“The Suicide Squad” should have been a big hit for Warner Bros. last month. It had superheroes, a marquee director (James Gunn), a huge production budget ($185 million) and received terrific reviews. But instead of delivering a box office ka-pow, it went ker-thud: Ticket sales total $156 million (split roughly 50-50 with theaters), compared with $747 million for the first “Suicide Squad” in 2016.
Of course, the latest one had to battle a pandemic. And it was also made available free on HBO Max in lock step with its theatrical debut. On that platform, it was a relative success — at least according to HBO Max, which heralded “The Suicide Squad” as the service’s second-most-viewed movie debut of the year.
But it offered no numbers.
“Paw Patrol: The Movie” (Paramount) was released simultaneously in theaters and on Paramount+ late last month. It took in $13 million over its first weekend, enough for second place behind “Free Guy,” a holdover. But the actual demand for “Paw Patrol” was shrouded. Regal Cinemas, the second-largest multiplex chain in the United States behind AMC Entertainment, refused to play the animated adventure because of its streaming availability. Paramount+ said on Aug. 25 that the movie “ranked as one of the service’s most-watched originals.”
But it offered no numbers.
In contrast, Disney-Marvel released “Shang-Chi and the Legend of the Ten Rings” exclusively in theaters on Friday. Disney’s chief executive had called the old-fashioned release an “experiment.” Would the coronavirus keep people at home?
In surveys in late August of American moviegoers by the National Research Group, a film industry consultant, about 67 percent of respondents said they felt comfortable (“very or somewhat”) sitting in a theater. Disney has cited coronavirus concerns for making films like “Jungle Cruise,” “Cruella” and “Black Widow” available in homes on Disney+ at the same time as in theaters (even though Hollywood has suspected that the real reason — or at least an equally important one — has been helping Disney+).
The crystal-clear result: Audiences flocked to “Shang-Chi,” which was on pace to collect $83.5 million from 4,300 theaters in the United States and Canada from Friday through Monday, according to Comscore, which compiles box office data. Overseas, the well-reviewed movie, notable for being Marvel’s first Asian-led superhero spectacle, generated an additional $56.2 million. “Shang-Chi” cost roughly $200 million to make.
announced on Twitter that he was forming a coordinating council together with Abdullah Abdullah, chairman of the Afghan delegation to peace talks, and Gulbuddin Hekmatyar, the leader of the Hesb-i-Islami party, to manage a peaceful transfer of power. Mr. Karzai called on both government and Taliban forces to act with restraint.
But the Taliban appeared to ignore his appeal and advanced into the city on its own terms.
The Taliban’s lead negotiator in talks with the government, Mullah Abdul Ghani Baradar, congratulated all of Afghanistan for the victory. “Now it will be shown how we can serve our nation,” he said. “We can assure that our nation has a peaceful life and a better future.”
Mr. Baradar made the comments in a video posted on social media, surrounded by other members of the Taliban delegation to the talks in Doha, Qatar.
“There was no expectation that we would achieve victory in this war,” he said. “But this came with the help of Allah, therefore we should be thankful to Him, be humble in front of Him, so that we do not act arrogantly.”
Al Jazeera reported that it had interviewed Taliban fighters who were holding a news conference in the presidential palace in Kabul, the capital. The fighters said they were working to secure Kabul so that leaders in Qatar and outside the capital could return safely. Al Jazeera reported that the fighters had taken down the flag of Afghanistan.
As it became clear that Taliban fighters were entering Kabul, thousands of Afghans who had sought refuge there after fleeing the insurgents’ brutal military offensive watched with growing alarm as the local police seemed to fade from their usual checkpoints. The U.S. Embassy warned Americans to not head to the airport in Kabul after reports that the facility was taking fire, and said that the situation was “changing quickly.”
Late in Kabul’s evening, President Ghani released a written statement on Facebook saying he had departed the country to save the capital from further bloodshed.
“Today I was presented with a hard choice,” he wrote. “I should stand to face the armed Taliban who wanted to enter the presidential palace or leave the dear country that I dedicated my life to protecting the past twenty years.”
“If I had stayed, countless countrymen would have been martyred and Kabul city would have been ruined,” he added, “in which case a disaster would have been brought upon this city of five million.”
At 6:30 p.m. local time, the Taliban issued a statement that their forces were moving into police districts in order to maintain security in areas that had been abandoned by the government security forces. Taliban fighters, meeting no resistance, took up positions in parts of the city, after Zabiullah Mujahid, spokesman for the Taliban, posted the statement on Twitter.
“The Islamic Emirates ordered its forces to enter the areas of Kabul city from which the enemy has left because there is risk of theft and robbery,” the statement said. The Taliban had been ordered not to harm civilians and not to enter individual homes, it added. “Our forces are entering Kabul city with all caution.”
As the sun set behind the mountains, the traffic was clogged up as crowds grew bigger, with more and more Taliban fighters appearing on motorbikes, police pickups and even a Humvee that once belonged to the American-sponsored Afghan security forces.
Earlier in the afternoon, Interior Minister Abdul Sattar Mirzakwal announced that an agreement had been made for a peaceful transfer of power for greater Kabul, and that his forces were maintaining security.
“The city’s security is guaranteed. There will be no attack on the city,” he said. “The agreement for greater Kabul city is that under an interim administration, God willing, power will be transferred.”
Mr. Mirzakwal later announced a 9 p.m. curfew in the capital, and called on its residents to go home.
Mr. Ghani left Kabul in a plane with his wife, Rula Ghani, and two close aides, and arrived in Uzbekistan, according to a member of the Afghan delegation in Doha, Qatar, that has been in peace negotiations with the Taliban since last year. The official asked not to be named because he did not want to be identified speaking about the president’s movements.
It could not be confirmed that Mr. Ghani was in Uzbekistan, and there were reports that he had gone to other countries.
In a Facebook video, Mr. Abdullah, former chief executive of the Afghan government, criticized Mr. Ghani for fleeing.
“That the former president of Afghanistan has left the country and its people in this bad situation, God will call him to account and the people of Afghanistan will make their judgment,” Mr. Abdullah said in the video.
In negotiations being managed by Mr. Abdullah, Mr. Ghani had been set to travel to Doha on Sunday with a larger group to negotiate the transfer of power, but flew instead to Uzbekistan, the peace delegation member said.
Mr. Ghani had resisted pressure to step down. In a recorded speech aired on Saturday, he pledged to “prevent further instability” and called for “remobilizing” the country’s military. But the president was increasingly isolated, and his words seemed detached from the reality around him.
With rumors rife and reliable information hard to come by, the streets were filled during the day with scenes of panic and desperation.
“Greetings, the Taliban have reached the city. We are escaping,” said Sahraa Karimi, the head of Afghan Film, in a post shared widely on Facebook. Filming herself as she fled on foot, out of breath and clutching at her headscarf, she shouted at others to escape while they could.
“Hey woman, girl, don’t go that way!” she called out. “Some people don’t know what is going on,” she went on. “Where are you going? Go quickly.”
Wais Omari, 20, a street vendor in the city, said the situation was already dire and he feared for the future.
“If it gets worse, I will hide in my home,” he said.
Christina Goldbaum, Thomas Gibbons-Neff, Carlotta Gall, Ruhullah Khapalwak, Sharif Hassan, Jim Huylebroek, Najim Rahim, and Lara Jakes contributed reporting.
Panic gripped the Afghan capital, Kabul, Sunday as Taliban fighters started arriving in the city, inmates broke out of the main prison on the east side of the city, and the American-backed government appeared to crumble.
By the afternoon, President Ashraf Ghani was reported to have fled. And as American forces focused their energies on evacuation flights for embassy staff and other personnel, Afghan government officials were shown in video footage accepting a handover of power to their Taliban counterparts in several cities.
Early in the day, senior Afghan politicians were seen boarding planes at Kabul airport. Bagram Air Base was taken by Taliban forces midday Sunday as was the provincial town of Khost in eastern Afghanistan, according to Afghan media reports. The fall of Khost was part of a domino-like collapse of power of astonishing speed that saw city after city fall in just the last week, leaving Kabul as the last major city in government hands.
Interior Minister Abdul Sattar Mirzakwal announced in a video statement in the early afternoon that an agreement had been made for a peaceful transfer of power for greater Kabul and sought to reassure residents, saying that the security forces would remain in their posts to ensure security in the city.
