The original 2007 video “Charlie Bit My Finger,” a standard-bearer of viral internet fascination, has sold as a nonfungible token for $760,999, and the family who created it will take down the original from YouTube for good.
The original video, which has close to 900 million views, features Charlie Davies-Carr, an infant in England, biting the finger of his big brother, Harry Davies-Carr, and then laughing after Harry yells “OWWWW.”
The owner will also be able to create their own parody of the video featuring Charlie and Harry Davies-Carr.
Many duplicates of the video remain online, including one apparently rebranded by the family itself in anticipation of the auction. But the auction allowed bidders to “own the soon-to-be-deleted YouTube phenomenon” and be the “sole owner of this lovable piece of internet history.”
Disaster Girl,” a meme from a photo of Zoë Roth in 2005 looking at a house on fire in her neighborhood, sold last month in an NFT auction for $500,000. Nyan Cat, an animated flying cat with a Pop-Tart torso that leaves a rainbow trail, sold for roughly $580,000 in February. Jack Dorsey’s first tweet sold as an NFT for more than $2.9 million; a clip of LeBron James blocking a shot in a Lakers basketball game went for $100,000 in January; and an artist sold an NFT of a collage of digital images for $69.3 million, among other headline-grabbing auctions.
During an NFT sale, computers are connected to a cryptocurrency network. They record the transaction on a shared ledger and store it on a blockchain, sealing it as part of a permanent public record and serving as a sort of certification of authenticity that cannot be altered or erased.
There were 11 active bidders in the battle for the NFT that was driven mainly between two bidders named 3fmusic and mememaster. When the bidding ended Sunday, mememaster was outbid by 3fmusic by $45,444. A person with the same name also bought the “Disaster Girl” meme NTF.
years after it was first posted. It was written into a Gerber spot and a “30 Rock” episode and was the subject of countless parody videos. But it’s still well known for setting off a genre of contagiously shareable videos.
Howard Davies-Carr, the father of Charlie and Harry, told The New York Times in 2012 that even though he didn’t think of his sons as celebrities, they had nonetheless become a brand. The family was recognized in random places, like on the subway in London.
In an interview with the brothers in 2017 on The Morning, a British talk show, Howard Davies-Carr said he was filming the brothers growing up “just doing normal things” and that Charlie bit his brother’s finger while watching T.V. after a busy day in the garden.
“The video was funny, so I wanted to share it with the boys’ godfather,” Howard Davies-Carr said, adding that their godfather lived in America and that the video was initially private, but people, including his parents, had asked to see it since it was difficult to share, so he made the video public.
A few months later, when the video had at least 10,000 views, Howard Davies-Carr said he almost deleted it. Profits from the video and other opportunities allowed the family to send Charlie, Harry and their two other brothers to private school, said Shelley Davies-Carr, the boys’ mother.
The video with humble beginnings, which Charlie and Harry decided to sell, helped Shelley Davies-Carr stop working full-time when her fourth child was born.
“I was just watching TV and just decided to bite him,” Charlie Davies-Carr said in the interview. “He put his finger in my mouth, so I just bit.” Harry Davies-Carr couldn’t remember the pain from that bite.
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A court in India on Friday acquitted a prominent journalist of charges that he raped a junior colleague, bringing an end to a politically charged case that had been closely watched as a test of a new sexual assault law.
The journalist, Tarun J. Tejpal, was accused of sexually assaulting a staff reporter for Tehelka, a well-known investigative magazine that he edited, in 2013.
Mr. Tejpal, 58, who pleaded not guilty to the charges, initially apologized to the reporter but later said the encounter had been consensual. “The truth will come out,” he told an Indian news channel in 2019.
In a statement on Friday, Mr. Tejpal thanked the judge in the court in the coastal state of Goa and repeated his assertion that he had been targeted for prosecution as part of a political vendetta against him.
has been slow to take hold in India, where public discussions of sex are frowned upon and traditional ideas of gender roles predominate in homes and workplaces.
Still, some women have gone public about sexual harassment and assault, and some have won victories in court. In February, a journalist successfully fought off a defamation suit brought by a former public official whom she had accused of sexually harassing her.
