Le Monde. “It’s not an inaccessible subject for an intellect like his and given the significant time he’s devoted to it for several months.’’
Le Monde related how people close to Mr. Macron “were impressed by the mastery of the head of state, who has kept up with numerous research studies on the subject of the coronavirus.’’ According to the article, Mr. Macron was now capable of “challenging” his own health minister and experts.
“Emmanuel Macron wanted to instill a rather heroic narrative about himself,’’ said Mr. Cautrès, the political scientist. “He is the one who faces all the storms, all the difficulties.’’
A documentary recently broadcast on Moroccan state television, “In Your Eyes, I See My Country,” which has been shown at festivals in Marrakesh and elsewhere, follows Ms. Elkayam and Mr. Cohen, her husband, on a trip to Morocco, including visits to their grandparents’ hometowns. It shows Moroccans embracing her, clutching her hand, even telling her that they remember the names of her grandparents.
Being an Arabic-speaking Jew, in both Israel and Morocco, means living with a complex, sometimes conflicting set of expectations, said Aomar Boum, an anthropologist at the University of California Los Angeles, who specializes in Jewish-Muslim relations. In the film, it is clear that Ms. Elkayam is “carrying a heavy weight,” he said. “It’s only the music that connects the dots.”
The film, which is scheduled to be shown next month at the Miami Jewish Film Festival, shows her and Mr. Cohen performing concerts for largely Muslim audiences, and it ends with him spending days in his family’s former village, where he dresses in traditional Moroccan clothes and country boys welcome him like a brother.
Kamal Hachkar, the film’s Moroccan director, said, “What touched me the most about Neta is that I quickly understood that she sang to repair the wounds of exile.” The documentary, he added, “is a way of defying the fatality of the large history which separated our parents and grandparents and that our generation can recreate links through music, which is a real common territory and melting pot for Jews and Muslims.”
The political context is inescapable.
“Singing in Arabic is a political statement,” Ms. Elkayam said. “We want to be part of this area, we want to use the language to connect with our neighbors. It isn’t only to remember the past.”
It’s a dismal ritual of American life: A mass shooting occurs — sometimes more than one, in quick succession. The country mourns the victims. And nothing changes.
I expect the same will happen following the killings in Atlanta and Boulder, Colo. But it is still worth taking a few minutes to lay out the basic facts about gun violence. The key one is simply this: The scale of gun deaths in the United States is not inevitable. The country could reduce the death toll, perhaps substantially, if it chose to.
1. The toll approaches pancreatic cancer’s
When gun violence is counted as a single category — spanning homicides, suicides and accidents — it kills about 40,000 Americans a year.
That’s far behind the country’s biggest killers, like heart disease (about 650,000 annual deaths) or Alzheimer’s (about 125,000). But it is broadly comparable to the toll from many well-known causes of death, including an average flu season (35,000), vehicle accidents (39,000), breast cancer (42,000), liver disease (43,000) or pancreatic cancer (45,000).
dismissed calls for restricting gun availability, saying, “There’s not a big appetite among our members to do things that would appear to be addressing it, but actually don’t do anything to fix the problem.”
But there is overwhelming evidence that this country has a unique problem with gun violence, mostly because it has unique gun availability.
Michael Siegel of Boston University’s School of Public Health says.
“The main lesson that comes out of this research is that we know which laws work,” Siegel says. (Nicholas Kristof, the Times columnist, has written a good overview, called “How to Reduce Shootings.”)
one out of every 400 gun deaths was the result of a mass shooting (defined as any attack with at least four deaths). More than half of gun deaths are from suicides, as Margot Sanger-Katz of The Times has noted.
Still, many of the policies that experts say would reduce gun deaths — like requiring gun licenses and background checks — would likely affect both mass shootings and the larger problem.
4. Public opinion is complicated
Yes, an overwhelming majority of Americans support many gun-regulation proposals — like background checks — that congressional Republicans have blocked. And, yes, the campaign donations of the National Rifle Association influence the debate.
But the main reason that members of Congress feel comfortable blocking gun control is that most Americans don’t feel strongly enough about the issue to change their votes because of it. If Americans stopped voting for opponents of gun control, gun-control laws would pass very quickly. This country’s level of gun violence is as high as it is because many Americans have decided that they are OK with it.
5. The filibuster is pro-gun
Gun control is yet another issue in which the filibuster helps Republican policy priorities and hurts Democratic priorities. On guns (as on climate change, taxes, Medicare access, the minimum wage, immigration and other issues), Republicans are happier with the status quo than Democrats. The filibuster — which requires 60 Senate votes to pass most bills, rather than a straight majority of 51 — protects the status quo.
If Democrats were to change the filibuster, as many favor, it isn’t hard to imagine how a gun-control bill could become law this year. With the filibuster, it is almost impossible to imagine.
a song by Kermit the Frog.