“As the minister of interior, we have ordered all Afghan National Security Forces divisions and members to stabilize Kabul,” he said in a video statement released on the Facebook page of the ministry at 2 p.m. local time. “There will be no attack on the city. The agreement for greater Kabul city is that under an interim administration, God Willing, power will be transferred.”
But residents seemed unconvinced by their leaders’ assurances. In the center of the city people were pictured painting over advertisements and posters of women at beauty salons, apparently preparing for a takeover by the fundamentalist Taliban who do not allow images of humans or animal life, and have traditionally have banned music and the mixing of the sexes.
Residents confirmed that police had abandoned many of their posts or changed into civilian clothes. The Taliban denied rumors that their chief negotiator, Mullah Abdul Ghani Baradar, was already in the capital and preparing to take over control at the Interior Ministry.
Throughout the day, surreal scenes played out as it appeared ever more clear the Taliban were taking over.
The insurgency has long had its own power structure of shadow governors appointed for every province, and Sunday it was clear who was in control in strategic areas. The governors and tribal and political leaders who had been in power were shown in videos formally handing control to their Taliban counterparts in the strategic cities of Kandahar, the main stronghold of the south, and in Nangarhar, the main city of the east.
But in Kabul fears of the city being overrun were running high after a breakout of prisoners, many of them members of the Taliban, from the main prison at Pul-i-Charkhi.
“Look at this, the whole people are let free,” a man said as he filmed a video footage of people carrying bundles walking away from the prison, posted on Facebook. “This is the Day of Judgment.”
The breakout seems to have been by the prisoners from the inside, rather than an attack by Taliban forces from the outside.
Some Afghans still found room for humor amid the chaos: “Taliban have reached Kabul airport … their speed is faster than 5G,” one resident of Kabul posted on Facebook.
But others fled, though it is unclear where they could go with the Taliban in control of so much of the country.
“Greetings, the Taliban have reached the city. We are escaping,” said Sahraa Karimi, the head of Afghan Film, in a post shared widely on Facebook. Filming herself as she fled on foot, out of breath and clutching at her head scarf, she called on passers-by to get away.
The former president Hamid Karzai and other leaders tried to step into the vacuum, and announced they were not leaving. Mr. Karzai, who has been involved in discussions with the Taliban for an interim government, posted a video on his Facebook page of himself with his daughters in his garden as helicopters sounded overhead.
“My dear residents of Kabul, I want to say that I and my daughters and family are here with you,” he said. “We are working with the leader of the Taliban to resolve the difficulties of Afghanistan in a peaceful way.”
Abdullah Abdullah, who has led recent talks with the Taliban also made a video statement from his garden.
“The last few days have been very hard for our countrymen all over the country,” he said. He called on the Taliban to negotiate “so that the security situation does not deteriorate and our people do not suffer further.”
As news broke that the president had left the country, Vice President Amrullah Saleh, a former head of intelligence who has been fighting against the Taliban from the 1990s, tweeted that he would not surrender.
Yet the Afghan security forces seemed to be melting away. Abdul Jabar Safi, head of the Kabul Industrial Park, an area of hundreds of factories and businesses, said business owners were trying to fend off looters with a few pistols and rifles left them by the government guards.
“We want the Taliban to reach us as soon as possible so they can secure the area,” he said when reached by telephone. “We are in touch with the Taliban and they have assured us that until they reach the industrial park we must keep the security of the park by ourselves.”
Officials at the National Museum of Kabul on the western side of Kabul also appealed through a western official for help, saying that police guards had abandoned their post outside the museum and that they feared the museum, which was badly looted in the 1990s, would fall prey again to thieves.
KABUL, Afghanistan — The U.S. embassy warned Americans not to head to the airport in Kabul because of a situation that was “changing quickly” after the Taliban entered the city on Sunday.
Witnesses at the civilian domestic terminal said they had heard occasional gunshots and said thousands of people had crammed into the terminal and filled the parking lots, desperately seeking flights out.
“The security situation in Kabul is changing quickly including at the airport,” the embassy said in a statement. “There are reports of the airport taking fire; therefore we are instructing U.S. citizens to shelter in place.”
Late Sunday, the State and Defense Departments issued a statement saying the U.S. was working to secure control of the airport and to speed up the evacuation using civilian and military flights.
“Tomorrow and over the coming days,” the statement said, “we will be transferring out of the country thousands of American citizens who have been resident in Afghanistan, as well as locally employed staff of the U.S. mission in Kabul and their families and other particularly vulnerable Afghan nationals.”
The Taliban entered Kabul on Sunday, completing the near total takeover of Afghanistan two decades after the American military drove them from power. A frenzied evacuation of U.S. diplomats and civilians kicked into high gear last week, while Afghans made a mad dash to banks, their homes and the airport. Crowds of people ran down the streets as the sound of gunfire echoed in downtown Kabul.
Helicopter after helicopter — including massive Chinooks with their twin engines, and speedy Black Hawks that had been the workhorse of the grinding war — touched down and then took off loaded with passengers. Some shot flares overhead.
On Saturday, President Biden accelerated the deployment of 1,000 additional troops to Afghanistan to aid in the evacuation. On Sunday, orders went out to deploy another 1,000, temporarily bringing the U.S. presence there to 6,000, according to a Pentagon official who was not authorized to discuss the matter publicly and was granted anonymity.
Those being evacuated over the weekend included a core group of American diplomats who had planned to remain at the embassy in Kabul, according to a senior administration official. They were being moved to a compound at the international airport, where they would stay for an unspecified amount of time, the official said.
The runway of the airport was filled with a constellation of uniforms from different nations. They joined contractors, diplomats and civilians all trying to catch a flight out of the city. Those who were eligible to fly were given special bracelets, denoting their status as noncombatants.
For millions of Afghans, including tens of thousands who assisted the U.S. efforts in the country for years, there were no bracelets. They were stuck in the city.
Hundreds of people swarmed to the civilian side of the airport in the hopes of boarding planes out, but by evening scores were still waiting inside the terminal and milling around on the apron amid the constant roar of planes taking off from the adjacent military air base. A long line of people waited outside the check-in gate, unsure if the flights they had booked out of the country would arrive.
While President Biden has defended his decision to hold firm and pull the last U.S. troops out of Afghanistan by Sept. 11, his administration has become increasingly worried about images that could evoke a foreign policy disaster of the past: the fall of Saigon at the end of the conflict in Vietnam in 1975.
Fahim Abed, Fatima Faizi, Thomas Gibbons-Neff, Christina Goldbaum, Sharif Hassan, Jim Huylebroek, Najim Rahimand Lara Jakes contributed reporting.
A conference call between members of Congress and the Biden administration’s top diplomatic and military leaders on Afghanistan turned contentious on Sunday, as lawmakers pressed the administration on how intelligence on the Taliban could have failed so badly and how long the military will secure the Kabul airport.
Lawmakers said the 45-minute call with Secretary of State Antony J. Blinken, Secretary of Defense Lloyd J. Austin III and Mark A. Milley, chairman of the Joint Chiefs of Staff, was not particularly revelatory.
“It was, I would say, a rote exercise in telling us what we had already learned from the media and social media,” said Representative Peter Meijer, Republican of Michigan and a former Army reservist who did conflict analysis in Afghanistan.
The questioning was pointed and at times contentious. Much of it centered on which Afghans the United States would get out of Afghanistan — and how.
Representative Tom Malinowski, a New Jersey Democrat who was a State Department official in the Obama administration and a former leader of Human Rights Watch, pressed for answers on how long the U.S. military would be able to keep its hold on the Kabul airport, so that charter and commercial flights can continue.
Lawmakers also asked whether the Afghans that Americans are trying to help leave would go beyond those who worked for the embassy, interpreters for the military and others with special immigrant visas. The briefers assured them that the United States would try to help a broader group, including human rights and women’s rights activists, journalists and students at the American University of Afghanistan.
“I want to make sure we don’t pick up and leave when all the Americans and S.I.V.’s are out,” Mr. Malinowski said, referring to the special visa holders.
But there is no guarantee that all Afghans who want to get out will be able to do so.
“It is overwhelmingly clear to me that this has been a cascade of failures at the Defense Department, with the intelligence community and within our political community,” Mr. Meijer said. “And nothing on the call gave me the confidence that even the magnitude of the failures has been comprehended.”
As their homeland fell once again into the hands of the Taliban, more than 300 Afghan Americans went to the White House on Sunday to make their frustrations known.
Demonstrators, some with young children and babies in strollers, spilled into Lafayette Square, wielding signs that read “Help Afghan kids” and “America betrayed us.”