Mr. Tejpal was one of India’s best-known editors when he was arrested and charged. Tehelka, the liberal-minded magazine he led, is known for crusading public-interest journalism and has broken major stories over the years. Two decades ago, Tehelka reporters posed as arms dealers and caught Indian Army officers and members of the Hindu nationalist Bharatiya Janata Party — then, as now, India’s governing party — accepting bribes.
said in a statement after the accusation became public.
Mr. Tejpal initially expressed remorse about the incident, saying it had resulted from “an awful misreading of the situation.” But after the charges were filed, he said he was the victim of a right-wing “political vendetta,” and that security camera footage taken outside the elevator supported his version of events.
Mr. Tejpal, who resigned as editor of Tehelka, spent six months in jail before India’s top court released him on bail in 2014.
Since then, as the case made its way through India’s justice system at a typically glacial pace, Mr. Tejpal has largely disappeared from public life. A recent streaming series on Amazon based on a novel wrote did not include his name in the credits.
Paul Van Doren, a founder of Vans, the Southern California sneaker company that became synonymous with skateboarding almost by chance and then grew into a multibillion-dollar business, died on May 6 in Fullerton, Calif. He was 90.
His death, at the home of one of his children, was confirmed by a representative for VF Corporation, which now owns Vans. He lived in Las Vegas.
Mr. Van Doren founded the Van Doren Rubber Company in 1966 with the investor Serge D’Elia and soon brought on his younger brother James and Gordon Lee, a colleague from his years working for another sneaker manufacturer.
The idea was straightforward: sell high-quality but inexpensive sneakers from a store adjacent to a factory in Anaheim. The company handled production on-site, making it easy to fill orders of different sizes and allowing buyers to customize their shoes in a rainbow of colors and patterns.
Los Angeles magazine this year. “And here’s a company listening to them, backing them and making shoes for them.”
Vans provided Mr. Alva and Mr. Peralta with free shoes and sponsored them as part of a team of professional skateboarders, an arrangement that became a model in the skateboard shoe business.
The company went on to develop new styles, like the Old Skool, which has leather panels on the toe and heel for increased durability; the Sk8-Hi, an Old Skool with a padded high-top collar to protect ankles from errant boards; and a laceless canvas slip-on equipped with the signature Vans sole.
By the early 1980s the shoes were available in about 70 Vans stores, mostly in Southern California, and in outlets around the country. The shoes had earned a following among skateboarders, surfers and BMX bicyclists but were not widely known outside of those core markets.
Fast Times at Ridgemont High.”
Frank Ocean wore checkerboard slip-ons to the White House to meet President Barack Obama.
Vans has collaborated on custom shoes with the labels Kenzo and Supreme, companies like Disney, the music makers Public Enemy and Odd Future and the contemporary artist Takashi Murakami. Customers can design their own shoes on the company’s website.
But Vans remains tied to its original demographic, continuing to sponsor skateboarders, snowboarders, surfers and other athletes and run surfing and skateboarding contests around the world. For nearly 25 years it funded the Warped Tour music festival, which featured skateboarding demonstrations.
“We lost our founding father, but his roots run deep with us,” Mr. Alva wrote on Instagram after Mr. Van Doren’s death.
Paul Joseph Van Doren was born on June 12, 1930, to John and Rita (Caparelli) Van Doren and grew up in Braintree, Mass., south of Boston. His father was an inventor who designed fireworks and clothespins, and Mr. Van Doren learned valuable business lessons working alongside him.
He wrote that he dropped out of high school at 16 and for a time made a living at the horse track and in pool halls, work his mother could not abide. She helped him get a job at the Randolph Rubber Manufacturing Company, a Massachusetts concern that made canvas sneakers.
died in 2011 at 72.
His son Steve, daughter Cheryl and some of his grandchildren continue to work for the company he built.
Mr. Van Doren spent more than 15 years at Randolph Rubber. In 1964 he moved to Southern California to run a factory for Randolph there but left two years later to start Vans, having had disagreements with Randolph management.
He retired in the early 1980s, and his brother James took control of the company. James Van Doren tried to compete with companies like Nike and Adidas by expanding into different sports — running, basketball, wrestling and break dancing among them — only to bankrupt the company by 1984, Mr. Van Doren wrote.
Mr. Van Doren returned to lead Vans back to solvency. He refocused the company on its core offerings, and in a few years Vans paid back about $12 million in debt, he wrote.
mound wearing a pair of Sk8-Hi shoes customized with spikes, Mr. Van Doren wrote.
