“You could feel Christmas was coming,” Amanda Whiteside, a manager at Gordon’s Wine Bar in London, said of the crowds and buzz. “And then it was gone.”
Throughout Britain and in other parts of Europe, new government restrictions combined with heightened anxiety over the highly contagious Omicron variant of the coronavirus have drastically reduced business at restaurants, pubs, event venues and stores, prompting urgent calls for additional government assistance.
In Britain, the government responded Tuesday, announcing 1 billion pounds ($1.3 billion) in aid for the hospitality industry, with one-time grants of £6,000 and rebates for employees’ sick leave.
The additional assistance was promised as a fresh wave of anxiety over the economy washes over the region. In France, government ministers announced Tuesday additional aid up to 12 million euros for travel agencies, events, caterers and indoor leisure companies that suffer big operating losses this month.
Spain, the government has scheduled an emergency meeting with regional leaders on Wednesday to discuss whether to adopt new restrictions. Italy’s government is meeting on Thursday.
“We are in a different phase now where lockdown will be potentially more costly,” said Claus Vistesen, chief eurozone economist at Pantheon Macroeconomics. “Up until now, we’ve been used to lockdowns followed by support from the government. I think that will be the case as well, but support will be more conditional, less comprehensive than before.”
Britain recorded the highest number of Covid-19 cases in Europe over the last seven days, according to the World Health Organization.
On Monday, organizations representing more than 100,000 businesses around the country sent an open letter to Prime Minister Boris Johnson, demanding more tax relief and grants to tide them over.
new requirements that customers must show proof of vaccination or recent recovery. And in the Netherlands, where the government announced a lockdown over the weekend, calls to the nation’s business registry asking for help climbed past 400 on Monday — seven times the number logged the previous Monday.
known as Plan B, on Dec. 8 as a response to Omicron, cancellations have been rolling in and foot traffic has disappeared in some areas.
At Gordon’s Wine Bar, it was common to find every table in its cavelike cellar and on its outdoor patio full and a long line of customers waiting. Then Plan B was put in place.
The drop-off, said Ms. Whiteside, the administrative manager, “was very dramatic.”
Customers thinned out, and several staff members got Covid, she said. Gordon’s is now offering only outside service, and Ms. Whiteside estimates that sales are down 25 percent.
Half a mile away, in Soho, the Coach and Horses pub was similarly contending with fewer customers and sick staff. Last week, business was off by a third, while on Monday it fell “off the edge of a cliff,” said Alison Ross, the manager.
Kaasbar Utrecht, is shuttered, and $100,000 at the cafe. Plans to rebuild a nightclub he owns that was burned in a fire in January have been postponed. He has had to let go most of his 80-person staff and is now trying to make money selling mulled wine in the streets and cheese packages door to door.
Mr. Waseq said that because he opened his business after the pandemic began and did not have 2019 sales to use as a benchmark comparison, he was not eligible for government assistance.
Ron Sinnige, a spokesman for the national business registry, the Kamer van Koophandel, said the agency was flooded with calls this week asking about financial assistance, advice or liquidating their operations. Some were seeking guidance on how to qualify as an essential business — could a clothing store sell candy and soda, could a beauty salon offer postsurgical massages or list Botox injections as a medical procedure?
The questions were a sign of people’s creativity and despair, Mr. Sinnige said. “As opposed to previous lockdowns, people are really at the end of their financial flexibility and emotional flexibility,” he said.
France has canceled a menu of year-end celebrations and barred tourists from Britain, a blow to the ski industry.
On Tuesday, the Swedish government imposed some new restrictions that included allowing only seated customers to be served in restaurants and bars.
Ireland imposed an early curfew of 8 p.m. on restaurants and bars that began on Monday, while limiting attendance at events.
In Denmark, restaurants and bars must cut off serving alcohol after 10 p.m., and a slate of venues and event spaces including theaters, museums, zoos, concert halls and Tivoli, Copenhagen’s landmark amusement park, have been closed.
Switzerland’s restrictions that bar unvaccinated people from going to restaurants, gyms and museums are expected to last until Jan. 24.
In Germany, the check-in process at stores, which requires stopping everyone at the door and asking to see vaccination certification and an ID, was deterring shoppers at what would normally be the busiest time of the year, the German Trade Association said.
Retailers surveyed by the group reported a 37 percent drop in sales from Christmas 2019.
“After months of lockdowns, the restrictions are once again bringing many retailers to the edge of their existence,” said Stefan Genth, head of the Trade Association.
A court in the northern state of Lower Saxony last week threw out the restrictions there, after the Woolworth department store chain challenged them on grounds that they were not fairly applied and that requiring shoppers to wear masks provided sufficient protection. The ruling on Thursday raised hopes that other states would follow its lead, giving a final boost to last-minute shoppers.