Some held up the flag of Afghanistan. Others draped it over their shoulders. They stood in a circle around organizers who used bull horns to get their message out.
“We want justice,” they declared.
Among those attending the three-hour protest was Sohaila Samadyar, a 43-year-old banker in Washington, who was there with her 10-year-old son. Ms. Samadyar, who immigrated to America in 2000, said she wanted to raise awareness about Afghans still stuck in the country, like her brother and sister in Kabul.
Ms. Samadyar said that she voted for President Biden in November, but that she now regretted that decision, “disappointed” in his handling of the war.
“He has basically disregarded the Afghan community,” she said. “It’s unbelievable how fast everything has changed.”
Yasameen Anwar, a 19-year-old sophomore in college, drove about three hours from Richmond, Va., with her friends and sister to attend the protest. Ms. Anwar said she was concerned about the future of women and children in Afghanistan.
“Before, when America was in Afghanistan, there was hope in that we were fighting the Taliban and that they could finally be defeated after 20 years,” Ms. Anwar said. “But by the Biden administration completely stepping out, it’s giving them no hope anymore.”
A first-generation Afghan American, Ms. Anwar said she had always dreamed of visiting her family’s home country. She now doubts that she will be able to go.
“It just seems like we’re never going to get peace,” Ms. Anwar said.
As the U.S. raced to evacuate personnel from its embassy in Kabul, human and refugee rights groups sharply criticized the Biden administration for not moving faster to relocate America’s Afghan allies from a country where they are at risk of lethal Taliban reprisals.
“The Biden administration has taken too long to create a process that ensures safety for Afghans who served with American military and civil society actors,” Jennifer Quigley, senior director for government affairs at Human Rights First, said in a statement. “As Afghanistan’s military and political leaders abandon their posts, the United States risks abandoning allies who stood with us, who translated for and protected our troops.”
“Unless there is a swift and meaningful effort to evacuate the thousands of allies and their families to the United States or a U.S. territory, we will have broken our promise to leave no one behind,” she added.
Congress this year created the Special Immigrant Visa program to allow Afghans who worked with the Americans over the past 20 years to relocate to the United States. The State Department has given eligibility to tens of thousands of people and their families, and some have been flown out of Afghanistan.
But the rate of evacuation has not matched the speed of the Afghan government collapse. “If evacuation flights continue at their current pace, it would take until March 2023 to evacuate all the eligible Afghans out of the country,” Ms. Quigley said.
Earlier this month, the Biden administration announced that Afghans who are not eligible for the program — including ones who worked for U.S.-based media organizations and nongovernmental organizations — could apply for high-priority refugee status.
But U.S. officials said those Afghans, who may number in the tens of thousands, must first leave the country under their own auspices merely to begin an application process that can take more than a year. With the Taliban in control of cities, highways and border crossings, it may now be too late for many of them to leave.
The fall of Kabul follows days in which one urban center after another fell to the insurgents with astonishing speed, often with little or no resistance, leaving the government in control of nothing but fast-shrinking pockets of the country.
The insurgents took Mazar-i-Sharif, in the north, late on Saturday, only an hour after breaking through the front lines at the city’s edge. Soon after, government security forces and militias — including those led by the warlords Marshal Abdul Rashid Dostum and Atta Muhammad Noor — fled, effectively handing control to the insurgents.
On Sunday morning, the Taliban seized the eastern city of Jalalabad. In taking that provincial capital and surrounding areas, the insurgents gained control of the Torkham border crossing, a major trade and transit route between Afghanistan and Pakistan. They took over Bagram Air Base, which had been the hub of U.S. military power in the country until the Americans handed control of it back to Afghan forces six weeks earlier.
Later on Sunday, Taliban fighters began taking up positions in Kabul, the capital — the last major city that had been under government control — as government forces melted away and the president fled the country.
The Taliban offensive, which started in May when the United States began withdrawing troops, gathered speed over the past week. In city after city, the militants took down Afghan government flags and hoisted their own white banners.
Secretary of State Antony J. Blinken acknowledged on Sunday that the offensive had moved faster than U.S. officials had expected.
Despite two decades of war with American-led forces, the Taliban have survived and thrived, without giving up their vision of creating a state governed by a stringent Islamic code.
After the Taliban took control of Afghanistan in the 1990s, movie theaters were closed, the Kabul television station was shut down and the playing of all music was banned. Schools were closed to girls.
Despite many Afghans’ memories of years under Taliban rule before the U.S.-led invasion in 2001, the insurgents have taken control of much of the country in recent days with only minimal resistance.
Their rapid successes have exposed the weakness of an Afghan military that the United States spent more than $83 billion to support over the past two decades. As the insurgents’ campaign has accelerated, soldiers and police officers have abandoned the security forces in ever greater numbers, with the cause for which they risked their lives appearing increasingly to be lost.
The speed of the Taliban’s advance has thrown exit planning into disarray. While many analysts had believed that the Afghan military could be overrun after international forces withdrew, they thought it would happen over months and years.
President Biden has accelerated the deployment of an additional 1,000 troops to Afghanistan to help get American citizens out. He made it clear that he would not reverse his decision to withdraw all combat forces.
“I was the fourth president to preside over an American troop presence in Afghanistan — two Republicans, two Democrats,” Mr. Biden said on Saturday afternoon. “I would not, and will not, pass this war onto a fifth.”
With their seizure of Jalalabad on Sunday, and its entry into Kabul, the Talibaneffectively took control of Afghanistan. Planes departing the airport in Kabul, the capital, were filled with people fleeing the city.
The United Nations Security Council scheduled an emergency meeting for Monday morning after the Taliban appeared to take control of Afghanistan, where the U.N. has maintained an extensive aid operation since the early days of the American-led occupation two decades ago.
Secretary General António Guterres, who had repeatedly condemned attacks on Afghan civilians and implored the Taliban and government representatives to negotiate a peaceful settlement, was expected to speak at the emergency meeting. On Friday, as it was becoming increasingly clear that the Afghan government was collapsing as Taliban fighters walked into city after city, Mr. Guterres said the country was “spinning out of control.”
It remains unclear how the Taliban would be regarded by the United Nations should the militant movement declare itself the legitimate power in Afghanistan. Many countries in the 193-member organization have condemned the Taliban’s brutality and would most likely not recognize such a declaration.
The United Nations employs roughly 3,000 employees who are Afghan and about 720 international staff members in Afghanistan, but roughly half of the international staff have been working outside the country since the pandemic started last year.
U.N. officials have repeatedly said there were no plans to evacuate any staff members from the country. But Mr. Guterres’s spokesman, Stéphane Dujarric, told reporters last week that the organization was evaluating the security situation “hour by hour.”
The Taliban have pledged not to interfere in United Nations aid operations. But on July 30, a U.N. office in the western city of Herat was attacked by the Taliban, and a local security official guarding the office was killed.
The main U.N. mission, based in Kabul, is known as the U.N. Assistance Mission in Afghanistan, or Unama, and was established in 2002 to help create a government following the American-led invasion.
It was his first day as the Taliban-appointed mayor of Kunduz, and Gul Mohammad Elias was on a charm offensive.
Last Sunday, the insurgents seized control of the city in northern Afghanistan, which was in shambles after weeks of fighting. Power lines were down. The water supply, powered by generators, did not reach most residents. Trash and rubble littered the streets.
The civil servants who could fix those problems were hiding at home, terrified of the Taliban. So the insurgent-commander-turned-mayor summoned some to his new office, to persuade them to return to work.
But day by day, as municipal offices stayed mostly empty,Mr. Elias grew more frustrated — and his rhetoric grew harsher.
Taliban fighters began going door to door, searching for absentee city workers. Hundreds of armed men set up checkpoints across the city. At the entrance to the regional hospital, a new notice appeared on the wall: Employees must return to work or face punishment from the Taliban.
The experience of those in Kunduz offers a glimpse of how the Taliban may govern, and what may be in store for the rest of the country.
In just days, the insurgents, frustrated by their failed efforts to cajole civil servants back to work, began instilling terror, according to residents reached by telephone.
“I am afraid, because I do not know what will happen and what they will do,” said one, who asked not to be identified for fear of retaliation by the Taliban. “We have to smile at them because we are scared, but deeply we are unhappy.”
Nearly every shop in Kunduz was closed. The shopkeepers, fearing their stores would be looted by Taliban fighters, had taken their goods home. Every afternoon the streets emptied of residents, who feared airstrikes as government planes buzzed in the sky. And about 500 Taliban fighters were stationed around the city, manning checkpoints on nearly every street corner.
