MEXICO CITY — Observed from a soaring cable car, the city is a sea of concrete stretching to the horizon, ruptured only by clusters of skyscrapers and the remains of ancient volcanoes. Some 60 feet below is the borough of Iztapalapa, a warren of winding streets and alleyways, its cinder block houses encasing the neighborhood’s hills in insipid gray.
But then, on a rooftop, a sudden burst of color: a giant monarch butterfly perched atop a purple flower. Further along the route of Mexico City’s newest cableway, a toucan and a scarlet macaw stare up at passengers. Later, on a canary yellow wall, there is a young girl in a red dress, her eyes closed in an expression of absolute bliss.
The 6.5-mile line, inaugurated in August, is the longest public cableway in the world, according to the city government. As well as halving the commute time for many workers in the capital’s most populous borough, the cable car has an added attraction: exuberant murals painted by an army of local artists, many of which can be viewed only from above.
most crime-ridden areas of Mexico City.
“People want to rescue their history, the history of the neighborhood,” said the borough’s mayor, Clara Brugada Molina. “Iztapalapa becomes a giant gallery.”
Sprawling toward the outer edge of Mexico City, Iztapalapa is home to 1.8 million residents, some of whom are among the poorest in the city. Many work in wealthier neighborhoods, and before the cable car, this often meant hourslong commutes.
As with many poor urban areas of Mexico, Iztapalapa has long been afflicted by both a lack of basic services, like running water, as well as high levels of violence, often linked to organized crime.
June survey from Mexico’s national statistics agency, nearly eight of 10 residents said they felt unsafe — among the highest rate for any city in the country.
Women in particular face pervasive violence in Iztapalapa, which ranks among the top 25 municipalities in the country for femicide, in which a woman is killed because of her gender. From 2012 to 2017, city security cameras recorded more instances of sexual assault against women in Iztapalapa than in any other Mexico City borough, according to a 2019 report from the National Autonomous University of Mexico.
a giant re-enactment of the crucifixion of Christ.
“That religious stigma weighs against you,” Ms. Cerón said.
As far as the murals go, she says they look beautiful but have done little to make her feel safer.
“It does nothing for me to have a very pretty painted street if three blocks away, they’re robbing or murdering people,” she said.
Alejandra Atrisco Amilpas, an artist who has painted some 300 murals across Iztapalapa, believes they can make residents prouder of where they live, but she admits they can only go so far.
“Paint helps a lot, but sadly it can’t change the reality of social problems,” she said.“A mural isn’t going to change whether you care about the woman being beat up on the corner.”
Ms. Atrisco, who is gay, said she had come up against conservative attitudes during the project, whether from male artists doubting her abilities or local officials barring her from painting L.G.B.T.Q.-themed murals.
“Violence against women, yes, but lesbians, no,” she said, smiling ruefully.
Still, Ms. Atrisco believes her work can affect residents’ lives by representing the characters of Iztapalapa in full color.
“Every day you confront a new challenge, every day a new wall and a new story,” she said. “You make dreams come true a little bit — you become a dream maker.”
For its part, the Chinese government has underwritten the cost of installing Huawei gear, in an effort to dominate networks from Latin America to the Middle East.
Ms. Meng came to personify that effort. Her determination to wire up Tehran, at a time in which the West was seeking to contain Iran’s nuclear program, attracted protests among American officials. For that reason, some China hard-liners objected on Friday to news that the charges were being dropped.
“It sends the wrong message to Chinese business executives around the world that it’s permissible to engage in fraudulent transactions with Iran and North Korea,” said Michael Pillsbury, a scholar at the Hudson Institute who was a top China adviser to former President Donald J. Trump. “I fear that another part of the message has been that the Biden team approved selling Huawei some types of chips and technology, which will also undercut the message that Huawei should not be involved in 5G telecommunications systems of our friends and allies.”
Huawei mustered a furious effort in Washington and in Canada to get Ms. Meng released. But she refused to plead guilty to bank and wire fraud charges stemming from Huawei’s deal in Iran. Months later, she agreed to a deferred prosecution agreement, which will ultimately lead to dropping all the charges against her.
The case began when Canadian authorities arrested Ms. Meng, 49, in December 2018, at the request of the United States. She owns two imposing homes in Vancouver, and was allowed to stay in them with an ankle bracelet to track her whereabouts. She eventually settled at her gated, seven-bedroom mansion in the city’s exclusive Shaughnessy neighborhood, where she received painting lessons and private massages.
She instantly became one of the world’s most famous detainees — especially because she is the daughter of Huawei’s famous founder and chief executive, Ren Zhengfei, a former People’s Liberation Army officer who turned his small telecommunications firm into a national champion.
In January 2019, the Justice Department indicted Huawei and Ms. Meng. While the charges focused on bank and wire fraud, in announcing the indictment, the Justice Department alleged that Huawei employees, including Ms. Meng, lied to bank officials when asked about whether Huawei was unlawfully engaged in business with Iran, knowing that U.S. sanctions on Tehran would prevent the banks from financing the sale.
announced on Twitter that he was forming a coordinating council together with Abdullah Abdullah, chairman of the Afghan delegation to peace talks, and Gulbuddin Hekmatyar, the leader of the Hesb-i-Islami party, to manage a peaceful transfer of power. Mr. Karzai called on both government and Taliban forces to act with restraint.
But the Taliban appeared to ignore his appeal and advanced into the city on its own terms.
The Taliban’s lead negotiator in talks with the government, Mullah Abdul Ghani Baradar, congratulated all of Afghanistan for the victory. “Now it will be shown how we can serve our nation,” he said. “We can assure that our nation has a peaceful life and a better future.”
Mr. Baradar made the comments in a video posted on social media, surrounded by other members of the Taliban delegation to the talks in Doha, Qatar.
“There was no expectation that we would achieve victory in this war,” he said. “But this came with the help of Allah, therefore we should be thankful to Him, be humble in front of Him, so that we do not act arrogantly.”
Al Jazeera reported that it had interviewed Taliban fighters who were holding a news conference in the presidential palace in Kabul, the capital. The fighters said they were working to secure Kabul so that leaders in Qatar and outside the capital could return safely. Al Jazeera reported that the fighters had taken down the flag of Afghanistan.
As it became clear that Taliban fighters were entering Kabul, thousands of Afghans who had sought refuge there after fleeing the insurgents’ brutal military offensive watched with growing alarm as the local police seemed to fade from their usual checkpoints. The U.S. Embassy warned Americans to not head to the airport in Kabul after reports that the facility was taking fire, and said that the situation was “changing quickly.”
Late in Kabul’s evening, President Ghani released a written statement on Facebook saying he had departed the country to save the capital from further bloodshed.
“Today I was presented with a hard choice,” he wrote. “I should stand to face the armed Taliban who wanted to enter the presidential palace or leave the dear country that I dedicated my life to protecting the past twenty years.”