“Last weekend was better, but overall the shopping season has been more than depressing,” said Mark Alexander Krack, head of the Lower Saxony Trade Association.
Vaccination rates in most of Western Europe are higher, but the levels in Eastern Europe are far lower — from 59 percent in the Czech Republic to 24 percent in Bulgaria.
Belgium is highly vaccinated, at 75 percent, but a rise in cases has caused the government to impose tighter restrictions, including more working from home and wider mandatory mask wearing. That prompted a protest in Brussels on Sunday of an estimated 35,000 people near the European Union headquarters. Some protesters threw stones and set fires, the police made more than 40 arrests, and three officers were hurt.
Alexander de Croo, the prime minister of Belgium, called the violence “absolutely unacceptable.” Like Mr. Rutte, he said Belgians were free to protest, but that “the way in which some demonstrators behaved had nothing to do with freedom.” He continued: “It had nothing to do with whether vaccination was a good thing or not, this was criminal behavior.”
In Greece, the government said on Monday that unvaccinated people would be barred from indoor spaces, including restaurants, cinemas, museums and gyms. Vaccination certificates for those older than 60 will be valid for only seven months, with people then required to get booster shots to maintain validity.
In Slovakia, the country’s prime minister, Eduard Heger, announced a “lockdown for the unvaccinated” from Monday. Slovakia and the Czech Republic banned unvaccinated people from restaurants, pubs, shopping malls, public events and stores, except for those selling essential goods.
The W.HO. chief for Europe, Hans Kluge, earlier this month blamed the region’s woes on insufficient vaccination despite the availability of vaccines, and said that the continent could see half a million more deaths by February.
“We must change our tactics, from reacting to surges of Covid-19 to preventing them from happening in the first place,” he said.
The glowing image of China’s top leader, Xi Jinping, greets visitors to museum exhibitions celebrating the country’s decades of growth. Communist Party biographers have worshipfully chronicled his rise, though he has given no hint of retiring. The party’s newest official history devotes over a quarter of its 531 pages to his nine years in power.
No Chinese leader in recent times has been more fixated than Mr. Xi on history and his place in it, and as he approaches a crucial juncture in his rule, that preoccupation with the past is now central to his political agenda. A high-level meeting opening in Beijing on Monday will issue a “resolution” officially reassessing the party’s 100-year history that is likely to cement his status as an epoch-making leader alongside Mao Zedong and Deng Xiaoping.
While ostensibly about historical issues, the Central Committee’s resolution — practically holy writ for officials — will shape China’s politics and society for decades to come.
The touchstone document on the party’s past, only the third of its kind, is sure to become the focus of an intense indoctrination campaign. It will dictate how the authorities teach China’s modern history in textbooks, films, television shows and classrooms. It will embolden censors and police officers applying sharpened laws against any who mock, or even question, the communist cause and its “martyrs.” Even in China, where the party’s power is all but absolute, it will remind officials and citizens that Mr. Xi is defining their times, and demanding their loyalty.
Geremie R. Barmé, a historian of China based in New Zealand. “It is not really a resolution about past history, but a resolution about future leadership.”
Mr. Xi, the decision will fortify his authority before a party congress late next year, at which he is very likely to win another five-year term as leader. The orchestrated acclaim around the history document, which could be published days after the Central Committee meeting ends on Thursday, will help deter any questioning of Mr. Xi’s record.
Mr. Xi, 68, is China’s most powerful leader in decades, and he has won widespread public support for attacking corruption, reducing poverty and projecting Chinese strength to the world. Still, party insiders seeking to blunt Mr. Xi’s dominance before the congress could take aim at the early mishandling of the Covid pandemic or damaging tensions with the United States.
Especially after the resolution, such criticisms may amount to heresy. In the buildup to this week’s meeting, articles in People’s Daily, the party’s main newspaper, have praised Mr. Xi as the “core” leader defeating the pandemic and other crises. Commentaries have exalted him as the unyielding leader needed for such perilous times, when China’s ascent could be threatened by domestic economic risks or hostility from the United States and other Western powers.
article from Xinhua, the official news agency, about the forthcoming resolution.
The resolution is likely to offer a sweeping account of modern China that will help to justify Mr. Xi’s policies by giving them the gravitas of historical destiny.
common prosperity,” lessening China’s reliance on imported technology, and continuing to modernize its military to prepare for potential conflict.
Mr. Xi’s conception of history offers “an ideological framework which justifies greater and greater levels of party intervention in politics, the economy and foreign policy,” said Kevin Rudd, a former Australian prime minister who speaks Chinese and has had long meetings with Mr. Xi.
For Mr. Xi, defending the Chinese Communist Party’s revolutionary heritage also appears to be a personal quest. He has repeatedly voiced fears that as China becomes increasingly distant from its revolutionary roots, officials and citizens are at growing risk of losing faith in the party.