At the regional hospital, armed Taliban were keeping track of attendance. Out of fear, the health worker said, female staff wore sky-blue burqas as they assisted in surgeries and tended to wounds from airstrikes, which still splintered the city each afternoon.
With the Taliban on the verge of regaining power in Afghanistan, President Biden has defended his decision to leave the country after two decades of U.S. military involvement.
In a statement on Saturday, Mr. Biden said that the United States had invested nearly $1 trillion in Afghanistan over the past 20 years and had trained and equipped more than 300,000 Afghan security forces, including maintaining the Asian country’s air force.
“One more year, or five more years, of U.S. military presence would not have made a difference if the Afghan military cannot or will not hold its own country,” Mr. Biden said. “And an endless American presence in the middle of another country’s civil conflict was not acceptable to me.”
Mr. Biden’s statement came hours after the Taliban seized Mazar-i-Sharif, in northern Afghanistan, but before the group captured the eastern city of Jalalabad on Sunday, The group entered Kabul, the capital, on Sunday as President Ashraf Ghani fled.
Mr. Biden partly blamed President Donald J. Trump for the unfolding disaster in Afghanistan, saying that the deal made with the Taliban in 2020 had set a deadline of May 1 this year for the withdrawal of American forces and left the group “in the strongest position militarily since 2001.”
“I faced a choice — follow through on the deal, with a brief extension to get our forces and our allies’ forces out safely, or ramp up our presence and send more American troops to fight once again in another country’s civil conflict,” Mr. Biden said.
This year, a study group appointed by Congress urged the Biden administration to abandon the May 1 deadline and slow the withdrawal of American troops, saying that a strict adherence to the timeline could lead Afghanistan into civil war. Pentagon officials made similar entreaties, but Mr. Biden maintained his long-held position that it was time for Afghanistan to fend for itself.
Since international troops began withdrawing in May, the Taliban have pursued their military takeover far more swiftly than U.S. intelligence agencies had anticipated. On Saturday, Mr. Biden accelerated the deployment of 1,000 additional troops to Afghanistan to help ensure the safe evacuation from Kabul of U.S. citizens and Afghans who worked for the American government.
On Sunday, a decision was made to send another 1,000, temporarily bringing to 6,000 the number of American troops in the country.
In his statement, Mr. Biden warned the Taliban that “any action on their part on the ground in Afghanistan, that puts U.S. personnel or our mission at risk there, will be met with a swift and strong U.S. military response.”
A high school student in Kabul, Afghanistan’s war-scarred capital, worries that she now will not be allowed to graduate.
The girl, Wahida Sadeqi, 17, like many Afghan civilians in the wake of the U.S. troop withdrawal and ahead of a Taliban victory, keeps asking the same question: What will happen to me?
The American withdrawal, which effectively ends the longest war on foreign soil in United States history, is also likely to be the start of another difficult chapter for Afghanistan’s people.
“I am so worried about my future. It seems so murky. If the Taliban take over, I lose my identity,” said Ms. Sadeqi, an 11th grader at Pardis High School in Kabul. “It is about my existence. It is not about their withdrawal. I was born in 2004, and I have no idea what the Taliban did to women, but I know women were banned from everything.”
Uncertainty hangs over virtually every facet of life in Afghanistan. It is unclear what the future holds and whether the fighting will ever stop. For two decades, American leaders have pledged peace, prosperity, democracy, the end of terrorism and rights for women.
Few of those promises have materialized in vast areas of Afghanistan, but now even in the cities where real progress occurred, there is fear that everything will be lost when the Americans leave.
The Taliban, the extremist group that once controlled most of the country and continues to fight the government, insist that the elected president step down. Militias are increasing in prominence and power, and there is talk of a lengthy civil war.
Over two decades, the American mission evolved from hunting terrorists to helping the government build the institutions of a functioning government, dismantle the Taliban and empower women. But the U.S. and Afghan militaries were never able to effectively destroy the Taliban, who sought refuge in Pakistan, allowing the insurgents to stage a comeback.
The Taliban never recognized Afghanistan’s democratic government. And they appear closer than ever to achieving the goal of their insurgency: to return to power and establish a government based on their extremist view of Islam.
Women would be most at risk under Taliban rule. When the group controlled Afghanistan from 1996 to 2001, it barred women from taking most jobs or receiving educations and practically made them prisoners in their own homes — though this was already custom for many women in rural parts of the country.
“It is too early to comment on the subject. We need to know much more,” Fatima Gailani, an Afghan government negotiator who is involved in the continuing peace talks with the Taliban, said in April. “One thing is certain: It is about time that we learn how to rely on ourselves. Women of Afghanistan are totally different now. They are a force in our country — no one can deny them their rights or status.”
Secretary of State Antony J. Blinken said on Sunday that the defeat of Afghan security forces that has led to the Taliban’s takeover “happened more quickly than we anticipated,” although he maintained the Biden administration’s position that keeping U.S. troops in Afghanistan was not in American interests.
“This is heart-wrenching stuff,” said Mr. Blinken, who looked shaken, in an interview on CNN after a night that saw members of the Taliban enter the Afghan capital, Kabul, and the shuttering of the U.S. Embassy as the last remaining American diplomats in Afghanistan were moved to a facility at the city’s airport for better protection.
Mr. Blinken stopped short of saying that all American diplomats would return to the United States, repeating an intent to maintain a small core of officials in Kabul.
But he forcefully defended the administration’s decision to withdraw the military from Afghanistan after 20 years of war, saying it could have been vulnerable to Taliban attacks had the United States reneged on an agreement brokered under President Donald J. Trump for all foreign forces to leave the country.
“We would have been back at war with the Taliban,” Mr. Blinken said, calling that “something the American people simply can’t support — that is the reality.”
He said it was not in American interests to devote more time, money and, potentially, casualties, to Afghanistan at a time that the United States was also facing long-term strategic challenges from China and Russia. But, Mr. Blinken said, American forces will remain in the region to confront any terrorist threat against the United States at home that might arise from Afghanistan.
He also appeared to demand more conditions for the prospect of recognizing the Taliban as a legitimate government or establishing a formal diplomatic relationship with them.
Earlier, the Biden administration had said the Taliban, in order to acquire international financial support, must never allow terrorists to use Afghanistan as a haven, must not take Kabul by force and must not attack Americans.
On Sunday, Mr. Blinken said the Taliban must also uphold basic rights of citizens, particularly women who gained new freedoms to go to work and school after the Taliban were ousted from power in 2001.
There will be no recognition of a Taliban government “if they’re not sustaining the basic rights of the Afghan people, and if they revert to supporting or harboring terrorists who might strike us,” the secretary of state said.
Mr. Blinken’s comments were swiftly criticized by the top Republican on the House Foreign Affairs Committee, Representative Michael McCaul of Texas, who said the Taliban’s swift takeover of Afghanistan “is going to be a stain on this president and his presidency.”
“They totally blew this one,” Mr. McCaul said. “They completely underestimated the strength of the Taliban.”
“I hate to say this: I hope we don’t have to go back there,” he said. “But it will be a threat to the homeland in a matter of time.”
More than a hundred journalists employed by the American government’s own radio stations remain in Afghanistan as the Taliban take power, U.S. officials and Afghan journalists said Sunday.
“Journalists are being left behind,” said Rateb Noori, the Kabul bureau news manager of Radio Azadi, in a telephone interview from Kabul on Sunday.
The station, a branch of the U.S. government’s Radio Free Europe and Radio Liberty services, formerly called Radio Free Afghanistan, broadcast through the day Sunday, including airing an interview with a Taliban spokesman. Its sister station, Voice of America, reported on Sunday that one of its reporters “was in the passport office when everyone was told to leave immediately and go home.”
The Afghans working for the U.S. government broadcasters in Kabul and around the country have long been targets of the insurgents, who killed a journalist with Radio Free Afghanistan in a targeted bombing in November. They are among the most exposed of hundreds of Afghans who have worked with American news organizations since the arrival of U.S. troops in 2001, and media organizations have been scrambling to help local employees evacuate. The U.S. government made journalists eligible for a visa program that could allow them to leave the country. They have yet to be evacuated and the window to do so is closing quickly.
The acting interim chief executive of the U.S. Agency for Global Media, which oversees the broadcasters, said in an email to staff Sunday that the agency is “doing everything in our power to protect” journalists and “will not back down in our mission to inform, engage, and connect Afghans in support of freedom and democracy.”
