelona’s Collserola Natural Park. It also includes solar panels, independent battery storage and a rainwater collection and gray-water recycling system.
The roughly 130-square-foot cabin, which rises almost 14 feet, now stands nearly camouflaged among the same pines used to construct it. valldaura.net
17th-century home near Montpellier in southern France with a newly frescoed ceiling in his 250-square-foot bedroom.
The fresco’s single-named artist, Rochegaussen, had worked with Mr. Yovanovitch previously on a restaurant interior in London (he painted cutlery and cookware on a field of cobalt over the chef’s table). Given carte blanche for the bedroom, Rochegaussen arranged woodland animals in his signature energetic line — a motif Mr. Yovanovitch described as “a joyful Mediterranean dance.” The creatures were inspired by fauna from a Provençal forest and include boar, snakes and owls. The designer said that a refreshed environment helped him stay inspired, especially in a period of isolation. And, he added, “there’s something so special about looking up from bed and seeing a painting.” pierreyovanovitch.com, rochegaussen.com
branch institution in Tianjin welcomed its inaugural class of graduate students to a campus designed by Diller Scofidio + Renfro. Located about an hour outside of Beijing, the new 350,000-square-foot complex began construction in 2017 and features performance halls, rehearsal rooms and teaching studios, connected by a ground-level lobby that is open to the public. Expansive windows offer visitors a view into the educational and creative processes.
In China, “there’s still a sense of fascination and curiosity with Western music,” said Charles Renfro, the partner in charge of the project, noting that the building was designed to be a teaching aid for both students and the community.
As the building neared completion in early 2020, Mr. Renfro said he spent many evenings viewing video walk-throughs, trusting that the firm’s partners in China were meeting the precise specifications.
HMC Architects, and his colleagues recently completed a speculative design for a mixed-used project on the Lekki peninsula near Lagos, Nigeria. This relatively sparsely populated area in a region of more than 21 million people is being readied to accommodate millions more in the coming years.
Approached by an environmentally minded local developer who is seeking to acquire 400 acres on the peninsula, the architects envisioned a “forest city” with abundant greenery cleansing the air and a narrow street grid that allows breezes to slip past and passively cool buildings. Rain in the monsoon season would fill basins in parks and gardens. Shaded houses would have communal courtyards and reclaim the climate-responsive earthen materials and decorative patterns of precolonial people like the Yoruba.
an estimated 6,000 buildings, including more than 150 schools. This left Etienne Bastormagi, Sandra Richani and Nada Borgi, local architects and urban planners, wondering how they could help their city as children prepare to return to class.
Their Let’s Play initiative, will rebuild playgrounds at six schools affected by the explosion, with help from other architects and volunteers. Construction on the first, at École Secondaire des Filles de la Charité school in the Achrafieh district, just began.
The public-private initiative also reconsiders what a playground can be, incorporating materials, large-scale objects and landscapes that can be experienced or manipulated in more than one way. Rather than jungle gyms, swing sets or slides, the spaces will have colorful platforms, canopies and pathways that encourage directionless play. Such ambiguities are meant to promote experimentation and social interaction outside of the classroom.
The team also hopes that these new ways to play will help children confront the traumas of 2020, blast and coronavirus pandemic alike, by allowing them to feel safe again in their city. “The therapy effect is not just for the kids,” Mr. Bastormagi added. “I think it starts with us.” instagram.com/lets_play_initiative
Safdie Architects, the hospital opened in January with its more than half a million square feet (and more to come) oriented toward courtyards, gardens and a bucolic lake.
According to Sean Scensor, the project’s lead architect, greenery even determines how visitors move through the building: The main pedestrian corridor parallels a bamboo garden, and five wings stretch perpendicularly from this spine to carve out lush courtyards that open onto a lake. A “healing garden” accessible from the oncology department offers sanctuary in a grove of Indian lilac, red and white frangipani trees and scarlet-blossomed royal poinciana.
Visitors also can steal away to a glass-walled chapel tucked into a bamboo enclosure. The goal, Mr. Scensor said, was to avoid “institutional anonymity” in favor of a “new kind of hospital: highly efficient but inherently humane.” chsm.com
Yinka Ilori, a British-Nigerian artist, has spent the last year designing and installing affirmation-laced murals throughout the city — like one in which bubblegum-pink letters announce “Love always wins” against a backdrop suggestive of ice cream cones.