Mr. Xi has said, quoting a Confucian scholar from the 19th century.
Mr. Xi’s father, Xi Zhongxun, served as a senior official under Mao and Deng, and the family suffered years of persecution after Mao turned against the elder Mr. Xi. Instead of becoming disillusioned with the revolution like quite a few contemporaries, the younger Mr. Xi remained loyal to the party and has argued that defending its “red” heritage is essential for its survival.
Mr. Xi has also often cited the Soviet Union as a warning for China, arguing that it collapsed in part because its leaders failed to eradicate “historical nihilism” — critical accounts of purges, political persecution and missteps that corroded faith in the communist cause.
The new resolution will reflect that defensive pride in the party. While the titles of the two previous history resolutions said they were about “problems” or “issues,” Mr. Xi’s will be about the party’s “major achievements and historical experiences,” according to a preparatory meeting last month.
The resolution will present the party’s 100-year history as a story of heroic sacrifice and success, a drumroll of preliminary articles in party media indicates. Traumatic times like famine and purges will fall further into a soft-focus background — acknowledged but not elaborated.
Joseph Torigian, an assistant professor at American University who has studied Mr. Xi and his father. “He’s also someone who sees that competing narratives of history are dangerous.”
1.4 billion visits to revolutionary “red” tour museums and memorials, and Mr. Xi makes a point of going to such places during his travels. A village where Mr. Xi labored for seven years has become a site for organized political pilgrimages.
“Instruction in revolutionary traditions must start with toddlers,” Mr. Xi said in 2016, according to a recently released compendium of his comments on the theme. “Infuse red genes into the bloodstream and immerse our hearts in them.”
In creating a history resolution, Mr. Xi is emulating his two most powerful and officially revered predecessors. Mao oversaw a resolution in 1945 that stamped his authority on the party. Deng oversaw one in 1981 that acknowledged the destruction of Mao’s later decades while defending his revered status as the founder of the People’s Republic. And both resolutions put a cap on political strife and uncertainty.
“They were creating a common framework, a common vision, of past and future among the party elite,” said Daniel Leese, a historian at the University of Freiburg in Germany who studies modern China. “If you don’t unify the thinking of people in the circles of power about the past, it’s very difficult to be on the same page about the future.”
531-page “brief” history of the party.
Susanne Weigelin-Schwiedrzik, a retired professor at the University of Vienna who studies the party’s use of history.
“He is like a sponge that can take all the positive things from the past — what he thinks is positive about Mao and Deng — and he can bring them all together,” she said of the party’s depiction of Mr. Xi. In that telling, she said, “he is China’s own end of history. He has reached a level that cannot be surpassed.”
The country’s experience has become a sobering case study for other nations pursuing reopening strategies without first having had to deal with large outbreaks in the pandemic. For the Singapore residents who believed the city-state would reopen once the vaccination rate reached a certain level, there was a feeling of whiplash and nagging questions about what it would take to reopen if vaccines were not enough.
“In a way, we are a victim of our own success, because we’ve achieved as close to zero Covid as we can get and a very, very low death rate,” said Dr. Paul Tambyah, an infectious diseases specialist at National University Hospital. “So we want to keep the position at the top of the class, and it’s very hard to do.”
vaccinated people are already gathering at concerts, festivals and other large events. But unlike Singapore, both of those places had to manage substantial outbreaks early in the pandemic.
Lawrence Wong, Singapore’s finance minister and a chair of the country’s Covid-19 task force, said the lesson for “Covid-naive societies” like Singapore, New Zealand and Australia is to be ready for large waves of infections, “regardless of the vaccine coverage.”
up against the Delta variant, Mr. Wong said.
“In Singapore, we think that you cannot just rely on vaccines alone during this intermediate phase,” he said. “And that’s why we do not plan an approach where we reopen in a big bang manner, and just declare freedom.”
highest since 2012, a trend that some mental health experts have attributed to the pandemic. People have called on the government to consider the mental health concerns caused by the restrictions.
“It’s just economically, sociologically, emotionally and mentally unsustainable,” said Devadas Krishnadas, chief executive at Future-Moves Group, a consultancy in Singapore. Mr. Krishnadas said the decision to reintroduce restrictions after reaching such a high vaccination rate made the country a global outlier.
granted full approval to Pfizer-BioNTech’s coronavirus vaccine for people 16 and up, paving the way for mandates in both the public and private sectors. Such mandates are legally allowed and have been upheld in court challenges.
College and universities. More than 400 colleges and universities are requiring students to be vaccinated against Covid-19. Almost all are in states that voted for President Biden.