The president of Radio Free Europe/Radio Liberty, Jamie Fly, said in a text message that the service is “doing everything possible to make sure they can safely continue their work.”
Mr. Noori, who was awake late on Sunday because he was worried about looters at his home, said there was no protection and little certainty — including whether the stations will continue to broadcast Monday.
“Everybody is locked down in their homes, and no one knows what happens tomorrow,” he said.
Afghan journalists have little to do but rely on early Taliban promises that they will not attack members of the news media.
“Having experience last time of their role in Afghanistan, I think they cannot keep their promises — they cannot control their people,” he said. “I’m just hoping that we can survive for a while, and then let’s see if we have a way out to any neighboring country,” Mr. Noori said.
Mujeeb Angaar, who worked for Radio Free Afghanistan from 2010 to 2013 before fleeing the country, said in a telephone interview from his home in Canada that he was told by the Taliban at the time that he “should be killed, because you work for Jews, you work for the CIA.”
The American-backed services “will be the first target,” he said.
The suits are returning to the office. In chinos. And sneakers. And ballet flats.
As Wall Street workers trickle back into their Manhattan offices this summer, they are noticeable for their casual attire. Men are reporting for duty in polo shirts. Women have stepped down from the high heels once considered de rigueur. Ties are nowhere to be found. Even the Lululemon logo has been spotted.
The changes are superficial, but they hint at a bigger cultural shift in an industry where well-cut suits and wingtips once symbolized swagger, memorialized in popular culture by Gordon Gekko in the movie “Wall Street” and Patrick Bateman in the film adaptation of Bret Easton Ellis’s novel “American Psycho.” Even as many corporate workplaces around the country relaxed their dress codes in recent years, Wall Street remained mostly buttoned up.
relax dress codes — including in 2019, when Goldman made suits and ties optional — banking had been one of the last bastions of formal work wear, alongside law firms. And in some quarters of Wall Street, such as hedge funds, the code has typically been more permissive.
But in banking, the strict hierarchies were embedded in unwritten fashion rules. Colleagues would ridicule those wearing outfits considered too flashy or too shabby for the wearer’s place in the corporate food chain. Superiors were style guides, but wearing something swankier than one’s boss was considered a faux pas. An expensive watch could be seen as a mark of success, an obnoxious flex, or both.
TV interview; Goldman’s boss, David Solomon, D.J.s in T-shirts on weekends; and Rich Handler, the head of Jefferies, posted a photo of himself sporting a henley tee on Twitter. At an event welcoming employees back to the office in July, Citigroup’s Jane Fraser — the only female boss of a major Wall Street bank — kept her signature look: a jewel-toned dress.
known for its leather-soled dress shoes for men and boys. “It’s going to continue to get more comfortable and casual, but people are still going to want to look nice.”
Now, 80 percent of the shoes his company designs are casual styles, Mr. Florsheim said, compared with 50 percent before the pandemic.
compete for recruits with technology companies — which are friendlier both to remote work and casual clothing — they are seeking to present a less stuffy image. Many banks are also trying to hire a more diverse cohort.
John C. Williams, president of the Federal Reserve Bank of New York and an avowed sneakerhead, said the Fed wanted people to bring their “authentic self” to work because personal style was an important part of valuing all forms of individuality and diversity.
He said he was looking forward to wearing new pairs from his sneaker collection in the office. “When people can be themselves, they do their best work,” he said.
bring staff back to offices. Most of the industry was targeting Labor Day for a full-scale return, although that may be complicated by surging coronavirus cases. Some Wall Street employees have been working out of their offices for months, but many returned only recently for the first time since the outbreak began.
It felt like the first day of school, some bankers said. They wanted to look good in front of colleagues, yet couldn’t bear the thought of wearing dress shoes or heels. Before going in, some checked with friends to see if their choices were in line with the crowd.
One item that has been popular among Wall Street men is Lululemon’s ABC pant, which the athleisure company markets as a wrinkle-resistant, stretchy polyester garment suitable for “all-day comfort.” (The company put its highly recognizable logo on a tab near the pocket to make the pants look less like workout gear.)
Untuckit, the maker of short-hemmed button-downs, saw a jump in sales as vaccination rates across the United States rose in April and May, said Chris Riccobono, the company’s founder. Customers have flocked to its two stores in Manhattan, seeking still-sharp shirts made from breathable fabric.
“What’s amazing is these guys were wearing suits in the middle of summer, walking the streets of New York, coming off the train” before the pandemic, Mr. Riccobono said. “It took corona for the guys who never wore anything but suits to realize, ‘Wait a second.’”
The Louvre is to have a female president for the first time in the Paris museum’s 228-year history.
Laurence des Cars, who is currently president of two other Paris institutions, the Musée d’Orsay and Musée de l’Orangerie, will take over the job — one of the most important in the art world — on Sep. 1, France’s culture ministry said in a news release on Wednesday.
She will take over the museum — which has an annual budget of 240 million euros (about $291 million), more than 2,000 employees and a regional outpost in northern France — at a difficult time. The pandemic has put a break on international tourism. Before it hit last year, the Louvre was getting about 10 million annual visitors, making it the most visited museum in the world.
Her mission will include drawing more young people into the museum, the news release said, and an increased focus on international partnerships.
Des Cars, 54, is something of a Louvre insider, having studied art history at the École du Louvre, the museum’s school. She oversaw the development of Louvre Abu Dhabi, a museum in the United Arab Emirates that leases the Louvre’s brand and which opened in 2017.
Black Models: From Géricault to Matisse,” which focused on previously overlooked Black figures in French art and was developed with the Wallach Art Gallery in New York, is considered a landmark of her tenure.
“A great museum must face history, including by looking back at the history of our own institutions,” she told Agence France-Presse in an interview in April.
Des Cars is among few women to have led major French museums. That dearth is “a consequence of official institutions not reaching out to women enough, or not giving them enough confidence,” des Cars said in a 2018 interview with The New York Times. But there is also “the issue of self-censorship — of women thinking, ‘I’m not up to that kind of job,’” she said.
“Women need to overcome their personal doubts, and to tell themselves: ‘I’m capable of this. It’s coming at the right time in my life and in my career. I’m ready for this,’” des Car added.
The Louvre belongs to the French state, so France’s president appoints the museum’s leader.
A few months ago, it was assumed that Jean-Luc Martinez, the Louvre’s president since 2013, was assured a third, three-year term. Under his tenure, the Louvre grew visitor numbers past 10 million for the first time. Its landmark Leonardo exhibition, which ended a few weeks before France went into a nationwide lockdown last year, drew rave reviews and a record million visitors.
partnerships with brands like Uniqlo, allowing a couple to spend a night in the museum as part of a marketing campaign for Airbnb and leasing the space to Beyoncé and Jay-Z to film the music video for their song “Apes**t.” (The Louvre also features prominently in the Netflix hit “Lupin,” one of the platform’s most-watched series.)
In March, after a dispute over a new color scheme in one of the Louvre’s galleries became a weekslong talking point in France’s news media, Henri Loyrette, a former president of the museum, threw his weight behind Martinez’s critics. He and another high-ranking former Louvre official gave testimony in a lawsuit brought by the Cy Twombly Foundation, which said the new paint job had disfigured a ceiling mural by the abstract American painter.
Martinez will continue at the museum, which reopened on May 19 after months of being closed, until Aug. 31. He will then become a heritage ambassador, responsible for coordinating France’s participation in international projects, the news release said.
Des Cars did not immediately respond to a request for comment.
John Cena, the professional wrestler and a star of “F9,” the latest installment in the “Fast and Furious” franchise, apologized to fans in China on Tuesday after he referred to Taiwan as a country while giving a promotional interview.
Joining a long list of celebrities and companies that have profusely apologized after taking an errant step through China’s political minefields, Mr. Cena posted a video apology in Mandarin on Weibo, a Chinese social network.
Beijing considers Taiwan, a self-ruled democratic island, to be a breakaway province and claims it as part of China. Referring to it as a country is often an offensive assertion in China, where matters of sovereignty and territory are passionate issues driven by a strong sense of nationalism.
Mr. Cena apologized for a statement he made in an interview with the Taiwanese broadcaster TVBS. In it, he told the reporter in Mandarin, “Taiwan is the first country that can watch” the film.
Xinjiang, pro-democracy protests in Hong Kong or the status of Taiwan and Tibet.
a fierce backlash when Daryl Morey, then the general manager of the Houston Rockets, tweeted in support of the Hong Kong protests in 2019. (LeBron James, one of basketball’s biggest stars, offered a China-friendly response, saying Mr. Morey “wasn’t educated on the situation at hand” by supporting the protesters.)
