Gelb, Peter

Met Opera Protest: Unions Rally Against Proposed Pay Cuts

Tensions rose even higher when the stagehands learned that the Met had outsourced some of its set construction to nonunion shops elsewhere in this country and overseas. (In a letter to the union last year, Peter Gelb, the Met’s general manager, wrote that the average full-time stagehand cost the Met $260,000 in 2019, including benefits; the union disputes that number, saying that when the steady extra stagehands who work at the Met regularly, and sometimes full-time, are factored in, the average pay is far lower.)

The stagehand lockout has not been absolute. Claffey said that at the Met’s request, he has allowed several Local One members to work at the Met under the terms of the previous contract, particularly to help the union wardrobe staff who are on duty.

But although the Met has now reached a deal with the American Guild of Musical Artists, which represents its chorus, it has yet to reach one with Local 802 of the American Federation of Musicians, which represents the orchestra. Both groups were furloughed without pay for nearly a year after the opera house closed before they were brought back to the bargaining table with the promise of partial pay of up to $1,543 per week.

Adam Krauthamer, the president of Local 802, pointed out that because of the Met’s labor divisions, other performing arts institutions were ahead of the Met in reopening.

“Broadway is selling tickets; the Philharmonic is doing performances; they’re building stages right before our eyes,” Krauthamer said in a speech at the rally. “The Met is the only place that continues to try to destroy its workers’ contracts.”

The rally had the backing of several local politicians who spoke, including Gale Brewer, the Manhattan borough president, and the New York State Senators Jessica Ramos and Brad Hoylman, who had a message for the Met’s general manager: “Mr. Gelb, could you leave the drama on the stage, please?”

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Met Opera Musicians Accept Deal to Receive First Paycheck Since April

The musicians of the Metropolitan Opera orchestra have voted to accept a deal that will provide them with paychecks for the first time in nearly a year in exchange for returning to the bargaining table, where the company is seeking lasting pay cuts that it says are needed to survive the pandemic.

The musicians, and most of the Met’s workers, were furloughed in April, shortly after the pandemic forced the opera house to close. Months later, the Met offered the musicians partial pay in exchange for significant long-term cuts, but their union objected. Then the Met softened its position: Since the end of December, it has been offering to pay the musicians up to $1,543 a week on a temporary basis if they agreed to start negotiations. While the union representing the chorus agreed to the deal more than a month ago, the orchestra’s union took longer to accept the deal.

On Tuesday, the musicians in the orchestra, which became the last major ensemble in the United States without a deal to receive pandemic pay, agreed to take the offer, according to an email sent by the Met orchestra committee to its members.

“We’re very pleased that our agreement with the orchestra has been ratified and that they will begin receiving bridge pay this week,” the Met said in a statement, “along with the start of meaningful discussions towards reaching a new agreement.”

which it says has cost the company $150 million in earned revenues. For its highest-paid unions, the company is seeking 30 percent cuts — the change in take-home pay would be approximately 20 percent, it said — with a promise to restore half when ticket revenues and core donations return to prepandemic levels.

Under the deal, musicians will receive up to $1,543 for eight weeks; money they get from unemployment or stimulus payments is deducted from that total. If, after eight weeks, the musicians and the Met have not reached an agreement but the negotiations are productive, the partial paychecks will be extended, according to an email from the Met to the orchestra explaining the offer. The musicians’ labor contract expires at the end of July.

The Met offered the same deal to its choristers, dancers, stage managers and other employees who are represented by a different union, the American Guild of Musical Artists. That union accepted the deal at the end of January, and its members have been receiving paychecks for roughly five weeks.

The opera company is hopeful that it can start performing for the public in the fall, but opening night will be determined by where the virus and vaccination rates stand, as well as the outcome of the Met’s labor disputes. The company locked out its stagehands in December after their union rejected a proposal for substantial pay cuts.

In a note to Met employees sent on Friday, one year after the Met shut its doors, the company’s general manger, Peter Gelb, wrote that there was a “light at the end of the tunnel” because of the accelerated pace of vaccinations that President Biden had announced. Still, Mr. Gelb wrote, the Met needed to “come to terms with the economic necessities” that the pandemic has demanded.

“Even before the pandemic, the economics of the Met were extremely challenging and in need of a reset,” Mr. Gelb wrote. “With the pandemic, we have had to fight for our economic survival.”

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