Schools. California became the first state to issue a vaccine mandate for all educators and to announce plans to add the Covid-19 vaccine as a requirement to attend school, which could start as early as next fall. Los Angeles already has a vaccine mandate for public school students 12 and older that begins Nov. 21. New York City’s mandate for teachers and staff, which went into effect Oct. 4 after delays due to legal challenges, appears to have prompted thousands of last-minute shots.
Hospitals and medical centers. Many hospitals and major health systems are requiring employees to get vaccinated. Mandates for health care workers in California and New York State appear to have compelled thousands of holdouts to receive shots.
Indoor activities. New York City requires workers and customers to show proof of at least one dose of the Covid-19 for indoor dining, gyms, entertainment and performances. Starting Nov. 4, Los Angeles will require most people to provide proof of full vaccination to enter a range of indoor businesses, including restaurants, gyms, museums, movie theaters and salons, in one of the nation’s strictest vaccine rules.
At the federal level. On Sept. 9,President Biden announced a vaccine mandate for the vast majority of federal workers. This mandate will apply to employees of the executive branch, including the White House and all federal agencies and members of the armed services.
In the private sector. Mr. Biden has mandated that all companies with more than 100 workers require vaccination or weekly testing, helping propel new corporate vaccination policies. Some companies, like United Airlines and Tyson Foods, had mandates in place before Mr. Biden’s announcement.
“I think a lot of times we are so focused on wanting to get good results that we just have tunnel vision,” she said.
Ms. Ng lives across from a testing center. Almost daily, she watched a constant stream of people go in for tests, a strategy that many public health experts say is a waste of resources in such a highly vaccinated country.
“Freedom Day — as our ministers have said — is not the Singapore style,” said Jeremy Lim, an associate professor at the National University of Singapore and an expert on health policy, referring to England’s reopening in the summer. But moving too cautiously over the potential disadvantages of restrictions is a “bad public health” strategy, he said.
The government should not wait for perfect conditions to reopen, “because the world will never be perfect. It’s so frustrating that the politicians are almost like waiting for better circumstances,” Dr. Lim said.
Sarah Chan, a deputy director at Singapore’s Agency for Science, Technology and Research, said she had a fleeting taste of what normal life was like when she arrived in Italy last month to visit her husband’s family.
No masks were required outdoors, vaccinated people could gather in groups, and Dr. Chan and her son could bop their heads to music in restaurants. In Singapore, music inside restaurants has been banned based on the notion that it could encourage the spread of the virus.
Dr. Chan said she was so moved by her time in Italy that she cried.
“It’s almost normal. You forget what that’s like,” she said. “I really miss that.”
OTTAWA — At times it was the Royal Canadian Mounted Police who came for them. Other times, it was a school van. However it happened, for generations, Indigenous families in Canada had no choice but to send their children to church-run residential schools established by the government to erode their culture and languages, and to assimilate them.
A national Truth and Reconciliation Commission declared in 2015 that the schools, which operated from 1883 to 1996, were a form of “cultural genocide.”
But the profound damage inflicted by the schools didn’t stop there. The commission cataloged extensive physical, sexual and emotional abuse at the schools, which were often overcrowded, understaffed and underfunded. Disease, fire and malnourishment all brought death and suffering.
Now, the national shame of the schools is again dominating the conversation in Canada.
Since May, new technology has enabled the discovery of human remains, mostly of children, in many hundreds of unmarked graves on the grounds of three former schools in Canada — two in British Columbia and one in Saskatchewan. Who they were, how they died or even when they died may never be fully known.
were forced to attend residential schools in a forced assimilation program. Most of these schools were operated by churches, and all of them banned the use of Indigenous languages and Indigenous cultural practices, often through violence. Disease, as well as sexual, physical and emotional abuse were widespread. An estimated 150,000 children passed through the schools between their opening and their closing in 1996.
The Missing Children: A National Truth and Reconciliation Commission, set up as part of a government apology and settlement over the schools, concluded that at least 4,100 students died while attending them, many from mistreatment or neglect, others from disease or accident. In many cases, families never learned the fate of their offspring, who are now known as “the missing children.”
The Discoveries: In May, members of the Tk’emlups te Secwepemc First Nation found 215 bodies at the Kamloops school — which was operated by the Roman Catholic Church until 1969 — after bringing in ground-penetrating radar. In June, an Indigenous group said the remains of as many as 751 people, mainly children, had been found in unmarked graves on the site of a former boarding school in Saskatchewan.
Cultural Genocide’: In a 2015 report, the commission concluded that the system was a form of “cultural genocide.” Murray Sinclair, a former judge and senator who headed the commission, recently said he now believed the number of disappeared children was “well beyond 10,000.”
Apologies and Next Steps: The commission called for an apology from the pope for the Roman Catholic church’s role. Pope Francis stopped short of one, but the archbishop of Vancouver apologized on behalf of his archdiocese. Canada has formally apologized and offered financial and other search support, but Indigenous leaders believe the government still has a long way to go.