Lives Lived: Jessica McClintock dressed generations of women in calico, lace and beribboned pastiches known as granny dresses. Her clients included Vanna White and a 27-year-old Hillary Rodham for her 1975 wedding to Bill Clinton. McClintock died at 90.
ARTS AND IDEAS
Ian Parker writes in The New Yorker. “The latest streaming-video subscriptions have been sold on the promise of content that is remarkable.” HGTV, as Parker notes, “is low-budget and unassuming.”
Torn Down for What.”
HGTV is now part of the Discovery+ streaming platform, which is tiny compared with Netflix and Disney+. But HGTV’s value also lies in the size of its library, which includes hundreds of episodes of popular shows like “House Hunters” and “Fixer Upper.”
For more: Discovery+ brings a cable-era way of watching TV to streaming.
PLAY, WATCH, EAT
What to Cook
today’s Mini Crossword, and a clue: Frequent flier (five letters).
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Thanks for spending part of your morning with The Times. See you tomorrow. — David
P.S. Priya Krishna, a food writer who previously worked at Bon Appétit, is joining The Times, where she will write and appear on NYT Cooking’s YouTube channel.
You can see today’s print front page here.
Today’s episode of “The Daily” is about the vaccine rollout. On “Sway,” Glennon Doyle discusses misogyny, the power of apologies and more.
Lalena Fisher, Claire Moses, Ian Prasad Philbrick, Tom Wright-Piersanti and Sanam Yar contributed to The Morning. You can reach the team at firstname.lastname@example.org.
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Jessica McClintock, a fashion designer whose romantic, lacy confections dressed generations of women for their weddings and proms, died on Feb. 16 at her home in San Francisco. She was 90.
The cause was congestive heart failure, said her sister, Mary Santoro.
In 1969, Ms. McClintock was a newly divorced mother and had been teaching science and music to sixth graders in Cupertino, Calif., when she invested $5,000 in a San Francisco dress business called Gunne Sax. (In creating the name, the founders, Eleanor Bailey and Carol Miller, had riffed on the idea of a “sexy gunny sack,” according to Vogue magazine.)
Soon after, Ms. McClintock became the sole owner, designer and saleswoman. She had no design training, but she could sew.
Inspired by those she called San Francisco’s “flower children,” she began making calico, lace and beribboned pastiches known as granny dresses. It was a style — a little bit Victorian, a little bit prairie — that hippies in the Haight-Ashbury section had popularized by putting together the wares of vintage clothing stores.
Dorothy Rodham, said no way: She had to wear something new for her wedding.
Representative Jackie Speier, who serves California’s 14th District, in the Bay Area. Ms. McClintock designed a wedding dress for her. (Ms. Speier called her “the fashion designer for Democrats” because of her inclusive price points, though Ms. McClintock was a registered Republican.)
Vanna White, who has made a career out of elegantly flipping the letters on the game show “Wheel of Fortune” clad in satiny sheaths, did so for a time in Jessica McClintock gowns.
But Ms. McClintock’s bread and butter was also in gussying up young women for their proms and quinceañeras and even elementary school graduations, particularly in the heyday of the 70s, as they danced to Fleetwood Mac or Peter Frampton, their hair done in Dorothy Hamill-style bobs.
As the decades marched along, so did Ms. McClintock’s styles, from pale Victorians and Great Gatsby-esque satins in the 1970s to poofy silk taffeta in the ’80s to more streamlined dresses in iridescent silk in the ’90s and beyond.
In 1999, when her business, a private company, turned 30, sales were at $140 million, according to Women’s Wear Daily. She operated 26 stores around the country, marketed a fragrance, Jessica, and had licensing agreements for handbags, jewelry, china, eyeglasses, bedding and home furnishings.
signed an agreement with Asian Immigrant Women Advocates, a community organization, to promote fair labor practices and establish an education fund for garment workers.
In addition to her sister, Ms. McClintock is survived by her son. Her longtime partner, Ben Golluber, who was chief financial officer of the company, died in 1998.
Ms. McClintock retired from the day to day management of her company in 2013, only to return a year later.
Since the early 1980s, the company headquarters were in a commercial building in San Francisco’s Potrero Hill neighborhood, but Ms. McClintock sold the space in about 2016 and thereafter ran the business from her home office.
She lived in a Queen Anne Victorian house in Pacific Heights, which she bought from the filmmaker Francis Ford Coppola. With a decorator’s help she turned it into a romantic fantasy, with Venetian chandeliers, billowing pink satin curtains, inlaid marble floors and Aubusson carpets — just the right backdrop for the Old World fashions she favored.
“I have a romantic feeling about life,” Ms. McClintock told a reporter in 2007. “I like Merchant-Ivory movies and candlelight and beautiful rooms. I like the patina of age.”