“If I had stayed, countless countrymen would have been martyred and Kabul city would have been ruined,” he added, “in which case a disaster would have been brought upon this city of five million.”
At 6:30 p.m. local time, the Taliban issued a statement that their forces were moving into police districts in order to maintain security in areas that had been abandoned by the government security forces. Taliban fighters, meeting no resistance, took up positions in parts of the city, after Zabiullah Mujahid, spokesman for the Taliban, posted the statement on Twitter.
“The Islamic Emirates ordered its forces to enter the areas of Kabul city from which the enemy has left because there is risk of theft and robbery,” the statement said. The Taliban had been ordered not to harm civilians and not to enter individual homes, it added. “Our forces are entering Kabul city with all caution.”
As the sun set behind the mountains, the traffic was clogged up as crowds grew bigger, with more and more Taliban fighters appearing on motorbikes, police pickups and even a Humvee that once belonged to the American-sponsored Afghan security forces.
Earlier in the afternoon, Interior Minister Abdul Sattar Mirzakwal announced that an agreement had been made for a peaceful transfer of power for greater Kabul, and that his forces were maintaining security.
“The city’s security is guaranteed. There will be no attack on the city,” he said. “The agreement for greater Kabul city is that under an interim administration, God willing, power will be transferred.”
Mr. Mirzakwal later announced a 9 p.m. curfew in the capital, and called on its residents to go home.
Mr. Ghani left Kabul in a plane with his wife, Rula Ghani, and two close aides, and arrived in Uzbekistan, according to a member of the Afghan delegation in Doha, Qatar, that has been in peace negotiations with the Taliban since last year. The official asked not to be named because he did not want to be identified speaking about the president’s movements.
It could not be confirmed that Mr. Ghani was in Uzbekistan, and there were reports that he had gone to other countries.
In a Facebook video, Mr. Abdullah, former chief executive of the Afghan government, criticized Mr. Ghani for fleeing.
“That the former president of Afghanistan has left the country and its people in this bad situation, God will call him to account and the people of Afghanistan will make their judgment,” Mr. Abdullah said in the video.
In negotiations being managed by Mr. Abdullah, Mr. Ghani had been set to travel to Doha on Sunday with a larger group to negotiate the transfer of power, but flew instead to Uzbekistan, the peace delegation member said.
Mr. Ghani had resisted pressure to step down. In a recorded speech aired on Saturday, he pledged to “prevent further instability” and called for “remobilizing” the country’s military. But the president was increasingly isolated, and his words seemed detached from the reality around him.
With rumors rife and reliable information hard to come by, the streets were filled during the day with scenes of panic and desperation.
“Greetings, the Taliban have reached the city. We are escaping,” said Sahraa Karimi, the head of Afghan Film, in a post shared widely on Facebook. Filming herself as she fled on foot, out of breath and clutching at her headscarf, she shouted at others to escape while they could.
“Hey woman, girl, don’t go that way!” she called out. “Some people don’t know what is going on,” she went on. “Where are you going? Go quickly.”
Wais Omari, 20, a street vendor in the city, said the situation was already dire and he feared for the future.
“If it gets worse, I will hide in my home,” he said.
Christina Goldbaum, Thomas Gibbons-Neff, Carlotta Gall, Ruhullah Khapalwak, Sharif Hassan, Jim Huylebroek, Najim Rahim, and Lara Jakes contributed reporting.
Panic gripped the Afghan capital, Kabul, Sunday as Taliban fighters started arriving in the city, inmates broke out of the main prison on the east side of the city, and the American-backed government appeared to crumble.
By the afternoon, President Ashraf Ghani was reported to have fled. And as American forces focused their energies on evacuation flights for embassy staff and other personnel, Afghan government officials were shown in video footage accepting a handover of power to their Taliban counterparts in several cities.
Early in the day, senior Afghan politicians were seen boarding planes at Kabul airport. Bagram Air Base was taken by Taliban forces midday Sunday as was the provincial town of Khost in eastern Afghanistan, according to Afghan media reports. The fall of Khost was part of a domino-like collapse of power of astonishing speed that saw city after city fall in just the last week, leaving Kabul as the last major city in government hands.
Interior Minister Abdul Sattar Mirzakwal announced in a video statement in the early afternoon that an agreement had been made for a peaceful transfer of power for greater Kabul and sought to reassure residents, saying that the security forces would remain in their posts to ensure security in the city.
“As the minister of interior, we have ordered all Afghan National Security Forces divisions and members to stabilize Kabul,” he said in a video statement released on the Facebook page of the ministry at 2 p.m. local time. “There will be no attack on the city. The agreement for greater Kabul city is that under an interim administration, God Willing, power will be transferred.”
But residents seemed unconvinced by their leaders’ assurances. In the center of the city people were pictured painting over advertisements and posters of women at beauty salons, apparently preparing for a takeover by the fundamentalist Taliban who do not allow images of humans or animal life, and have traditionally have banned music and the mixing of the sexes.
Residents confirmed that police had abandoned many of their posts or changed into civilian clothes. The Taliban denied rumors that their chief negotiator, Mullah Abdul Ghani Baradar, was already in the capital and preparing to take over control at the Interior Ministry.
Throughout the day, surreal scenes played out as it appeared ever more clear the Taliban were taking over.
The insurgency has long had its own power structure of shadow governors appointed for every province, and Sunday it was clear who was in control in strategic areas. The governors and tribal and political leaders who had been in power were shown in videos formally handing control to their Taliban counterparts in the strategic cities of Kandahar, the main stronghold of the south, and in Nangarhar, the main city of the east.
But in Kabul fears of the city being overrun were running high after a breakout of prisoners, many of them members of the Taliban, from the main prison at Pul-i-Charkhi.
“Look at this, the whole people are let free,” a man said as he filmed a video footage of people carrying bundles walking away from the prison, posted on Facebook. “This is the Day of Judgment.”
The breakout seems to have been by the prisoners from the inside, rather than an attack by Taliban forces from the outside.
Some Afghans still found room for humor amid the chaos: “Taliban have reached Kabul airport … their speed is faster than 5G,” one resident of Kabul posted on Facebook.
But others fled, though it is unclear where they could go with the Taliban in control of so much of the country.
“Greetings, the Taliban have reached the city. We are escaping,” said Sahraa Karimi, the head of Afghan Film, in a post shared widely on Facebook. Filming herself as she fled on foot, out of breath and clutching at her head scarf, she called on passers-by to get away.
The former president Hamid Karzai and other leaders tried to step into the vacuum, and announced they were not leaving. Mr. Karzai, who has been involved in discussions with the Taliban for an interim government, posted a video on his Facebook page of himself with his daughters in his garden as helicopters sounded overhead.
“My dear residents of Kabul, I want to say that I and my daughters and family are here with you,” he said. “We are working with the leader of the Taliban to resolve the difficulties of Afghanistan in a peaceful way.”