“Something good has to come out of this,” Joey Desjarlais, 73, said outside the ruins of the Muskowekwan Indian Residential School in Saskatchewan, which he was forced to attend, as were his parents, grandparents and great-grandparents. “Our children need to learn about the residential school, what we went through and what went on in there but also to learn their culture, so at least they’ll get it back.”
The image below shows girls working in the kitchen at the Bishop Horden Memorial School in Moose Factory, Ontario, around 1940.
Boys at the Shingwauk Indian Residential School playing with handmade bows, and a game of table hockey, in the 1960s.
Boys say their prayers in the dormitory at the Bishop Horden Memorial School in Moose Factory, Ontario, in 1950.
Girls at a residential school in Fort Resolution, Northwest Territories, around 1936. It is estimated that roughly one-third of all Indigenous children were enrolled in the schools by the 1930s.
Boys and girls, in their first communion outfits, posing at Spanish Indian Residential School in Spanish, Ontario, in the 1960s.
The Louvre is to have a female president for the first time in the Paris museum’s 228-year history.
Laurence des Cars, who is currently president of two other Paris institutions, the Musée d’Orsay and Musée de l’Orangerie, will take over the job — one of the most important in the art world — on Sep. 1, France’s culture ministry said in a news release on Wednesday.
She will take over the museum — which has an annual budget of 240 million euros (about $291 million), more than 2,000 employees and a regional outpost in northern France — at a difficult time. The pandemic has put a break on international tourism. Before it hit last year, the Louvre was getting about 10 million annual visitors, making it the most visited museum in the world.
Her mission will include drawing more young people into the museum, the news release said, and an increased focus on international partnerships.
Des Cars, 54, is something of a Louvre insider, having studied art history at the École du Louvre, the museum’s school. She oversaw the development of Louvre Abu Dhabi, a museum in the United Arab Emirates that leases the Louvre’s brand and which opened in 2017.
Black Models: From Géricault to Matisse,” which focused on previously overlooked Black figures in French art and was developed with the Wallach Art Gallery in New York, is considered a landmark of her tenure.
“A great museum must face history, including by looking back at the history of our own institutions,” she told Agence France-Presse in an interview in April.
Des Cars is among few women to have led major French museums. That dearth is “a consequence of official institutions not reaching out to women enough, or not giving them enough confidence,” des Cars said in a 2018 interview with The New York Times. But there is also “the issue of self-censorship — of women thinking, ‘I’m not up to that kind of job,’” she said.
“Women need to overcome their personal doubts, and to tell themselves: ‘I’m capable of this. It’s coming at the right time in my life and in my career. I’m ready for this,’” des Car added.
The Louvre belongs to the French state, so France’s president appoints the museum’s leader.
A few months ago, it was assumed that Jean-Luc Martinez, the Louvre’s president since 2013, was assured a third, three-year term. Under his tenure, the Louvre grew visitor numbers past 10 million for the first time. Its landmark Leonardo exhibition, which ended a few weeks before France went into a nationwide lockdown last year, drew rave reviews and a record million visitors.
partnerships with brands like Uniqlo, allowing a couple to spend a night in the museum as part of a marketing campaign for Airbnb and leasing the space to Beyoncé and Jay-Z to film the music video for their song “Apes**t.” (The Louvre also features prominently in the Netflix hit “Lupin,” one of the platform’s most-watched series.)
In March, after a dispute over a new color scheme in one of the Louvre’s galleries became a weekslong talking point in France’s news media, Henri Loyrette, a former president of the museum, threw his weight behind Martinez’s critics. He and another high-ranking former Louvre official gave testimony in a lawsuit brought by the Cy Twombly Foundation, which said the new paint job had disfigured a ceiling mural by the abstract American painter.
Martinez will continue at the museum, which reopened on May 19 after months of being closed, until Aug. 31. He will then become a heritage ambassador, responsible for coordinating France’s participation in international projects, the news release said.
Des Cars did not immediately respond to a request for comment.
Employees at yet another of New York City’s major museums have taken steps to form a union.
This time the organizing effort is taking place at the Brooklyn Museum, where a proposed union would represent a mixture of full- and part-time workers. The Technical, Office and Professional Union, Local 2110, U.A.W. filed a petition Tuesday with the National Labor Relations Board asking for a vote on the union.
The proposed bargaining unit includes about 130 employees, Maida Rosenstein, the local’s president, said. Among them are curators, conservators, editors and fund-raisers, who have full-time salaried jobs; and part-time educators, visitor services workers and gift shop employees, she said, adding that there may be others who are misclassified as independent contractors when they are technically part-time employees.
Natalya Swanson, a conservator at the museum who has taken part in the organizing effort, said that workers are concerned with, among other issues, job security, pay equity and having a clear path for promotion.