Movie studios often preemptively ensure their content won’t run afoul of Chinese censors, a practice once mocked by “South Park.”
But quite often, the political problems arise in cases where a company appeared to have no idea it was accidentally crossing a line.
That list would include Gap, which in 2018 created a T-shirt that omitted Taiwan, parts of Tibet and islands in the South China Sea from a map of China on the shirt’s design. The luxury brands Versace, Givenchy and Coach said in 2019 they all made mistakes when they produced T-shirts that identified Hong Kong and Macau as countries.
“Versace reiterates that we love China deeply, and resolutely respect China’s territory and national sovereignty,” the company said in a statement at the time.
China ordered 36 airlines to remove references to Taiwan, Macau and Hong Kong as separate countries on their websites in 2018, a step the Trump administration dismissed as “Orwellian nonsense.”
That year, Marriott clarified on its Weibo account that it “will absolutely not support any separatist organization that will undermine China’s sovereignty and territorial integrity” after a customer survey listed the territories as separate countries.
Mercedes-Benz Instagram account quoted the Dalai Lama, whom many in China view as a dangerous separatist advocating Tibetan independence.
The release of “F9” was delayed for a year during the coronavirus pandemic. It drew an estimated $162 million in tickets in eight international markets, including China and South Korea, over the weekend. As the newest film in a hugely successful series, “F9” is seen by Hollywood as the kind of blockbuster needed to draw people back to theaters.
Amy Chang Chien contributed reporting from Taipei, and Claire Fu from Beijing.
LOS ANGELES — In February 2020, Universal Pictures used the Super Bowl to light a marketing match under “F9,” the latest installment in the “Fast and Furious” franchise. With any luck, the studio hoped, the movie would roar into theaters a few months later and take in more than $1 billion worldwide, just as a predecessor, “The Fate of the Furious,” did in 2017.
But the pandemic had other plans. Some rival studios hemmed and hawed over their release schedule, but Universal shocked Hollywood in early March 2020 by delaying “F9” for an entire year. “It was a very unpopular decision,” Donna Langley, chairwoman of the Universal Filmed Entertainment Group, said recently in a phone interview. “A lot of people really did not agree with me.”
It was a $350 million-plus decision, between production and marketing costs, and Ms. Langley, like everyone at that stage of the pandemic, was operating in the dark. “It really was a gut call,” she said.
Avengers: Endgame” in 2019.
screen patriotic films with titles like “The Sacrifice” and “The Red Sun” at that time.
As Hollywood has contemplated how best to rev up moviegoing now that theaters are beginning to operate with some normalcy again, there has been a lot of talk about “the right movie at the right time.” It was not Christopher Nolan’s cerebral “Tenant,” which was released in September by Warner Bros. An old-fashioned monster mash-up, “Godzilla vs. Kong,” drew big crowds last month, but results were depressed because it was simultaneously available on HBO Max.
Could “F9” be the one? It will receive an exclusive run in theaters and features action sequences designed specifically for big screens. One of the film’s cars has an actual rocket engine attached to its roof.
“It feels like a big, beginning-of-summer, school’s-out celebration,” Ms. Langley said of the sequel. It finds Vin Diesel’s marble-mouthed Dom Toretto facing his younger brother Jakob (John Cena), an assassin working with the villainous Cipher (Charlize Theron). Michelle Rodriguez returns as the brooding Letty. Tyrese Gibson, Helen Mirren and Ludacris also star.
LOS ANGELES — For 28 years, ever since “Super Mario Bros.” arrived in cinemas with the tagline “This Ain’t No Game,” Hollywood has been trying and mostly failing — epically, famously — to turn hit video games into hit movies. For every “Lara Croft: Tomb Raider” (2001), which turned Angelina Jolie into an A-list action star, there has been a nonsensical “Max Payne” (2008), an abominable “Prince of Persia” (2010) and a wince-inducing “Warcraft” (2016).
If video games are the comic books of our time, why can’t Hollywood figure out how to mine them accordingly?
It may finally be happening, powered in part by the proliferation of streaming services and their need for intellectual property to exploit. “The need for established, globally appealing I.P. has naturally led to gaming,” Matthew Ball, a venture investor and the former head of strategy for Amazon Studios, wrote last year in an essay titled “7 Reasons Why Gaming I.P. Is Finally Taking Off in Film/TV.”
Sony Pictures Entertainment and its PlayStation-powered sibling, Sony Interactive, are finally working together to turn PlayStation games into mass-appeal movies and television shows. There are 10 game adaptations in the Sony Pictures pipeline, a big leap from practically none in 2018. They include “Uncharted,” a $120 million adventure based on a 14-year-old PlayStation property (more than 40 million copies sold). “Uncharted” stars Tom Holland, the reigning Spider-Man, as Nathan Drake, the treasure hunter at the center of the game franchise. It is scheduled for release in theaters on Feb. 18.
post-apocalyptic game of the same title. Pedro Pascal, “The Mandalorian” himself, is the star, and Craig Mazin, who created the Emmy-winning mini-series “Chernobyl,” is the showrunner. Executive producers include Carolyn Strauss, one of the forces behind “Game of Thrones,” and Neil Druckmann, who led the creation of the Last of Us game.
Sony games like Twisted Metal and Ghost of Tsushima are also getting the TV and film treatment. (Contrary to speculation, one that is not, at least not anytime soon, according to a Sony spokesman: God of War.)
In the past, Sony Pictures and Sony Interactive operated as fiefs, with creative control — it’s mine; no, it’s mine — impeding adaptation efforts. When he took over as Sony’s chief executive in 2018, Kenichiro Yoshida demanded cooperation. The ultimate goal is to make better use of Sony’s online PlayStation Network to bring Sony movies, shows and music directly to consumers. PlayStation Network, introduced in 2006, has more than 114 million monthly active users.
“I have witnessed a radical shift in the nature of cooperation between different parts of the company,” said Sanford Panitch, Sony’s movie president.
Halo,” a series based on the Xbox franchise about a war between humans and an alliance of aliens (more than 80 million copies sold), will arrive on the Paramount+ streaming service early next year; Steven Spielberg is an executive producer. Lionsgate is adapting the Borderlands games (roughly 60 million sold) into a science fiction film starring Cate Blanchett, Kevin Hart and Jamie Lee Curtis.
Buoyed by its success with “The Witcher,” a fantasy series adapted from games and novels, Netflix has shows based on the “Assassin’s Creed,” “Resident Evil,” “Splinter Cell” and “Cuphead” games on the way. Jonathan Nolan and Lisa Joy, the duo behind HBO’s “Westworld,” are developing a science-fiction show for Amazon that is based on the Fallout video game franchise.
And Nintendo and Illumination Entertainment, the Universal Pictures studio responsible for the “Despicable Me” franchise, have an animated Mario movie headed to theaters next year — another new collaboration between a game publisher and a film company.
Today in Business
Still, Hollywood’s game adaptation track record is terrible. Why should the coming projects be any different?
For a start, the games themselves have evolved, becoming more intricate and cinematic. “Games have stories that are so much more developed and advanced than they used to be,” Mr. Panitch said.
first major game adaptation in three decades to receive a “fresh” designation on Rotten Tomatoes, the review-aggregation site. Since then, two more adaptations, “Sonic the Hedgehog” (Paramount) and “The Angry Birds Movie 2” (Sony) have been critical and commercial successes.
“Quality has definitely been improving,” said Geoff Keighley, creator of the Game Awards, an Oscars-like ceremony for the industry.
The most recent game-to-film entry, “Mortal Kombat” (Warner Bros.), received mixed reviews but has taken in $41.2 million in the United States since its release last month, a surprisingly large total considering it was released simultaneously on HBO Max and theaters were still operating with strict coronavirus safety protocols.
Mr. Panitch acknowledged that “video game movies have a checkered history.” But he added, “Failure is the mother of invention.”
Game adaptations, for instance, have often faltered by trying to rigidly replicate the action and story lines that fans know and love. That approach invites comparison, and movies (even with sophisticated visual effects) almost always fail to measure up. At the same time, such “fan service” turns off nongamers, resulting in films that don’t connect with any particular audience.
“It’s not just about adapting the story,” said Michael Jonathan Smith, who is leading Sony’s effort to turn Twisted Metal, a 1995 vehicular combat game, into a television series. “It’s about adapting how you feel when you play the game. It has to be about characters you care about. And then you can slide in the Easter eggs and story points that get fans absolutely pumped.”