Abdullah Abdullah, who has led recent talks with the Taliban also made a video statement from his garden.
“The last few days have been very hard for our countrymen all over the country,” he said. He called on the Taliban to negotiate “so that the security situation does not deteriorate and our people do not suffer further.”
As news broke that the president had left the country, Vice President Amrullah Saleh, a former head of intelligence who has been fighting against the Taliban from the 1990s, tweeted that he would not surrender.
Yet the Afghan security forces seemed to be melting away. Abdul Jabar Safi, head of the Kabul Industrial Park, an area of hundreds of factories and businesses, said business owners were trying to fend off looters with a few pistols and rifles left them by the government guards.
“We want the Taliban to reach us as soon as possible so they can secure the area,” he said when reached by telephone. “We are in touch with the Taliban and they have assured us that until they reach the industrial park we must keep the security of the park by ourselves.”
Officials at the National Museum of Kabul on the western side of Kabul also appealed through a western official for help, saying that police guards had abandoned their post outside the museum and that they feared the museum, which was badly looted in the 1990s, would fall prey again to thieves.
KABUL, Afghanistan — The U.S. embassy warned Americans not to head to the airport in Kabul because of a situation that was “changing quickly” after the Taliban entered the city on Sunday.
Witnesses at the civilian domestic terminal said they had heard occasional gunshots and said thousands of people had crammed into the terminal and filled the parking lots, desperately seeking flights out.
“The security situation in Kabul is changing quickly including at the airport,” the embassy said in a statement. “There are reports of the airport taking fire; therefore we are instructing U.S. citizens to shelter in place.”
Late Sunday, the State and Defense Departments issued a statement saying the U.S. was working to secure control of the airport and to speed up the evacuation using civilian and military flights.
“Tomorrow and over the coming days,” the statement said, “we will be transferring out of the country thousands of American citizens who have been resident in Afghanistan, as well as locally employed staff of the U.S. mission in Kabul and their families and other particularly vulnerable Afghan nationals.”
The Taliban entered Kabul on Sunday, completing the near total takeover of Afghanistan two decades after the American military drove them from power. A frenzied evacuation of U.S. diplomats and civilians kicked into high gear last week, while Afghans made a mad dash to banks, their homes and the airport. Crowds of people ran down the streets as the sound of gunfire echoed in downtown Kabul.
Helicopter after helicopter — including massive Chinooks with their twin engines, and speedy Black Hawks that had been the workhorse of the grinding war — touched down and then took off loaded with passengers. Some shot flares overhead.
On Saturday, President Biden accelerated the deployment of 1,000 additional troops to Afghanistan to aid in the evacuation. On Sunday, orders went out to deploy another 1,000, temporarily bringing the U.S. presence there to 6,000, according to a Pentagon official who was not authorized to discuss the matter publicly and was granted anonymity.
Those being evacuated over the weekend included a core group of American diplomats who had planned to remain at the embassy in Kabul, according to a senior administration official. They were being moved to a compound at the international airport, where they would stay for an unspecified amount of time, the official said.
The runway of the airport was filled with a constellation of uniforms from different nations. They joined contractors, diplomats and civilians all trying to catch a flight out of the city. Those who were eligible to fly were given special bracelets, denoting their status as noncombatants.
For millions of Afghans, including tens of thousands who assisted the U.S. efforts in the country for years, there were no bracelets. They were stuck in the city.
Hundreds of people swarmed to the civilian side of the airport in the hopes of boarding planes out, but by evening scores were still waiting inside the terminal and milling around on the apron amid the constant roar of planes taking off from the adjacent military air base. A long line of people waited outside the check-in gate, unsure if the flights they had booked out of the country would arrive.
While President Biden has defended his decision to hold firm and pull the last U.S. troops out of Afghanistan by Sept. 11, his administration has become increasingly worried about images that could evoke a foreign policy disaster of the past: the fall of Saigon at the end of the conflict in Vietnam in 1975.
Fahim Abed, Fatima Faizi, Thomas Gibbons-Neff, Christina Goldbaum, Sharif Hassan, Jim Huylebroek, Najim Rahimand Lara Jakes contributed reporting.
A conference call between members of Congress and the Biden administration’s top diplomatic and military leaders on Afghanistan turned contentious on Sunday, as lawmakers pressed the administration on how intelligence on the Taliban could have failed so badly and how long the military will secure the Kabul airport.
Lawmakers said the 45-minute call with Secretary of State Antony J. Blinken, Secretary of Defense Lloyd J. Austin III and Mark A. Milley, chairman of the Joint Chiefs of Staff, was not particularly revelatory.
“It was, I would say, a rote exercise in telling us what we had already learned from the media and social media,” said Representative Peter Meijer, Republican of Michigan and a former Army reservist who did conflict analysis in Afghanistan.
The questioning was pointed and at times contentious. Much of it centered on which Afghans the United States would get out of Afghanistan — and how.
Representative Tom Malinowski, a New Jersey Democrat who was a State Department official in the Obama administration and a former leader of Human Rights Watch, pressed for answers on how long the U.S. military would be able to keep its hold on the Kabul airport, so that charter and commercial flights can continue.
Lawmakers also asked whether the Afghans that Americans are trying to help leave would go beyond those who worked for the embassy, interpreters for the military and others with special immigrant visas. The briefers assured them that the United States would try to help a broader group, including human rights and women’s rights activists, journalists and students at the American University of Afghanistan.
“I want to make sure we don’t pick up and leave when all the Americans and S.I.V.’s are out,” Mr. Malinowski said, referring to the special visa holders.
But there is no guarantee that all Afghans who want to get out will be able to do so.
“It is overwhelmingly clear to me that this has been a cascade of failures at the Defense Department, with the intelligence community and within our political community,” Mr. Meijer said. “And nothing on the call gave me the confidence that even the magnitude of the failures has been comprehended.”
As their homeland fell once again into the hands of the Taliban, more than 300 Afghan Americans went to the White House on Sunday to make their frustrations known.
Demonstrators, some with young children and babies in strollers, spilled into Lafayette Square, wielding signs that read “Help Afghan kids” and “America betrayed us.”
Some held up the flag of Afghanistan. Others draped it over their shoulders. They stood in a circle around organizers who used bull horns to get their message out.
“We want justice,” they declared.
Among those attending the three-hour protest was Sohaila Samadyar, a 43-year-old banker in Washington, who was there with her 10-year-old son. Ms. Samadyar, who immigrated to America in 2000, said she wanted to raise awareness about Afghans still stuck in the country, like her brother and sister in Kabul.
Ms. Samadyar said that she voted for President Biden in November, but that she now regretted that decision, “disappointed” in his handling of the war.
“He has basically disregarded the Afghan community,” she said. “It’s unbelievable how fast everything has changed.”
Yasameen Anwar, a 19-year-old sophomore in college, drove about three hours from Richmond, Va., with her friends and sister to attend the protest. Ms. Anwar said she was concerned about the future of women and children in Afghanistan.