“The company doesn’t pay people to do these things; they happen organically,” he added. “Our customers, famous or not, just like the shoes.”
Alain Delaquérière contributed research.
LOS ANGELES — In today’s world of celebrity branding, captions speak louder than words. But Naomi Osaka’s are decidedly understated.
“Keep on keeping on,” the 23-year-old tennis champion posted on Instagram under two on-court photos after making it through the fourth round of the Australian Open (which she went on to win).
For a slide show that began with a shot of the Metropolitan Museum of Art, whose Costume Institute Gala she will co-chair, in September: “oh we lit.”
Below a portrait of herself draped in Louis Vuitton and Nike (both sponsors of hers), simply: “yo.”
Her nonchalance, perhaps, is a way of guarding herself on social media, where many more loquacious celebrities have made unforced errors.
business is boomin’. Ms. Osaka is covering everything from ears to rears, making headphones with Beats, athleisure with Nike and denim with Levi’s. Dresses? She designed them with Adeam, a Japanese-American brand. Swimwear? She crafted a collection with Frankies Bikinis.
In April, she announced that she would serve as C.E.O. of her own company: Kinlò, a line of skin care made for people with melanated skin tones, produced with GoDaddy. According to Forbes, she made $37.4 million in endorsements and tournament prizes between May 2019 and May 2020, the most a female athlete has ever earned in a single year.
pain medication, watches (which Ms. Osaka also does, for Tag Heuer) and the ever-changing category of fast food. On a Monday in March, Ms. Osaka found herself in the Los Angeles test kitchen of the chain restaurant Sweetgreen, the Supreme of salad, trying to wrap her head around the notion that one of the restaurant’s dressings — rémoulade — would soon be disappearing from the menu.
“What’s in it that makes it seasonal?” Ms. Osaka said.
“The pickles,” said Katelyn Shannon, a research and development chef of Sweetgreen.
blog post Women Laughing Alone With Salad went viral. Most of those women were white; perhaps none of them compelled anyone to eat a salad (unironically, anyway).
“Representation is important,” said Ms. Osaka, who is Haitian and Japanese. (Part of the proceeds of a salad she designed for Sweetgreen — with baby spinach and tortilla chips, among other ingredients — will go toward nonprofits working to increase food access in Asian-American and Pacific Islander communities.)
this was a turning point: taking a stance increased her brand value. She shortly thereafter teamed up with Basic Space, an online swap meet for hype beasts (sample items for sale include a St. John coat and a Range Rover) to sell 500 masks designed by her 25-year-old sister, Mari. They sold out in 30 minutes, with proceeds going to UNICEF.
The Unsuspecting Player,” reaching $150,000. It is a Mangaesque imagining of a brown-skinned woman with a tennis racket and a cascade of pink hair not unlike a wig Ms. Osaka wore in a recent Instagram post.
“I’ve always felt like my sister knows me best,” Naomi Osaka said during an April interview on Clubhouse, the audio broadcasting app. “I’ve grown up watching her draw and do digital art and paintings, I always wanted to find a way to use my platform to showcase that.”
“Though maybe not exactly how I am,” she added, “she captured me well.”
It was Ms. Osaka’s first time on Clubhouse, and she did not hide her bemusement when the volume of Mari’s audio dwarfed her own. “I’m literally right next to my sister, so I don’t get why I have a bad connection and she doesn’t,” she said.
Many of her brand partnerships involve Mari. They collaborate on sketches for clothing Ms. Osaka designs with her fashion sponsors, like an upcoming capsule collection with Levi’s. “I draw really badly, she can make it look good,” Ms. Osaka said. “She’s able to interpret. Sometimes we don’t even have to talk for her to understand what I’m thinking.”
Before the pandemic, Ms. Osaka visited the Levi’s workshop in West Hollywood to conceptualize the pieces, which include an obi-inspired bustier and denim shorts with crystal fringe. When in-person meeting became impossible, she went on Zoom, signing off on 10 designs before they went into production.
“As a little kid, I would watch ‘America’s Next Top Model’ and ‘Project Runway,’ and those were sort of scratching the surface of what goes on behind the scenes,” she said. At Levi’s, she said, she could see the process, “how technical they are about buttons and cutting fabric.”