“Uncharted” is a prequel that, for the first time, creates origin stories for the characters in the game. With any luck, such storytelling will satisfy fans by giving them something new — while also inviting nongamers, who may otherwise worry about not knowing what is going on, to buy tickets. (The producers of “Uncharted” include Charles Roven, who is known for the “Dark Knight” trilogy.)
“It’s a question of balance,” said Asad Qizilbash, a senior Sony Interactive executive who also runs PlayStation Productions, an entity started in 2019 and based on Sony’s movie lot in Culver City, Calif.
Unlike in the past, when Sony Pictures and Sony Interactive pledged to work together and ultimately did not, the current collaboration “has weight because there is a win for everyone,” Mr. Qizilbash added. “We have three objectives. Grow audience size for games. Bring product to Sony Pictures. Showcase collaboration.”
The stakes are high. A cinematic flop could hurt the game franchise.
“It’s risky,” Mr. Qizilbash allowed. “But I think we can do it.”
Back in 1998, bookstores in English-speaking Canada suddenly looked like their counterparts in France, with their windows and floor displays dominated not by novels or popular nonfiction but by dictionaries. More precisely, piles of the first edition of the Canadian Oxford Dictionary.
Katherine Barber, Who Defined Canadian English, Is Dead at 61]
When the article appeared online, it provoked a lot of Twitter conversation about Canadianisms, particularly over the correct term for underwear. In the first sentence of the obituary, I went with “gotchies,” which the first edition of the dictionary casts as the “diminutive of GOTCH.”
But many people had other ideas, including: ginch, gonch, ginches, gitch, gitchies and gaunch. (Forgive me if I missed some.)
Judy Gombita, a Torontonian who favors “gotchies,” finally offered this analysis: “So the word definitely BEGINS with a G and often ends with CH, but the in-between varies widely across English Canada’s regions.”
Letterkenny,” the streaming comedy series set in a fictional southern Ontario town, has taken that to new heights. While some of the (printable) terms used by its characters are standard hockey slang or Canadian English, like laneway and rez (for reserve), its writers have gone on to create their own fictional dialect.
article from Babble, an online language learning company, makes a compelling case that the fictional speech in Letterkenny is a “conlang” or constructed language like Newspeak in George Orwell’s “1984” or Nadsat, the mix of Russian and English that Anthony Burgess created for “A Clockwork Orange.”
As I wrote in Ms. Barber’s obituary, declining sales of print dictionaries mean that the Canadian Oxford has not been updated since its second edition was published in 2004.
Some, apparently younger, Twitter users posted that they had never heard some of the Canadianisms I included in the obituary. And while new Canadianisms have likely come along over the last 17 years, the fluidity of languages means that many others have just as probably fallen into obscurity. When I was growing up, the largest piece of furniture in my parents’ room that was devoted to sitting was the chesterfield. Its counterpart in my household is now getting new slip covers and no one has called it anything other than a sofa or a couch during the process.
There has been one update of sorts, however. Among the many sources Ms. Barber and her crew drew on was the Dictionary of Canadianisms on Historical Principles, which was published in 1967. It was a very different creature than the Canadian Oxford. Intended for scholars, it was essentially a collection of Canadian words going back to the arrival of English speakers in what became Canada rather than a general reference dictionary and a snapshot of Canadian English use, spelling and pronunciations at that time.
second edition of the Dictionary of Canadianisms appeared online. Its website is currently being updated, so it is currently only available in a less-than-ideal digital archived form at the moment.
Somehow, I never interviewed Ms. Barber. But her wit, good humor and enthusiasm always came through on the radio and on television. Her great passion was ballet and she was as well known in those circles as she was in the world of language.
But her sister, Martha Hanna, told me that Ms. Barber’s interest in language didn’t extend to crossword puzzles.
“She said: ‘I don’t want to spend my life thinking about how to answer these stupid questions,’” Ms. Hanna, herself a crossword enthusiast, said of Ms. Barber. “Perhaps she knew words too well to to find crosswords amusing.”
Canadian cities and towns are often impostors, doubling as other places around the world in movies and on television.
On Thursday, the Canadiens and the Maple Leafs met for the first time in a post season game since 1979. The Hab won 2-1, but I am not taking sides. Curtis Rush reports that the return of the playoff rivalry has been muted by pandemic restrictions. “Montreal is still known for its fashion and cuisine, flair and intimate quaintness, while diverse Toronto is known for its brashness, flashy skyline and economic clout,” he wrote. “Both fan bases claim they live in hockey’s mecca.”
A native of Windsor, Ontario, Ian Austen was educated in Toronto, lives in Ottawa and has reported about Canada for The New York Times for the past 16 years. Follow him on Twitter at @ianrausten.
Like this email? Forward it to your friends, and let them know they can sign up here.
LONDON — Before the pandemic hit Britain last year, Michelle Hedley could only go to her local theaters in the north of England if they happened to be doing a captioned performance.
That happened five times a year — at best, said Hedley, who is deaf.
But during the pandemic, suddenly, she could watch musicals all day and night if she wanted, as shuttered theaters worldwide put shows online, often with subtitles. “I started watching anything and everything simply because I could!” Hedley, 49, said in an email interview. “Even subject matters that bored me!”
“I viewed more theater than I had done (it felt like) in a lifetime,” she added.
22 percent of England’s population andhave diverse requirements — such as wheelchair access, audio description or for “relaxed” performances where audiences are allowed to make noise — this moment is causing more mixed reactions. Some fear being forgotten, andthat struggling venues will concentrate on producing in-person shows and forgo online offerings, or cut their in-person services for disabled people.
There is little evidence of that so far, and some venues say they will continue to include disabled people, but the real effect of venues’ reduced budgets won’t become clear for months.
“I will be forced to go back to being grateful for just five shows a year,” Hedley said. “It is very frustrating.”
Others are concerned, too. “I just have this sense of being left behind with people being so euphoric that they can do things in the flesh again,” Sonia Boué, an artist who is autistic, said in a telephone interview.
Before the pandemic, Boué, 58, would only visit museums if she was convinced a show would be worth the huge amount of energy the experience took. Getting the train from her home in Oxford to London could be overwhelming, she said, as coulddealing with crowds in a packed museum. “I’ve been in situations when I’ve just wanted to throw myself down on a station platform and lose it,” she said.
the painter Tracey Emin and the photographer Jo Spence, she said, with both influencing her own art. “The whole experience was so rich and wonderful,” Boué said.
emergency funding from the government.
Some high-profile venues have said they will keep working to include disabled people as they reopen. Kwame Kwei-Armah, the artistic director of the Young Vic theater in London, told The Guardian in May he wanted to livestream at least two performances of all future shows, with viewers limited to about 500 per stream, mimicking the theater’s capacity. The Young Vic intends to guarantee some of those tickets for disabled people, a spokeswoman said in an email. On Friday, the Almeida, another London theater, said it would film and released digitally its next season’s shows “where possible” but gave no further details.
But for regional theaters that are coming off a year without ticket sales, streaming may not always be possible. “It’s a huge financial outlay, making films, so you really need to think about it from the start,” Amy Leach, the associate director of Leeds Playhouse, said in a phone interview. She hoped her theater would do that for future work, she said.
People’s concerns are not just about cuts to streaming. Jessica Thom, a performer and wheelchair user who’s made work about her Tourette’s syndrome, said in a telephone interview that she was worried that some venues may see online shows as an accessibility alternative to offering the relaxed performances she loved to go to, where people were free to move around or make noise. “The anxiety about being written out is real,” she said.
Graeae, Britain’s leading deaf and disabled-led theater company, as well as “The Unknown” for Leeds Playhouse (streaming until June 5).
She has been helped in such work by being able to have meetings and rehearsals virtually. “My experiences have been incredibly inclusive,” she said, “and I think a lot of us are having the same concerns about ‘Will we go back to old ways of working, when we’re told we need to be in the room?’”
like the Globe in London, have started offering in-person performances with audio description, Wood said. But she won’t be able to attend for months. “I worked out the other day I’d need to be guided by about 25 people to go from my home to a London theater,” she said. “I can’t tell if someone is wearing a mask or not, I can’t keep distance, so I don’t feel ready,” she added.
Many other disabled people feel similarly anxious about attending events in person, she said, having been disproportionately affected by the pandemic. She was worried theaters might cut back on services assuming there isn’t demand, even if the trend for that hasn’t happened yet.