“Before, when America was in Afghanistan, there was hope in that we were fighting the Taliban and that they could finally be defeated after 20 years,” Ms. Anwar said. “But by the Biden administration completely stepping out, it’s giving them no hope anymore.”
A first-generation Afghan American, Ms. Anwar said she had always dreamed of visiting her family’s home country. She now doubts that she will be able to go.
“It just seems like we’re never going to get peace,” Ms. Anwar said.
As the U.S. raced to evacuate personnel from its embassy in Kabul, human and refugee rights groups sharply criticized the Biden administration for not moving faster to relocate America’s Afghan allies from a country where they are at risk of lethal Taliban reprisals.
“The Biden administration has taken too long to create a process that ensures safety for Afghans who served with American military and civil society actors,” Jennifer Quigley, senior director for government affairs at Human Rights First, said in a statement. “As Afghanistan’s military and political leaders abandon their posts, the United States risks abandoning allies who stood with us, who translated for and protected our troops.”
“Unless there is a swift and meaningful effort to evacuate the thousands of allies and their families to the United States or a U.S. territory, we will have broken our promise to leave no one behind,” she added.
Congress this year created the Special Immigrant Visa program to allow Afghans who worked with the Americans over the past 20 years to relocate to the United States. The State Department has given eligibility to tens of thousands of people and their families, and some have been flown out of Afghanistan.
But the rate of evacuation has not matched the speed of the Afghan government collapse. “If evacuation flights continue at their current pace, it would take until March 2023 to evacuate all the eligible Afghans out of the country,” Ms. Quigley said.
Earlier this month, the Biden administration announced that Afghans who are not eligible for the program — including ones who worked for U.S.-based media organizations and nongovernmental organizations — could apply for high-priority refugee status.
But U.S. officials said those Afghans, who may number in the tens of thousands, must first leave the country under their own auspices merely to begin an application process that can take more than a year. With the Taliban in control of cities, highways and border crossings, it may now be too late for many of them to leave.
The fall of Kabul follows days in which one urban center after another fell to the insurgents with astonishing speed, often with little or no resistance, leaving the government in control of nothing but fast-shrinking pockets of the country.
The insurgents took Mazar-i-Sharif, in the north, late on Saturday, only an hour after breaking through the front lines at the city’s edge. Soon after, government security forces and militias — including those led by the warlords Marshal Abdul Rashid Dostum and Atta Muhammad Noor — fled, effectively handing control to the insurgents.
On Sunday morning, the Taliban seized the eastern city of Jalalabad. In taking that provincial capital and surrounding areas, the insurgents gained control of the Torkham border crossing, a major trade and transit route between Afghanistan and Pakistan. They took over Bagram Air Base, which had been the hub of U.S. military power in the country until the Americans handed control of it back to Afghan forces six weeks earlier.
Later on Sunday, Taliban fighters began taking up positions in Kabul, the capital — the last major city that had been under government control — as government forces melted away and the president fled the country.
The Taliban offensive, which started in May when the United States began withdrawing troops, gathered speed over the past week. In city after city, the militants took down Afghan government flags and hoisted their own white banners.
Secretary of State Antony J. Blinken acknowledged on Sunday that the offensive had moved faster than U.S. officials had expected.
Despite two decades of war with American-led forces, the Taliban have survived and thrived, without giving up their vision of creating a state governed by a stringent Islamic code.
After the Taliban took control of Afghanistan in the 1990s, movie theaters were closed, the Kabul television station was shut down and the playing of all music was banned. Schools were closed to girls.
Despite many Afghans’ memories of years under Taliban rule before the U.S.-led invasion in 2001, the insurgents have taken control of much of the country in recent days with only minimal resistance.
Their rapid successes have exposed the weakness of an Afghan military that the United States spent more than $83 billion to support over the past two decades. As the insurgents’ campaign has accelerated, soldiers and police officers have abandoned the security forces in ever greater numbers, with the cause for which they risked their lives appearing increasingly to be lost.
The speed of the Taliban’s advance has thrown exit planning into disarray. While many analysts had believed that the Afghan military could be overrun after international forces withdrew, they thought it would happen over months and years.
President Biden has accelerated the deployment of an additional 1,000 troops to Afghanistan to help get American citizens out. He made it clear that he would not reverse his decision to withdraw all combat forces.
“I was the fourth president to preside over an American troop presence in Afghanistan — two Republicans, two Democrats,” Mr. Biden said on Saturday afternoon. “I would not, and will not, pass this war onto a fifth.”
With their seizure of Jalalabad on Sunday, and its entry into Kabul, the Talibaneffectively took control of Afghanistan. Planes departing the airport in Kabul, the capital, were filled with people fleeing the city.
The United Nations Security Council scheduled an emergency meeting for Monday morning after the Taliban appeared to take control of Afghanistan, where the U.N. has maintained an extensive aid operation since the early days of the American-led occupation two decades ago.
Secretary General António Guterres, who had repeatedly condemned attacks on Afghan civilians and implored the Taliban and government representatives to negotiate a peaceful settlement, was expected to speak at the emergency meeting. On Friday, as it was becoming increasingly clear that the Afghan government was collapsing as Taliban fighters walked into city after city, Mr. Guterres said the country was “spinning out of control.”
It remains unclear how the Taliban would be regarded by the United Nations should the militant movement declare itself the legitimate power in Afghanistan. Many countries in the 193-member organization have condemned the Taliban’s brutality and would most likely not recognize such a declaration.
The United Nations employs roughly 3,000 employees who are Afghan and about 720 international staff members in Afghanistan, but roughly half of the international staff have been working outside the country since the pandemic started last year.
U.N. officials have repeatedly said there were no plans to evacuate any staff members from the country. But Mr. Guterres’s spokesman, Stéphane Dujarric, told reporters last week that the organization was evaluating the security situation “hour by hour.”
The Taliban have pledged not to interfere in United Nations aid operations. But on July 30, a U.N. office in the western city of Herat was attacked by the Taliban, and a local security official guarding the office was killed.
The main U.N. mission, based in Kabul, is known as the U.N. Assistance Mission in Afghanistan, or Unama, and was established in 2002 to help create a government following the American-led invasion.
It was his first day as the Taliban-appointed mayor of Kunduz, and Gul Mohammad Elias was on a charm offensive.
Last Sunday, the insurgents seized control of the city in northern Afghanistan, which was in shambles after weeks of fighting. Power lines were down. The water supply, powered by generators, did not reach most residents. Trash and rubble littered the streets.
The civil servants who could fix those problems were hiding at home, terrified of the Taliban. So the insurgent-commander-turned-mayor summoned some to his new office, to persuade them to return to work.
But day by day, as municipal offices stayed mostly empty,Mr. Elias grew more frustrated — and his rhetoric grew harsher.