“People see many advantages to having a more democratic voice in the institution,” she said. “We recognize that we have the ability to advance the conditions for everyone in the workplace.”
George Floyd, the Brooklyn Museum home page included a message reading: “We stand in solidarity with the Black community. We stand against police brutality and institutional and structural racism.”
A recently opened show, “The Slipstream: Reflection, Resilience and Resistance in the Art of Our Time,” aims to examine power and to contemplate “the confluence of the devastating effects of the pandemic, civil unrest across the United States, a contested presidential election and unchecked climate change.”
As the pandemic prompted layoffs and furloughs at museums across New York City, people at the Brooklyn Museum were among those who lost jobs, Swanson said, though she did not know the precise number of employees affected by layoffs.
moved to form a union with Local 2110, which already represents workers at institutions like the Museum of Modern Art, the New Museum and the New-York Historical Society.
PARIS — François Pinault, the French billionaire, has never had much time for convention. “Avoid the paths already trodden,” has been his motto. Bored with acquiring Impressionist or Cubist works with surefire credentials, he said to himself four decades ago: “It’s impossible that we have become so stupid today that there are no human beings alive capable of creating tomorrow’s masterpieces.”
The fruits of that conviction are now on display in a contemporary art museum that opened in Paris on Saturday under the cupola of the Bourse de Commerce. With the Louvre to one side and the Pompidou Center to the other, this upstart in the cultural life of Paris combines tradition and modernity.
Once a grain exchange, the light-filled building has undergone a $170 million redevelopment conceived by the Pritzker Prize-winning Japanese architect Tadao Ando, who previously worked with Pinault at the Palazzo Grassi in Venice. Ando installed a 108-foot-diameter concrete cylinder inside the central rotunda, creating a core display area while retaining the framework of the original.
“A palimpsest of French history,” as Martin Bethenod, the museum’s director, put it.
No layer of the palimpsest has been concealed. Restored 19th-century frescoes beneath the dome illustrate the global commerce of the time. Titled “Triumphal France,” they amount to a primer in the demeaning stereotypes of a Eurocentric colonized world where white traders did business with bare-chested African warriors.
The juxtaposition with the many works in the galleries below by Black American artists, including David Hammons and Kerry James Marshall, is potent. Their pieces, driven by reflection on the grotesqueness and lasting wounds of racism, seem charged by the setting.
Transience is a theme. Nothing lasts, yet nothing is entirely gone. At the center of the museum’s initial exhibition stands a wax replica of the 16th-century Giambologna statue “The Abduction of the Sabine Women,” three writhing figures intertwined. Created by the Swiss artist Urs Fischer, it was set alight at the museum’s opening on Saturday and will burn for six months, leaving nothing behind.
So a high mannerist masterpiece becomes an elaborate giant candle: Sic transit gloria mundi. The Bourse de Commerce itself has been rented from Paris City Hall on a 50-year lease — a reminder that the museum’s life span may not be eternal. Ando’s cylinder is designed so that it can be removed once the lease expires.
Pinault, 84, a self-styled “troublemaker,” has always been more interested in disruption than permanence.
Born in rural Brittany, he went on to parlay a small timber business into a $42 billion diversified luxury-goods conglomerate, including brands like Gucci and Saint Laurent. I asked him about time passing. “Well, I am like everyone: As you grow older, that issue gnaws at you a little, but I am not obsessed by the time that may be left to me,” he said in an interview. “I hope it will be as long as possible.”
How, he asked, can anyone take himself for important, confronted by the sweep of history? “Humility must be worked on with a pumice stone every day,” he said. “The ego is something that grows if you don’t apply weed killer.”
Behind him in his office at the Bourse de Commerce hangs “SEPT.13, 2001,” a work in black and white by the Japanese artist On Kawara. It is a reminder that the unimaginable can happen — that as Victor Hugo put it, “Nothing is more imminent than the impossible.” Yet life continues nonetheless.
For Pinault, the project represents a long-held ambition to house some of his more than 10,000 works by artists including Cy Twombly, Cindy Sherman, Damien Hirst, Jeff Koons and Marlene Dumas in a Paris museum. That effort began about 20 years ago with plans, later aborted, to take over a disused Renault car factory in the suburb of Boulogne-Billancourt.
Although Sherman’s work is on prominent display — including a haunting photograph of a platinum-blonde woman, back turned, standing on a deserted American highway with her suitcase beside her in a shadowy half-light — the exhibition does not dwell on the giants of the Pinault Collection, as if the main aim were to jolt Parisians emerging from months of coronavirus lockdown with an injection of the new and little known in France.