Six British museums and theaters said in emails they intended to maintain provisions for disabled audiences, and not cut back. Andrew Miller, a campaigner who was the British government’s disability champion for arts and culture until this spring, said many institutions would be hard pressed to “wriggle” out of commitments even if they for some reason wanted to, as much funding in Britain comes with a requirement to expand access. But future funding cuts could make the situation “messy,” he said. “There is a genuine worry there’ll be significantly less investment,” he added.
Boué said she just hoped British theaters and museums kept disabled people in mind. It should be easier than ever to identify with disabled people, she said. When the first lockdown hit, “it was this jaw dropping moment when everyone felt completely immobilized and like they didn’t have the freedoms they’d always taken for granted,” she said.
For once, “it was like disability was really everyone’s problem,” she added.
give up day-to-day duties at the private equity giant, after clashing with his fellow founders over the departure of Leon Black as the firm’s chief executive.
The departure of Mr. Harris, 56, comes months after he argued that Mr. Black should step down immediately following Apollo’s investigation into his ties to Jeffrey Epstein, the late financier and registered sex offender. Mr. Harris was overruled by the other two members of Apollo’s executive committee, the firm’s other founders, Mr. Black and Marc Rowan.
Mr. Harris served as one of Apollo’s most visible and hands-on managers, but instead of succeeding Mr. Black as chief executive, he lost out to Mr. Rowan, who had announced last year that he was taking a “semi-sabbatical” from the firm.
In March, however, Mr. Black — who had agreed to step down as chief executive in July, while remaining chairman — unexpectedly gave up all his duties. Mr. Black, at the time, cited health reasons and continuing media coverage of his dealings with Mr. Epstein.
But by then, Mr. Harris was seen as having less of a leadership role at the firm. It was Mr. Rowan who engineered Apollo’s takeover of Athene, a big insurance and lending affiliate that is expected to bolster the firm’s investing power.
Mr. Harris was not on Apollo’s quarterly earnings call with analysts earlier this month, an absence noted by a participant on the call, which fueled speculation that his role at Apollo had diminished since Mr. Rowan’s ascension.
Mr. Harris had wanted Mr. Black to make a complete break with Apollo after a law firm hired by Apollo’s board had found Mr. Black paid $158 million in fees to Mr. Epstein and lent him another $30 million in recent years. Mr. Harris was concerned that institutional investors in Apollo funds might be troubled by the law firm’s findings, even though the report concluded Mr. Black had paid Mr. Epstein for legitimate tax planning advice and had done nothing improper.
Apollo’s stock, which had lagged its competitors while the law firm investigated the matter, has risen about 20 percent since Mr. Black said he was resigning as chairman.
The board of Apollo hired the outside law firm to conduct review following a report in October in The New York Times of Mr. Black’s business and social dealings with Mr. Epstein, who died in federal custody in August 2019 while awaiting trial on sex trafficking charges.
Mr. Harris will officially step down after Apollo completes the Athene deal, which is expected to be completed early next year. He will remain a member of the firm’s board and its executive committee. Mr. Harris, like Mr. Black, is one of Apollo’s largest shareholders.
He is expected to focus on an array of other business interests, including his co-ownership of several professional sports franchises — including the Philadelphia 76ers basketball team and the New Jersey Devils hockey team — and his family office. He is also expected to focus more on philanthropy.
“I have become increasingly involved in these areas and knew that one day they would become my primary pursuit,” Mr. Harris wrote in an internal memorandum reviewed by The Times.
Mr. Harris, whose net worth is estimated at just of $5 billion, recently bought a $32 million mansion in Miami.
Stocks on Wall Street edged higher on Thursday, rebounding slightly from three consecutive days of selling.
The S&P 500 rose 0.3 percent in early trading. The index had dropped 1.4 percent through the close on Wednesday, after falling by the same amount the week before.
Concerns about rapid economic growth fueling inflation, as well as rising coronavirus cases in some parts of the world, have undermined recent optimism about the global economic recovery from the pandemic.
On Wednesday, minutes of the latest Federal Reserve policy meeting showed several officials thought that “at some point in upcoming meetings” they could begin to discuss tapering the bank’s bond-buying program. Investors have speculated the central bank would have to do so as price increases accelerated. The same day, data showed Britain’s annual inflation rate doubled to 1.5 percent in April.
European stock indexes were higher on Thursday. The Stoxx Europe 600 rose 0.8 percent as gains in health care and industrial stocks outweighed a fall in energy company shares. The FTSE 100 in Britain rose about half a percent.
Bitcoin was trading just below $40,000 on Thursday morning after a volatile day on Wednesday when the price plunged to below $32,000.
Ethereum, another major cryptocurrency, also recovered some of its losses from Wednesday, when it fell about 20 percent.
Elsewhere in markets
Oatly, the oat-based milk substitute, priced its shares at $17 each for its initial public offering, the company said on Wednesday, valuing it at about $10 billion. Oatly is expected to begin trading on Thursday with the ticker symbol “OTLY.”
Oil prices dropped. Futures on West Texas Intermediate, the U.S. benchmark, fell half a percent to $63.02 a barrel.
Initial claims for state jobless benefits fell again last week, continuing a fairly steady decline since the start of the year, the Labor Department reported Thursday.
The weekly figure was slightly under 455,000, a decline of 37,000 from the previous week and the lowest weekly total since before the pandemic. New claims for Pandemic Unemployment Assistance, a federally funded program for jobless freelancers, gig workers and others who do not ordinarily qualify for state benefits, totaled 95,000. The figures are not seasonally adjusted.
New state claims remain high by historical levels but are less than half the level recorded as recently as early January. The benefit filings, something of a proxy for layoffs, have receded as business return to fuller operations, particularly in hard-hit industries like leisure and hospitality.
More than 20 Republican-led states have said they will abandon federally funded emergency benefit programs in June or early July, saying the income is deterring recipients from seeking work as some employers complain of trouble filling jobs. Those programs include not only Pandemic Unemployment Assistance but also extended benefits for the long-term unemployed.
— Kevin McKenna
Ford unveiled an electric version of its popular F-150 pickup truck on Wednesday called the Lightning, signaling a shift in the auto industry’s electric vehicle push, which so far has been aimed at niche markets.
With an electric motor mounted on each of its axles, the vehicle will offer more torque — in effect, faster acceleration — than any previous F-150 and will be capable of towing up to 10,000 pounds, Neal E. Boudette reports for The New York Times. Its battery pack can put out 9.6 kilowatts of energy, making it able to power a home for about three days during an outage, according to Ford.
For contractors and other commercial truck users, the Lightning will be able to power electric saws, tools and lighting, potentially replacing or reducing the need for generators at work sites. It has up to 11 power outlets.
The truck is expected to go on sale next spring, with a starting price of $39,974 for a model that can travel 230 miles on a full charge. A version with a range of 300 miles starts at $59,974.
The truck’s base price is a few thousand dollars less than that of a Tesla Model 3 and even that of the company’s own Mustang Mach-E sport-utility vehicle. The total cost is lower still because buyers of Ford’s electric vehicles still qualify for the $7,500 federal tax credit available for the purchase of E.V.s. Some states such as California, New Jersey and New York offer additional rebates worth as much as $5,000.
The Alamo Drafthouse theater chain furloughed its 3,100 employees during the pandemic, declared bankruptcy in December, shut down three theaters as part of its restructuring plan and halted a planned project in Orlando. AMC Entertainment’s chief executive, Adam Aron, said this month that the chain had been “within months or weeks of running out of cash five different times between April 2020 and January 2021.”
Now, theaters are trying to assure people that the troubles are over, Nicole Sperling reports for The New York Times. That movies are coming back, with a vengeance, and moviegoing should soon return to normal.
“It’s magic, what we do,” Tim League, Alamo’s founder, said in a phone interview. He acknowledged that his company got dangerously close to running out of money in December before filing for Chapter 11 bankruptcy protection. “We’re in the business of creating the best possible viewing experience — to get lost in an amazing story and have heightened emotions around it. It’s amazing when it’s done right, and we’re in the business of doing it right. I know that people are craving a return to any kind of out-of-home experience, being with people and having a sense of rejoining the community.”
Some 70 percent of moviegoers are comfortable to returning to the theater, according to the exhibition research firm National Research Group. The box office for April hit $190 million, up 300 percent since February. That’s a welcome relief to the South African director Neill Blomkamp, whose new horror film “Demonic” from the indie outfit IFC will debut only in theaters at the end of August.
“This brings me joy,” he said in a video message. “I want people to be terrified in a darkened theater.”