Taliban fighters began going door to door, searching for absentee city workers. Hundreds of armed men set up checkpoints across the city. At the entrance to the regional hospital, a new notice appeared on the wall: Employees must return to work or face punishment from the Taliban.
The experience of those in Kunduz offers a glimpse of how the Taliban may govern, and what may be in store for the rest of the country.
In just days, the insurgents, frustrated by their failed efforts to cajole civil servants back to work, began instilling terror, according to residents reached by telephone.
“I am afraid, because I do not know what will happen and what they will do,” said one, who asked not to be identified for fear of retaliation by the Taliban. “We have to smile at them because we are scared, but deeply we are unhappy.”
Nearly every shop in Kunduz was closed. The shopkeepers, fearing their stores would be looted by Taliban fighters, had taken their goods home. Every afternoon the streets emptied of residents, who feared airstrikes as government planes buzzed in the sky. And about 500 Taliban fighters were stationed around the city, manning checkpoints on nearly every street corner.
At the regional hospital, armed Taliban were keeping track of attendance. Out of fear, the health worker said, female staff wore sky-blue burqas as they assisted in surgeries and tended to wounds from airstrikes, which still splintered the city each afternoon.
With the Taliban on the verge of regaining power in Afghanistan, President Biden has defended his decision to leave the country after two decades of U.S. military involvement.
In a statement on Saturday, Mr. Biden said that the United States had invested nearly $1 trillion in Afghanistan over the past 20 years and had trained and equipped more than 300,000 Afghan security forces, including maintaining the Asian country’s air force.
“One more year, or five more years, of U.S. military presence would not have made a difference if the Afghan military cannot or will not hold its own country,” Mr. Biden said. “And an endless American presence in the middle of another country’s civil conflict was not acceptable to me.”
Mr. Biden’s statement came hours after the Taliban seized Mazar-i-Sharif, in northern Afghanistan, but before the group captured the eastern city of Jalalabad on Sunday, The group entered Kabul, the capital, on Sunday as President Ashraf Ghani fled.
Mr. Biden partly blamed President Donald J. Trump for the unfolding disaster in Afghanistan, saying that the deal made with the Taliban in 2020 had set a deadline of May 1 this year for the withdrawal of American forces and left the group “in the strongest position militarily since 2001.”
“I faced a choice — follow through on the deal, with a brief extension to get our forces and our allies’ forces out safely, or ramp up our presence and send more American troops to fight once again in another country’s civil conflict,” Mr. Biden said.
This year, a study group appointed by Congress urged the Biden administration to abandon the May 1 deadline and slow the withdrawal of American troops, saying that a strict adherence to the timeline could lead Afghanistan into civil war. Pentagon officials made similar entreaties, but Mr. Biden maintained his long-held position that it was time for Afghanistan to fend for itself.
Since international troops began withdrawing in May, the Taliban have pursued their military takeover far more swiftly than U.S. intelligence agencies had anticipated. On Saturday, Mr. Biden accelerated the deployment of 1,000 additional troops to Afghanistan to help ensure the safe evacuation from Kabul of U.S. citizens and Afghans who worked for the American government.
On Sunday, a decision was made to send another 1,000, temporarily bringing to 6,000 the number of American troops in the country.
In his statement, Mr. Biden warned the Taliban that “any action on their part on the ground in Afghanistan, that puts U.S. personnel or our mission at risk there, will be met with a swift and strong U.S. military response.”
A high school student in Kabul, Afghanistan’s war-scarred capital, worries that she now will not be allowed to graduate.
The girl, Wahida Sadeqi, 17, like many Afghan civilians in the wake of the U.S. troop withdrawal and ahead of a Taliban victory, keeps asking the same question: What will happen to me?
The American withdrawal, which effectively ends the longest war on foreign soil in United States history, is also likely to be the start of another difficult chapter for Afghanistan’s people.
“I am so worried about my future. It seems so murky. If the Taliban take over, I lose my identity,” said Ms. Sadeqi, an 11th grader at Pardis High School in Kabul. “It is about my existence. It is not about their withdrawal. I was born in 2004, and I have no idea what the Taliban did to women, but I know women were banned from everything.”
Uncertainty hangs over virtually every facet of life in Afghanistan. It is unclear what the future holds and whether the fighting will ever stop. For two decades, American leaders have pledged peace, prosperity, democracy, the end of terrorism and rights for women.
Few of those promises have materialized in vast areas of Afghanistan, but now even in the cities where real progress occurred, there is fear that everything will be lost when the Americans leave.
The Taliban, the extremist group that once controlled most of the country and continues to fight the government, insist that the elected president step down. Militias are increasing in prominence and power, and there is talk of a lengthy civil war.
Over two decades, the American mission evolved from hunting terrorists to helping the government build the institutions of a functioning government, dismantle the Taliban and empower women. But the U.S. and Afghan militaries were never able to effectively destroy the Taliban, who sought refuge in Pakistan, allowing the insurgents to stage a comeback.
The Taliban never recognized Afghanistan’s democratic government. And they appear closer than ever to achieving the goal of their insurgency: to return to power and establish a government based on their extremist view of Islam.
Women would be most at risk under Taliban rule. When the group controlled Afghanistan from 1996 to 2001, it barred women from taking most jobs or receiving educations and practically made them prisoners in their own homes — though this was already custom for many women in rural parts of the country.
“It is too early to comment on the subject. We need to know much more,” Fatima Gailani, an Afghan government negotiator who is involved in the continuing peace talks with the Taliban, said in April. “One thing is certain: It is about time that we learn how to rely on ourselves. Women of Afghanistan are totally different now. They are a force in our country — no one can deny them their rights or status.”
Secretary of State Antony J. Blinken said on Sunday that the defeat of Afghan security forces that has led to the Taliban’s takeover “happened more quickly than we anticipated,” although he maintained the Biden administration’s position that keeping U.S. troops in Afghanistan was not in American interests.
“This is heart-wrenching stuff,” said Mr. Blinken, who looked shaken, in an interview on CNN after a night that saw members of the Taliban enter the Afghan capital, Kabul, and the shuttering of the U.S. Embassy as the last remaining American diplomats in Afghanistan were moved to a facility at the city’s airport for better protection.
Mr. Blinken stopped short of saying that all American diplomats would return to the United States, repeating an intent to maintain a small core of officials in Kabul.
But he forcefully defended the administration’s decision to withdraw the military from Afghanistan after 20 years of war, saying it could have been vulnerable to Taliban attacks had the United States reneged on an agreement brokered under President Donald J. Trump for all foreign forces to leave the country.
“We would have been back at war with the Taliban,” Mr. Blinken said, calling that “something the American people simply can’t support — that is the reality.”
He said it was not in American interests to devote more time, money and, potentially, casualties, to Afghanistan at a time that the United States was also facing long-term strategic challenges from China and Russia. But, Mr. Blinken said, American forces will remain in the region to confront any terrorist threat against the United States at home that might arise from Afghanistan.