Pinault said he had met David Hammons, a generally reclusive artist who came of age in the 1960s and ’70s, more than 30 years ago. Hammons learned that Pinault was the uneducated son of a peasant from a small Breton village. “He said we were alike, and I burst out laughing and told him, ‘Well, not exactly!’”
So was an unlikely friendship born. Its fruit is the more than 25 Hammons works on show at the Bourse de Commerce.
But what of those murals glorifying European colonization, with Christopher Columbus sweeping down from the sky in a caravel to find half-naked Native Americans? “We were convinced for a long time that we constituted civilization, the most evolved people,” Pinault said. “I never accepted that.” In the frescoes, he added, was “the beginning of global commerce, but dominated by Europe and France” — in short, “everything that a David Hammons detests.”
When the artist was shown a video of the frescoes, and giant antique maps tracing post-slavery trade routes dominated by European navies, he asked that his “Minimum Security” installation, inspired by a visit to death row at San Quentin State Prison, be placed against this backdrop. The squeaking and clanging of a cell door seems to carry the echo of centuries of oppression.
“Some will criticize us and say it’s shameful,” Pinault said. “We could have hidden the fresco — you can always hide something, that is cancel culture. And here, a great African-American artist said, ‘Don’t hide it.’”
Jean-Jacques Aillagon, the Pinault Collection’s chief executive, said: “When you show it, that does not mean you approve it. This was the image of trade at that moment, and you can’t think yesterday with the mind of today.”
Art is provocation. With almost Duchamp-like playfulness, Hammons challenges the viewer to think again, as with “Rubber Dread,” deflated inner tubes woven into dreadlocks. He reimagines detritus.
Kerry James Marshall, another Black artist whom Pinault has collected for years, seems to upend a whole Western tradition — Goya’s “Maya” or Manet’s “Olympia,” — with an untitled painting of a Black man, naked but for his socks, lying on a bed with a sidelong gaze, a Pan-African flag coyly covering his genitals.
Pinault said that his museum would not add much to Paris, but perhaps as a private institution it could move faster while the committees at state-owned museums pondered. “So perhaps you have a collection of things that would not otherwise be here.” Perhaps, yes. He was being modest.
He described himself as a restless nonconformist: “My roots are under the soles of my shoes.” When life presents something important enough to entice you into a journey, he suggested, “you have to take your suitcase, like that woman beside the road in the Cindy Sherman photograph — my favorite.”
He was 19 when he left Brittany for the first time and came to Paris. He enlisted in the army and went to Algeria, where war was raging. It was 1956. A parachutist, he was ordered to comb through villages looking for Algerian rebels fighting French colonial dominion. But the rebels were long gone; all that was left were houses full of women, children and older people. Pinault said he confronted his officer: “What the hell are we doing here? This war is already lost.”
“Shut up, Pinault,” he recalled the officer saying.
But he never has shut up. Instead, Pinault has made a fortune, a unique collection of contemporary art and a life out of anticipation. “Only anticipate” could be another of his mottos. As a result, Paris, sometimes a little set in its ways, has something different, disruptive and challenging on offer at the Bourse de Commerce.
Germany is banning most travel from Britain starting on Sunday amid concerns about the spread of a coronavirus variant first discovered in India, the German authorities said on Friday.
German citizens and residents of Germany will still be allowed to enter the country from Britain but will be required to self-isolate for two weeks upon arrival, Germany’s public health institution said as it classified Britain as an area of concern because of the variant.
The move came just days after Britain reopened its museums and cinemas and resumed allowing indoor service in pubs and restaurants. Many people in Britain have been looking forward to traveling abroad in the coming months, and Spain is set to welcome visitors arriving from Britain without a coronavirus test starting on Monday.
serve as an early warning for other European countries that have relaxed restrictions. This month, the World Health Organization declared the mutation a “variant of concern,” and although scientists’ knowledge about it remains limited, it is believed to be more transmissible than the virus’s initial form.
dozen or so other countries that Germany considers areas of concern because of variants. As of Thursday, Britain had 3,424 cases of the variant first discovered in India, according to government data, up from 1,313 cases the previous week.
Dozens of nations, including European countries and the United States, suspended travel from Britain or imposed strict restrictions earlier in the pandemic amid concerns about the spread of a variant first detected in England.
Britain’s Office for National Statistics said on Friday that the percentage of people testing positive for the coronavirus in England had showed “early signs of a potential increase” in the week ending May 15, although it said rates remained low compared with earlier this year. At its peak in late December, Britain recorded more than active 81,000 cases, compared with about 2,000 this month.
The country’s inoculation campaign is continuing apace, with an increased focus on second doses in an effort to thwart the sort of spikes that led to restrictions imposed earlier this year.
said on Saturday that people over 32 could now book an appointment.
Prime Minister Boris Johnson has vowed to proceed with a plan to lift all restrictions by June 21, although scientists have warned that the spread of the B.1.617 variant could delay such plans. Most cases of the variant have been found in northwestern England, with some in London.