Far from the celebrity sponsorship model of yore, in which stars of syndicated TV shows claim to color their own hair at home, Ms. Osaka does not want to work with a company unless she’s learning on the job.
As companies scurry to make up for decades of underrepresentation of races other than white, Ms. Osaka is aware that she may seem like the golden ticket.
“I don’t just want to be a figurehead, or someone used,” she said. “If I’m with a brand, I want it to be from my heart instead of just trying to promote a message, just for money.”
Surely, some thirsty brands have offered some pretty sweet deals?
Ms. Osaka laughed. “That’s really a him question,” she said, gesturing at Stuart Duguid, her agent and manager.
“She’s not taking incoming calls,” he said.
Back in the test kitchen, Ms. Osaka had cast herself, convincingly, as student in salad master class, asking about the pros and cons of various greens, what ingredients go together, watching and learning as Mr. Ru, the Sweetgreen co-founder, demonstrated the proper way to mix with tongs “You’ve got to do the twist,” he said, flipping his wrist.
Upstairs, in a makeshift conference room, she photographed a mood board taped to a concrete wall. She gazed at the unfinished ceiling and a rattling screen window. “Really pretty architecture,” she said, sincerely. . Many celebrities are more keen on checking their texts than looking around the room. That’s not Ms. Osaka, or her brand.
“I’m very curious about a lot of things,” she said. “Being curious is one of the happinesses of life, because if you’re not curious, that means you’re sort of settled. I feel really humbled, that I play tennis but I’m able to have all these new experiences and opportunities, like getting to make a salad here. I don’t think a lot of people can say that.”
“I’m really good at tennis,” she added, “but I’d like to be really good at other things, too.”
As a girl, Ma Thuzar Wint Lwin would watch the Miss Universe pageant and wish that she could be the one onstage representing her country, Myanmar. She entered her first two contests last year, nervous and excited about what to expect. But she ultimately walked away crowned Miss Universe Myanmar, and this week is competing at the global pageant in Florida.
But now representing her country has new meaning. With the military seizing power in a Feb. 1 coup and killing hundreds of protesters, she hopes to use her platform to call attention to Myanmar’s pro-democracy movement and to appeal for international help in freeing elected leaders who have been detained.
“They are killing our people like animals,” she said in an interview before leaving Myanmar for the competition. “Where is the humanity? Please help us. We are helpless here.”
In a dramatic moment on Thursday during the pageant’s national costume show, she walked to the front of the stage and held up a sign saying, “Pray for Myanmar.” The final competition will be held on Sunday.
responded with a brutal crackdown, killing more than 780 people and detaining more than 3,900, according to a rights group that tracks political prisoners.
In the early weeks of the protest movement, Ms. Thuzar Wint Lwin, 22, joined the demonstrations, where she held signs with slogans such as “We do not want military government,” and called for the release of the country’s civilian leader, Daw Aung San Suu Kyi, who has been under house arrest since the coup.
black-and-white photos of herself blindfolded, with tape over her mouth and her hands bound.
The military’s onslaught has left the country living in fear, she said.
“The soldiers patrol the city every day and sometimes they set up roadblocks to harass the people coming through,” said Ms. Thuzar Wint Lwin, who also goes by the name Candy. “In some cases, they fire without hesitation. We are scared of our own soldiers. Whenever we see one, all we feel is anger and fear.”
giving up his dream of going to the Olympics and would not compete under the Myanmar flag until the regime’s leader, Senior Gen. Min Aung Hlaing, was removed from power. And the mixed martial arts fighter U Aung La Nsang, an American citizen and one of Myanmar’s most famous athletes, has urged President Biden to help end the suffering of Myanmar’s people.
Ms. Thuzar Wint Lwin says she believes that it will not be safe for her to return to Myanmar after speaking out against the regime; she does not know where she will go after the pageant ends.
An English major at East Yangon University, her path to the pro-democracy movement can perhaps be traced back to her childhood. She grew up in a middle-class household. Like many parents, her father, a businessman, and her mother, a housewife, dared not discuss the military government that was then in power.
One of her early memories was walking with her mother near Sule Pagoda in downtown Yangon in 2007, when monks led nationwide protests against military rule. She was 7. As they neared the pagoda, soldiers broke up the protest by shooting their guns in the air. People started running. She and her mother ran, too.
began sharing power with civilian leaders and opening the country, allowing cellphones and affordable internet access to flood in.