He also appeared to demand more conditions for the prospect of recognizing the Taliban as a legitimate government or establishing a formal diplomatic relationship with them.
Earlier, the Biden administration had said the Taliban, in order to acquire international financial support, must never allow terrorists to use Afghanistan as a haven, must not take Kabul by force and must not attack Americans.
On Sunday, Mr. Blinken said the Taliban must also uphold basic rights of citizens, particularly women who gained new freedoms to go to work and school after the Taliban were ousted from power in 2001.
There will be no recognition of a Taliban government “if they’re not sustaining the basic rights of the Afghan people, and if they revert to supporting or harboring terrorists who might strike us,” the secretary of state said.
Mr. Blinken’s comments were swiftly criticized by the top Republican on the House Foreign Affairs Committee, Representative Michael McCaul of Texas, who said the Taliban’s swift takeover of Afghanistan “is going to be a stain on this president and his presidency.”
“They totally blew this one,” Mr. McCaul said. “They completely underestimated the strength of the Taliban.”
“I hate to say this: I hope we don’t have to go back there,” he said. “But it will be a threat to the homeland in a matter of time.”
More than a hundred journalists employed by the American government’s own radio stations remain in Afghanistan as the Taliban take power, U.S. officials and Afghan journalists said Sunday.
“Journalists are being left behind,” said Rateb Noori, the Kabul bureau news manager of Radio Azadi, in a telephone interview from Kabul on Sunday.
The station, a branch of the U.S. government’s Radio Free Europe and Radio Liberty services, formerly called Radio Free Afghanistan, broadcast through the day Sunday, including airing an interview with a Taliban spokesman. Its sister station, Voice of America, reported on Sunday that one of its reporters “was in the passport office when everyone was told to leave immediately and go home.”
The Afghans working for the U.S. government broadcasters in Kabul and around the country have long been targets of the insurgents, who killed a journalist with Radio Free Afghanistan in a targeted bombing in November. They are among the most exposed of hundreds of Afghans who have worked with American news organizations since the arrival of U.S. troops in 2001, and media organizations have been scrambling to help local employees evacuate. The U.S. government made journalists eligible for a visa program that could allow them to leave the country. They have yet to be evacuated and the window to do so is closing quickly.
The acting interim chief executive of the U.S. Agency for Global Media, which oversees the broadcasters, said in an email to staff Sunday that the agency is “doing everything in our power to protect” journalists and “will not back down in our mission to inform, engage, and connect Afghans in support of freedom and democracy.”
The president of Radio Free Europe/Radio Liberty, Jamie Fly, said in a text message that the service is “doing everything possible to make sure they can safely continue their work.”
Mr. Noori, who was awake late on Sunday because he was worried about looters at his home, said there was no protection and little certainty — including whether the stations will continue to broadcast Monday.
“Everybody is locked down in their homes, and no one knows what happens tomorrow,” he said.
Afghan journalists have little to do but rely on early Taliban promises that they will not attack members of the news media.
“Having experience last time of their role in Afghanistan, I think they cannot keep their promises — they cannot control their people,” he said. “I’m just hoping that we can survive for a while, and then let’s see if we have a way out to any neighboring country,” Mr. Noori said.
Mujeeb Angaar, who worked for Radio Free Afghanistan from 2010 to 2013 before fleeing the country, said in a telephone interview from his home in Canada that he was told by the Taliban at the time that he “should be killed, because you work for Jews, you work for the CIA.”
The American-backed services “will be the first target,” he said.
PARIS — François Pinault, the French billionaire, has never had much time for convention. “Avoid the paths already trodden,” has been his motto. Bored with acquiring Impressionist or Cubist works with surefire credentials, he said to himself four decades ago: “It’s impossible that we have become so stupid today that there are no human beings alive capable of creating tomorrow’s masterpieces.”
The fruits of that conviction are now on display in a contemporary art museum that opened in Paris on Saturday under the cupola of the Bourse de Commerce. With the Louvre to one side and the Pompidou Center to the other, this upstart in the cultural life of Paris combines tradition and modernity.
Once a grain exchange, the light-filled building has undergone a $170 million redevelopment conceived by the Pritzker Prize-winning Japanese architect Tadao Ando, who previously worked with Pinault at the Palazzo Grassi in Venice. Ando installed a 108-foot-diameter concrete cylinder inside the central rotunda, creating a core display area while retaining the framework of the original.
“A palimpsest of French history,” as Martin Bethenod, the museum’s director, put it.
No layer of the palimpsest has been concealed. Restored 19th-century frescoes beneath the dome illustrate the global commerce of the time. Titled “Triumphal France,” they amount to a primer in the demeaning stereotypes of a Eurocentric colonized world where white traders did business with bare-chested African warriors.
The juxtaposition with the many works in the galleries below by Black American artists, including David Hammons and Kerry James Marshall, is potent. Their pieces, driven by reflection on the grotesqueness and lasting wounds of racism, seem charged by the setting.
Transience is a theme. Nothing lasts, yet nothing is entirely gone. At the center of the museum’s initial exhibition stands a wax replica of the 16th-century Giambologna statue “The Abduction of the Sabine Women,” three writhing figures intertwined. Created by the Swiss artist Urs Fischer, it was set alight at the museum’s opening on Saturday and will burn for six months, leaving nothing behind.
So a high mannerist masterpiece becomes an elaborate giant candle: Sic transit gloria mundi. The Bourse de Commerce itself has been rented from Paris City Hall on a 50-year lease — a reminder that the museum’s life span may not be eternal. Ando’s cylinder is designed so that it can be removed once the lease expires.
Pinault, 84, a self-styled “troublemaker,” has always been more interested in disruption than permanence.
Born in rural Brittany, he went on to parlay a small timber business into a $42 billion diversified luxury-goods conglomerate, including brands like Gucci and Saint Laurent. I asked him about time passing. “Well, I am like everyone: As you grow older, that issue gnaws at you a little, but I am not obsessed by the time that may be left to me,” he said in an interview. “I hope it will be as long as possible.”
How, he asked, can anyone take himself for important, confronted by the sweep of history? “Humility must be worked on with a pumice stone every day,” he said. “The ego is something that grows if you don’t apply weed killer.”
Behind him in his office at the Bourse de Commerce hangs “SEPT.13, 2001,” a work in black and white by the Japanese artist On Kawara. It is a reminder that the unimaginable can happen — that as Victor Hugo put it, “Nothing is more imminent than the impossible.” Yet life continues nonetheless.
For Pinault, the project represents a long-held ambition to house some of his more than 10,000 works by artists including Cy Twombly, Cindy Sherman, Damien Hirst, Jeff Koons and Marlene Dumas in a Paris museum. That effort began about 20 years ago with plans, later aborted, to take over a disused Renault car factory in the suburb of Boulogne-Billancourt.