In Germany, the restrictions on travel from Britain come as outdoor service resumed on Friday in cafes, restaurants and beer gardens after months of closure. Chancellor Angela Merkel urged people to “treat these opportunities very responsibly.”
LONDON — Before the pandemic hit Britain last year, Michelle Hedley could only go to her local theaters in the north of England if they happened to be doing a captioned performance.
That happened five times a year — at best, said Hedley, who is deaf.
But during the pandemic, suddenly, she could watch musicals all day and night if she wanted, as shuttered theaters worldwide put shows online, often with subtitles. “I started watching anything and everything simply because I could!” Hedley, 49, said in an email interview. “Even subject matters that bored me!”
“I viewed more theater than I had done (it felt like) in a lifetime,” she added.
22 percent of England’s population andhave diverse requirements — such as wheelchair access, audio description or for “relaxed” performances where audiences are allowed to make noise — this moment is causing more mixed reactions. Some fear being forgotten, andthat struggling venues will concentrate on producing in-person shows and forgo online offerings, or cut their in-person services for disabled people.
There is little evidence of that so far, and some venues say they will continue to include disabled people, but the real effect of venues’ reduced budgets won’t become clear for months.
“I will be forced to go back to being grateful for just five shows a year,” Hedley said. “It is very frustrating.”
Others are concerned, too. “I just have this sense of being left behind with people being so euphoric that they can do things in the flesh again,” Sonia Boué, an artist who is autistic, said in a telephone interview.
Before the pandemic, Boué, 58, would only visit museums if she was convinced a show would be worth the huge amount of energy the experience took. Getting the train from her home in Oxford to London could be overwhelming, she said, as coulddealing with crowds in a packed museum. “I’ve been in situations when I’ve just wanted to throw myself down on a station platform and lose it,” she said.
the painter Tracey Emin and the photographer Jo Spence, she said, with both influencing her own art. “The whole experience was so rich and wonderful,” Boué said.
emergency funding from the government.
Some high-profile venues have said they will keep working to include disabled people as they reopen. Kwame Kwei-Armah, the artistic director of the Young Vic theater in London, told The Guardian in May he wanted to livestream at least two performances of all future shows, with viewers limited to about 500 per stream, mimicking the theater’s capacity. The Young Vic intends to guarantee some of those tickets for disabled people, a spokeswoman said in an email. On Friday, the Almeida, another London theater, said it would film and released digitally its next season’s shows “where possible” but gave no further details.
But for regional theaters that are coming off a year without ticket sales, streaming may not always be possible. “It’s a huge financial outlay, making films, so you really need to think about it from the start,” Amy Leach, the associate director of Leeds Playhouse, said in a phone interview. She hoped her theater would do that for future work, she said.
People’s concerns are not just about cuts to streaming. Jessica Thom, a performer and wheelchair user who’s made work about her Tourette’s syndrome, said in a telephone interview that she was worried that some venues may see online shows as an accessibility alternative to offering the relaxed performances she loved to go to, where people were free to move around or make noise. “The anxiety about being written out is real,” she said.
Graeae, Britain’s leading deaf and disabled-led theater company, as well as “The Unknown” for Leeds Playhouse (streaming until June 5).
She has been helped in such work by being able to have meetings and rehearsals virtually. “My experiences have been incredibly inclusive,” she said, “and I think a lot of us are having the same concerns about ‘Will we go back to old ways of working, when we’re told we need to be in the room?’”
like the Globe in London, have started offering in-person performances with audio description, Wood said. But she won’t be able to attend for months. “I worked out the other day I’d need to be guided by about 25 people to go from my home to a London theater,” she said. “I can’t tell if someone is wearing a mask or not, I can’t keep distance, so I don’t feel ready,” she added.
Many other disabled people feel similarly anxious about attending events in person, she said, having been disproportionately affected by the pandemic. She was worried theaters might cut back on services assuming there isn’t demand, even if the trend for that hasn’t happened yet.
Six British museums and theaters said in emails they intended to maintain provisions for disabled audiences, and not cut back. Andrew Miller, a campaigner who was the British government’s disability champion for arts and culture until this spring, said many institutions would be hard pressed to “wriggle” out of commitments even if they for some reason wanted to, as much funding in Britain comes with a requirement to expand access. But future funding cuts could make the situation “messy,” he said. “There is a genuine worry there’ll be significantly less investment,” he added.
Boué said she just hoped British theaters and museums kept disabled people in mind. It should be easier than ever to identify with disabled people, she said. When the first lockdown hit, “it was this jaw dropping moment when everyone felt completely immobilized and like they didn’t have the freedoms they’d always taken for granted,” she said.
For once, “it was like disability was really everyone’s problem,” she added.