Ms. Thuzar Wint Lwin is part of the first generation in Myanmar to grow up fully connected to the outside world, and for whom a free society seemed normal. In 2015, the country seated democratically elected officials for the first time in more than half a century. “We have been living in freedom for five years,” she said. “Do not take us back. We know all about the world. We have the internet.”
November was the first time she was old enough to vote, and she cast her ballot for the National League for Democracy, the party of Ms. Aung San Suu Kyi, which won in a landslide only to have the military overturn the results by seizing power.
Before the coup, Ms. Thuzar Wint Lwin’s biggest ordeal came when she was 19 and had surgery to remove precancerous tumors from each breast, leaving permanent scars. She decided against having laser treatment to improve their appearance as a reminder of her success in preventing cancer.
“It’s just a scar and I’m still me,” she wrote in a recent post with photographs of the scars. “I met self-acceptance realizing nothing changed who I am and the values I set for myself. Now, when I see those scars, I feel empowered.”
autobiographical video on Facebook that would be unusual for any beauty pageant contestant: It shows her wearing formal gowns mixed with scenes of people fleeing tear gas and a soldier shooting a man who rode by on a motorbike.
“Myanmar deserves democracy,” she says in the video. “We will keep fighting and I also hope that international communities will give us help that we desperately need.”
Last February, when Glauber Contessoto decided to invest his life savings in Dogecoin, his friends had concerns.
“They were all like, you’re crazy,” he said. “It’s a joke coin. It’s a meme. It’s going to crash.”
Their skepticism was warranted. After all, Dogecoin is a joke — a digital currency started in 2013 by a pair of programmers who decided to spoof the cryptocurrency craze by creating their own virtual money based on a meme about Doge, a talking Shiba Inu puppy. And investing money in obscure cryptocurrencies has, historically, been akin to tossing it onto a bonfire.
But Mr. Contessoto, 33, who works at a Los Angeles hip-hop media company, is no ordinary buy-and-hold investor. He is among the many thrill-seeking amateurs who have leapt headfirst into the markets in recent months, using stock-trading apps like Robinhood to chase outsize gains on risky, speculative bets.
In February, after reading a Reddit thread about Dogecoin’s potential, Mr. Contessoto decided to go all in. He maxed out his credit cards, borrowed money using Robinhood’s margin trading feature and spent everything he had on the digital currency — investing about $250,000 in all. Then, he watched his phone obsessively as Dogecoin became an internet phenomenon whose value eclipsed that of blue-chip companies like Twitter and General Motors.
disavowed the coin, and even Mr. Musk has warned investors not to over-speculate in cryptocurrency. (Mr. Musk recently sent the crypto markets into upheaval again, after he announced that Tesla would no longer accept Bitcoin.)
What explains Dogecoin’s durability, then?
There’s no doubt that Dogecoin mania, like GameStop mania before it, is at least partly attributable to some combination of pandemic-era boredom and the eternal appeal of get-rich-quick schemes.
But there may be more structural forces at work. Over the past few years, soaring housing costs, record student loan debt and historically low interest rates have made it harder for some young people to imagine achieving financial stability by slowly working their way up the career ladder and saving money paycheck by paycheck, the way their parents did.
Instead of ladders, these people are looking for trampolines — risky, volatile investments that could either result in a life-changing windfall or send them right back to where they started.
posted a screenshot of his cryptocurrency trading app, showing that he’d bought more. And on Thursday, when the value of his Dogecoin holdings fell to $1.5 million, roughly half what it was at the peak, he posted another screenshot of his account on Reddit.
“If I can hodl, you can HODL!” the caption read.
Park Na-rae, a comedian, grabbed a male doll, placed its plastic arm between its legs and made a suggestive remark.
By the standards of Western comedy, the stunt on her YouTube show in March would have hardly seemed offensive. But the skit became a scandal in her home country, South Korea. Legions of aggrieved young men accused her of sexual harassment. The police are investigating.
The scandal has made headlines for weeks and has threatened to inflict lasting damage on Ms. Park’s career, two years after she became the first female comedian from South Korea to host a Netflix special.