Although Sherman’s work is on prominent display — including a haunting photograph of a platinum-blonde woman, back turned, standing on a deserted American highway with her suitcase beside her in a shadowy half-light — the exhibition does not dwell on the giants of the Pinault Collection, as if the main aim were to jolt Parisians emerging from months of coronavirus lockdown with an injection of the new and little known in France.
Pinault said he had met David Hammons, a generally reclusive artist who came of age in the 1960s and ’70s, more than 30 years ago. Hammons learned that Pinault was the uneducated son of a peasant from a small Breton village. “He said we were alike, and I burst out laughing and told him, ‘Well, not exactly!’”
So was an unlikely friendship born. Its fruit is the more than 25 Hammons works on show at the Bourse de Commerce.
But what of those murals glorifying European colonization, with Christopher Columbus sweeping down from the sky in a caravel to find half-naked Native Americans? “We were convinced for a long time that we constituted civilization, the most evolved people,” Pinault said. “I never accepted that.” In the frescoes, he added, was “the beginning of global commerce, but dominated by Europe and France” — in short, “everything that a David Hammons detests.”
When the artist was shown a video of the frescoes, and giant antique maps tracing post-slavery trade routes dominated by European navies, he asked that his “Minimum Security” installation, inspired by a visit to death row at San Quentin State Prison, be placed against this backdrop. The squeaking and clanging of a cell door seems to carry the echo of centuries of oppression.
“Some will criticize us and say it’s shameful,” Pinault said. “We could have hidden the fresco — you can always hide something, that is cancel culture. And here, a great African-American artist said, ‘Don’t hide it.’”
Jean-Jacques Aillagon, the Pinault Collection’s chief executive, said: “When you show it, that does not mean you approve it. This was the image of trade at that moment, and you can’t think yesterday with the mind of today.”
Art is provocation. With almost Duchamp-like playfulness, Hammons challenges the viewer to think again, as with “Rubber Dread,” deflated inner tubes woven into dreadlocks. He reimagines detritus.
Kerry James Marshall, another Black artist whom Pinault has collected for years, seems to upend a whole Western tradition — Goya’s “Maya” or Manet’s “Olympia,” — with an untitled painting of a Black man, naked but for his socks, lying on a bed with a sidelong gaze, a Pan-African flag coyly covering his genitals.
Pinault said that his museum would not add much to Paris, but perhaps as a private institution it could move faster while the committees at state-owned museums pondered. “So perhaps you have a collection of things that would not otherwise be here.” Perhaps, yes. He was being modest.
He described himself as a restless nonconformist: “My roots are under the soles of my shoes.” When life presents something important enough to entice you into a journey, he suggested, “you have to take your suitcase, like that woman beside the road in the Cindy Sherman photograph — my favorite.”
He was 19 when he left Brittany for the first time and came to Paris. He enlisted in the army and went to Algeria, where war was raging. It was 1956. A parachutist, he was ordered to comb through villages looking for Algerian rebels fighting French colonial dominion. But the rebels were long gone; all that was left were houses full of women, children and older people. Pinault said he confronted his officer: “What the hell are we doing here? This war is already lost.”
“Shut up, Pinault,” he recalled the officer saying.
But he never has shut up. Instead, Pinault has made a fortune, a unique collection of contemporary art and a life out of anticipation. “Only anticipate” could be another of his mottos. As a result, Paris, sometimes a little set in its ways, has something different, disruptive and challenging on offer at the Bourse de Commerce.
HONG KONG — As tear gas and fiery street clashes swirled around her two years ago, the Hong Kong painter Bouie Choi wondered how she would eventually render them on canvas.
The answer, exhibited at a local gallery about a year later, was “borrowed space_borrowed time,” her suite of brooding, ethereal landscapes that evoked ancient Chinese scroll paintings and captured a city transformed by civil unrest. Specific visual references to the protests were subtly blended into layer upon layer of washed-out acrylic brush strokes.
“My previous landscape works were quite peaceful and distanced from what happened in reality; they were more surrealistic,” Ms. Choi, 33, said in an interview. “But this exhibition was quite different because the relationship between me and the city had changed.”
street art and political posters that lionized protesters as heroes or explicitly poked fun at Hong Kong’s government and its allies in Beijing. Some of that work was produced by people with established careers in fine arts.
a national security law that China’s central government imposed on the territory last summer and the mass arrests of opposition politicians, activists and lawyers that followed.
Artists, writers and filmmakers know that whatever they create could run afoul of the national security law, which criminalizes anything that the Chinese government deems terrorism, secession, subversion or collusion with foreign powers. Institutions like art galleries are wary of taking risks. One curator said privately that talking about art and politics was especially sensitive ahead of Art Basel Hong Kong, a major international fair that opens this week.
Some Hong Kong curators have been quietly asking artists to tone down certain pieces, consulting with lawyers about how to avoid prosecution under the national security law and even calling the police to discuss potentially sensitive works before exhibiting them, said Wong Ka Ying, a member of a union that represents about 400 Hong Kong artists.
“We now act like we’re in Beijing or Shanghai,” she said.
Yet several young Hong Kong artists are daring to produce work about the 2019 protests anyway, albeit with heavy doses of abstraction and ambiguity. A few talk about their artistic process in polemical terms; others, like Ms. Choi, say they are merely responding creatively to the experience of living through a once-in-a-generation trauma.
pro-democracy demonstrations that are now seen as preludes to the giant outpouring of civil disobedience in 2019.
Eight years ago, for example, the artist South Ho walled and unwalled himself with bricks that said, “Made in Xianggang,” the word for Hong Kong in Mandarin, mainland China’s dominant tongue. Photographs of his stunt were exhibited in 2017 by the Asia Society’s Hong Kong gallery, alongside other pieces that conveyed a sense of helplessness toward Beijing’s tightening grip on the city.
Now the space for expression is narrower. A government funding body recently said that it had the power to end grants to artists who promote “overthrowing the government,” and state-owned newspapers have denounced a collection by a local museum that is expected to open soon and owns works by the dissident Chinese artist Ai Weiwei.
More than a dozen Hong Kong artists and gallerists either declined to be interviewed for this article or did not respond to requests for comment.
traffic scene on wire mesh to depict fences that went up near a cross-harbor tunnel that antigovernment protesters targeted in 2019. He also used yellow tape to frame walls where the authorities had painted over antigovernment graffiti.
Unreasonable Behavior,” a mixed-media solo show by Siu Wai Hang that included photographs of the 2019 protests that the artist had punched, ripped or cut.
Teenage girls with bricks,” an abstract work with collapsing perspectives and vague pastel figures. The gallery’s curatorial statement said the work depicted female protesters who had been discouraged by male comrades from joining the front lines of street clashes.
And this spring, at the Asia Society’s Hong Kong gallery, the artist Isaac Chong Wai installed “Falling Carefully,” a mixed-media piece featuring three life-size mannequins of the artist, each suspended in a different stage of free fall. A nearby wall displayed his sketches of protesters and riot police officers during antigovernment demonstrations in Hong Kong and beyond, including Armenia, Russia and Uganda.
fell, suffering fatal injuries, as police officers clashed with protesters.