Mr. Ilori recently extended this “theme of positivity,” as he has called it, to table linens, pillows, rugs and socks sold through his website and a few retailers. The latest designs include bone china mugs and plates emblazoned with his chirpy slogans. This venture compensates for “a loss of projects during the pandemic,” he said. And then some. The line has proved so successful that he has hired additional staff members to manage it into a post-Covid future. Mug 45 pounds, or about $62; plate £70, or about $97. yinkailori.com
Shark Tank”) with his first commercial product: a lamp called Lumio that opens like a book. In October, Mr. Gunawan introduced on Kickstarter a second object that similarly trades in the thrill of the unexpected. Teno is a bowl-shaped sculpture, five inches in diameter, with a jagged golden scar — a reference to the Japanese art of repair called kintsugi. Crack open the bowl, and light pours out (it can be increased or dimmed with a tap). Open the sculpture fully, and it becomes a portable Bluetooth speaker.
MT Objects is a ceramics studio that turns out singular pieces referencing local craft traditions and the architectural splendor and battered infrastructure of its home base, Mexico City, and beyond. Thanks to a masked and socially distant pair of artisans employed by the studio, operations have continued throughout the pandemic, said Tony Moxham, a co-founder with Mauricio Paniagua.
In one recent series, slip-cast vessels were drizzled with black glaze in imitation of the tar used by the Totonac people who occupied what is now the state of Veracruz to represent “the moisture, fertility and darkness of the underworld,” Mr. Moxham said. Another collection, described as “brutalist,” is cast from sidewalk rubble and streaked with traditional colonial lead-based glazes from the western state of Michoacán.
“We wanted to create something that was very different from what everyone else was doing,” Mr. Moxham said. “And in Mexico City, almost any sidewalk you walk down has bits of broken concrete.” Prices range from $1,000 to $5,000 per piece. ceramicalamejor.mx/mt-objects
Aïssa Dione’s 2020 collection of textiles carries the vibrant colors and traditional designs of Senegalese handweaving, though reimagined in various sizes and with fibers like raffia, cotton and viscose. The fabrics are produced in Ms. Dione’s workshop in Rufisque, a town outside of Dakar, where she employs nearly 100 Senegalese weavers who work on looms. They are then sold to luxury interior design companies to cover sofas, armchairs and windows in homes around the world.
Ms. Dione’s 2020 collection also continues the textile designer’s nearly 30-year commitment to revitalize the craft and her continued focus on cultivating raw materials from Senegal, rather than importing them. Working locally and small helped her during a year when the pandemic exposed vulnerabilities in the global supply chain.
It also gave Ms. Dione a chance to develop a client database, organize photos of past work and shoot a film that captures her weavers’ process. “We had time to sit down and develop things we had no time to do,” she said. aissadionetissus.com
DeMuro Das, an interior design studio near New Delhi, unusual materials are a calling card. It has topped a coffee table in unakite, a speckled, metamorphic rock, and lined a cabinet in koto, a West African hardwood. More recently, the founders, Brian DeMuro and Puru Das, tried wrapping a low cabinet with the parchmentlike substance Carta, lending the piece a pretty, mottled surface, like asphalt after a rainstorm.
Pirjo Haikola, a designer in Melbourne, has 3-D-printed coral reefs that are on view at the art and design triennial at the National Gallery of Victoria.
Anna Aagaard Jensen, a Danish artist, and a wig-like lamp by Laurids Gallée, an Austrian-born designer. The lamp is part of a lighting collection, curated by the Brussels dealer Victor Hunt, titled, appropriately enough, “The Lights at the End of the Tunnel.” May 28 to 30. collectible.design
Nobel Prize Museum in Stockholm and the curator of a show about the banquet that revels in bespoke table settings, secret menus, eye-popping floral arrangements and glossy evening wear. Timed to open with the — ultimately canceled — 2020 event, it is fully installed and ready for visitors whenever entry is deemed safe.
The show reveals the banquet as a stage for perfectionism — a chance to source the ultimate raspberry for a dessert or prepare the most challenging potato dish.
But it also highlights modest gestures, like the time in 2018 when Victoria, the Crown Princess of Sweden, recycled the Nina Ricci gown her mother, Queen Silvia, wore to the event in 1995.
“She looked fantastic in it,” Ms. Ahlvik said, though the princess is taller than her mother. “We were all wondering how she did it.” nobelprize.org