Her supporters say the outcry illustrates a double standard in a culture where men often brag about sexual conquests and where sexual harassment is endemic, but where women who dare to mention sex in public can be penalized.
suggested that women use sex to get jobs. Since he was punished for inappropriate comments, they argued, Ms. Park should be called to account, as well.
Lee Wonjae, a professor at the Korea Advanced Institute of Science and Technology who studies online, said that most of Ms. Park’s critics were not trolls from misogynistic, far-right websites, but ordinary men from mainstream society.
Professor Lee said that many young men in South Korea — which has one of the highest gender pay gaps in the developed world — feel threatened by certain gender trends and President Moon Jae-in’s attempts to push for gender equality. These men see women as growing competitors for jobs and gaining more bargaining power in the marriage market.
“Why are you going to support women more? Look at me: I’m doing my military service. What are you doing for me?” he said of how young men see their lot in life. “That is the message.” (Men in South Korea age 18 to 28 are required to serve in the military for about two years.)
Sexism is deeply entrenched in South Korea. There is an epidemic of men using hidden cameras to spy on women in public restrooms and changing rooms. Misogynistic posts are a defining feature of Reddit-like forums. “It’s everyday life, this kind of gender conflict, misogyny, backlash and hatred,” Dr. Mo said.
Park Won-soon, was one of many male politicians to be accused of sexual harassment. (He died by suicide last year.) And the Seoul authorities apologized this year after issuing guidelines that advised pregnant women to cook, clean and work on their appearances to ensure that their husbands still found them attractive.
sentenced to prison in 2019 for raping women who were too drunk to consent to sex.
Yet, other male celebrities and public figures have made sexist remarks without facing the kind of scrutiny faced by Ms. Park. She already had a reputation for pushing the boundaries of what female South Korean comedians can say or do. She began her 2019 Netflix special, “Glamour Warning,” by talking about her “first time doing it without a man.”
Ms. Park resigned from her YouTube show a few days after the scandal broke. The Seoul police later said that they were investigating the harassment claims to determine whether she had broken any laws. The police did not immediately respond to requests for comment.
OpenNet, a South Korean nongovernmental organization that advocates for internet privacy, said this month that her doll stunt did not constitute sexual harassment under policies set by the Ministry of Gender Equality and Family. The group said that she had merely tried to express female sexual identity.
Ms. Park’s talent agency, JDB Entertainment, said that she was not available for an interview.
In a handwritten note to her 1.8 million Instagram followers in March, Ms. Park said that it was her duty as a performer and public figure to “take responsibility” for her own acting and props. “I am nothing but sorry to the many people who trusted and supported me,” she wrote.
Last month, she visited her grandparents for one of her other television shows, “I Live Alone,” and expressed remorse for how her stunt with the doll had caused harm to her castmates.
“Humans are imperfect,” her grandfather, who was not named in the broadcast, said as Ms. Park burst into tears. “Don’t listen to hate.”
Early last year, as international lockdowns upended daily life, they took with them, one by one, many of the major cultural and sporting events that dot the calendar each year. The N.B.A. suspended its season, the French Open was postponed for several months and the Tokyo Olympics were delayed a year. The future of the Glastonbury Festival and the Coachella Valley Music and Arts Festival were in doubt. It was a bleak time.
Recently, as conditions in many places around the world have slowly begun to improve, and as countries have begun mass vaccination campaigns, some events and cultural staples have made plans to return, albeit with modifications. While few events, if any, have plans to go ahead free of restrictions this year, some are taking a hybrid approach. Others remain postponed or canceled.
Here’s the status of some of the major events around the world.
scheduled to begin on July 23 with an opening ceremony. The bulk of the athletic events will begin the next day. The first round of Wimbledon begins on June 28 and will run through mid-July. Officials said they were working toward a spectator capacity of at least 25 percent.
scheduled for Oct. 11, and the 50th New York City Marathon is set for Nov. 7.
The 105th Indianapolis 500 will go on as planned on May 30. Officials will allow about 135,000 spectators in — 40 percent of the venue’s capacity. The event was organized with state and local health officials and was approved by the Marion County Public Health Department, race officials said.
The French Open, one of the premier tennis competitions, has been postponed one week to a new start date of May 24. The decision was made in agreement with the authorities in France and the governing bodies of international tennis, said officials, who want the tournament played in front of the largest possible number of fans.
is canceled again this year.
it would not take place this summer.
The Essence Festival of Culture, which usually draws more than a half million people to New Orleans over the Fourth of July weekend every year, will host a hybrid experience this year over two weekends: June 25-27 and July 2-4.
Headliners like Billie Eilish, Post Malone and ASAP Rocky will take the stage at the Governors Ball Music Festival, which is scheduled for Sept. 24-26 at Citi Field in Queens. Organizers say the event will return to its typical June dates in 2022.
Burning Man, the annual countercultural arts event that typically draws tens of thousands of people to Black Rock Desert in Nevada, has been canceled again this year because of the pandemic. It will return in 2022, organizers said.
After being canceled last year, the Austin City Limits Music Festival, the event in the capital of Texas, is scheduled to return to Zilker Park on Oct. 1-3 and Oct. 8-10.
on Sept. 13. A second event is scheduled for May 2022.
NYC Pride 2021 will move forward in June with virtual and in-person events. The Pride March, which was canceled last year, will be virtual this time. (San Francisco Pride, also in June, is planning similar adjustments, while Atlanta Pride is planning to hold an in-person event in October.)
from Aug. 10. In order to keep concertgoers safe, organizers said events will not have intermissions and its venue will have a limited number of available seats. Similarly, the Salzburg Festival in Austria kicks off in mid July with modifications.
The Edinburgh International Festival, a showcase for world theater, dance and music in the Scottish city since 1947, will run Aug. 7-29. Performances will take place in temporary outdoor pavilions with covered stages and socially distanced seating.
E3, one of the video game industry’s most popular conventions where developers showcase the latest news and games, will be virtual this year from June 12-15.
The New York International Auto Show, which showcases the newest and latest automobiles from dozens of brands, will run Aug. 20-29. The event last year was postponed and eventually canceled because of the pandemic.
The Cannes Film Festival in the South of France, one of the movie industry’s most revered and celebrated events, has been postponed to July 6-17 from mid-May. The 2021 edition of the event, which was canceled last year, is currently scheduled to be in person.
After more than a year of no theater performances, Broadway shows will start selling tickets for full-capacity shows with some performances starting on Sept. 14. (Some West End shows will resume as early as May 17.)
After being virtual last year, New York Comic-Con will return with a physical event Oct. 7-10 at the Jacob K. Javits Convention Center in Manhattan. The convention will run at reduced capacity to ensure social distancing, organizers said. This year’s Comic-Con International event, which is normally held in July in San Diego, has been postponed until summer 2022. There are plans for a smaller event called Comic-Con Special Edition however, that will be held in person in November.
MELBOURNE, Australia — An Australian company’s long-shot bid to scrap a U.S. trademark on the word “Ugg” has suffered another blow after an American appeals court rejected its argument, in a loss that could have far-reaching consequences for Australian makers of the sheepskin boots.
It’s the latest step in a five-year, high-stakes legal battle between the brand’s owner in the United States, Deckers Outdoor Corporation, and a company called Australian Leather. They have been wrangling over ownership of the name of a shoe that has been derided as unfashionable and downright ugly but that has still found its way onto the feet of celebrities like Oprah Winfrey and Tom Brady.
The Australian news media called the lawsuit a “David vs. Goliath” battle, and the case hit a nerve for many Australians, who consider the footwear a national, albeit unfashionable, symbol. The case also illustrated how global access to products on the internet could create clashes between local legal systems.
Australian Leather’s owner, Eddie Oygur, said after the court ruling on Friday that he would take the case to the U.S. Supreme Court.
2020 annual report.
The stakes for both companies were high. Before the verdict, Nicole Murdoch, an intellectual property lawyer at Eaglegate Lawyers in Brisbane, Australia, said a legal success for Mr. Oygur would have a “catastrophic effect for Deckers,” costing the company the trademark on which it had built its brand.
Mr. Oygur said before the verdict, “All the ugg boot makers in Australia will turn to imports because of the prices, and Australia will lose what’s been Australian since the 1930s.”
Personally, he had put everything on the line: the business he had run for nearly 40 years and a house he had mortgaged to pay his legal fees. He said he had spent over a million dollars on the case, lost the majority of his staff and seen the legal challenge scare off many of his customers.
“God help me, I’m not going to back down,” he said. “They gave me no choice. Absolutely no choice.”