Henry Au-yeung, the director ofGrotto Fine Art, the gallery that exhibited the paintings last fall, wrote in an essay that they depicted “social unrest,” but also that “clear images do not mean clarity of event; what is veiled can well be the hidden truth.”
Fifteen objects from cultural institutions passed through Sotheby’s at auction on Wednesday, showing that the debate among museum and industry leaders over deaccessioning hasn’t stopped these sales from occurring.
One work, Thomas Cole’s “The Arch of Nero” (1846) from the Newark Museum of Art, was a highlight, going for $988,000 with fees to a private foundation operated by the Florida-based collectors Thomas H. and Diane DeMell Jacobsen, in a sale of American art totaling $15 million. Last week, Sotheby’s made a combined $703.4 million from its contemporary, impressionist and modern art auctions. Its competitor, Christie’s, had similar successes, reaching more than $775.2 million for the week.
Talk of deaccessioning, the sale by museums of artworks to cover some operating costs, had been divisive earlier this year. The Newark Museum of Art’s decision this month to consign the Cole and 16 other artworks (including pieces by Thomas Eakins, Marsden Hartley and Georgia O’Keeffe) drew criticism from more than 80 curators and historians who signed a public letter that described the sale as “inflicting irreparable damage” on the institution.
The Newark Museum of Art’s director, Linda Harrison, defended the plan earlier this month, calling it “thoughtfully considered” and saying it represented a loss of less than 1 percent of the institution’s 130,000 artworks.
have argued that losing public access to works like the Cole landscape, which allegorizes the fragility of American democracy and the dangerous allure of oligarchs, limits society’s understanding of history.
“It’s a sad day for the people of Newark who are losing objects that have been at the heart of their great art museum for many decades,” William L. Coleman, a former associate curator of American art at the museum, who is now the director of collections and exhibitions at Olana Partnership in upstate New York, said in an interview. “We did not succeed in stopping the sale and that will be a source of regret for a long time.”
The Brooklyn Museum also participated in the auction, selling a Mary Cassatt painting, “Baby Charles Looking Over His Mother’s Shoulder (No. 3),” for $1.6 million with fees to the same collectors who bought the Cole painting. Before this latest sale, the museum had raised close to $35 million at auctions in the United States and Europe for the care of its artworks.
Commodore Amiga personal computer. They will be sold as NFTs, or nonfungible tokens, a type of investment conferring ownership of works that exist only in the digital world.
Funds from the Christie’s sale will benefit the Warhol Foundation’s grant initiatives, including its substantial annual funding of the Andy Warhol Museum in Pittsburgh.
“As the great visionary of the 20th century who predicted so many universal truths about art, fame, commerce and technology, Warhol is the ideal artist and NFTs are the ideal medium to reintroduce his pioneering digital artworks,” said Noah Davis, the Christie’s specialist leading the sale.
AT&T is painting a rosy picture for the future of its media business, which it will spin off and merge with Discovery. That new streaming giant is a formidable stand-alone competitor to Netflix and Disney. The move leaves AT&T to focus on its telecom business, which looks less bright after being overshadowed by its expensive — and ultimately futile — deal-making binge in media and entertainment under its previous chief, Randall Stephenson.
The DealBook newsletter explains how AT&T got here, in three key deals:
A $39 billion bid to buy T-Mobile. After regulatory pushback, in 2011 AT&T walked away from an effort to become the country’s largest wireless company. T-Mobile paired up instead with Sprint, and the two went on to buy huge amounts of spectrum in the high-stakes battle for 5G, leaving AT&T behind as it lobbies regulators to step in. The failed deal hit AT&T with a $3 billion dollar breakup fee, at the time the largest ever.
The $67 billion acquisition of DirectTV. In 2015, AT&T bet on cable TV as a way to amass customers whom it could eventually convert to streaming. But DirectTV bled subscribers as customers cut the cord, and AT&T unloaded a stake in the company last year to TPG that valued DirectTV at about a third of its acquisition price. The deal also cost AT&T about $50 million in advisory fees, according to Refinitiv.
The $85 billion acquisition of Time Warner. In 2018, Stephenson called the deal a “perfect match,” but the combined group struggled to invest in its telecom business while also spending enough to compete with the entertainment specialists at Netflix and Disney. Three years later, AT&T is now spinning off the company so it can (re)focus on its quest for 5G market share. AT&T paid $94 million in advisory fees to put the two companies together and an estimated $61 million to split them apart.
buy another independent studio, MGM.
In a sign of the pressure that players face to spend big to bulk up, shares in Comcast, the telecom company that owns NBCUniversal, fell 5.5 percent on Monday.
The first signs of the tourism season creeping back to life were visible at Greece’s ports and airports on Saturday as the country officially opened its doors to international visitors.
After lifting quarantine requirements for dozens of countries last month, the Greek authorities expanded the eligibility to more nations on Friday and relaxed some restrictions. Travelers must present a certificate of vaccination, proof of recovery from Covid or a negative PCR test.
The first flights arriving at Athens International Airport came from France, Germany, Sweden, Lithuania, Latvia and Switzerland, with most visitors heading for the Greek islands. Hundreds lined up for ferries at the country’s main port of Piraeus, near the capital, joining Greeks taking advantage of the ending of a ban on travel between the country’s regions.
Heraklion Airport on Crete was buzzing for the first time in months, with Germans, French and Israelis among the first arrivals, and the authorities said they expected 10,000 arrivals on the island over the next three days. Mykonos and Santorini, two of the country’s most popular summer destinations, welcomed just a handful of flights, as hotel occupancy remains set at around 30 percent for May. But hopes are high for the summer, with bookings for July close to 90 percent.
Two fire engines sprayed celebratory jets of water over aircraft arriving from Qatar on Friday while sounding their sirens. Boats similarly greeted the arrival of cruise ships to Crete.
The mood was upbeat on many islands, where a vaccination drive has been ramped up with the aim of inoculating hundreds of thousands of permanent residents by the end of June, in time for peak tourism season.
The country, having suffered heavy economic losses last year because of the pandemic, is determined to save its summer tourist season. Last month, when some restrictions were lifted, a third wave of coronavirus infections was in full force, and hospitals were facing high pressure.
About 14 percent of people in the country have been fully vaccinated, according to data from the Our World in Data project at the University of Oxford. The virus has sickened more than 373,000 people in Greece, and more than 11,300 have died.
“I could never get it out of my own mind what I saw,” Minasian said. “He was as talented as any player, from an age standpoint, as I’ve seen. There are things that he can do on a baseball field that other people can’t.”
Ohtani, whose father played baseball in Japan’s industrial league and whose mother was a standout badminton player, recognized that as a youngster. He hoped to leap straight from high school in Japan to the major leagues in the United States. He told this to clubs before the 2012 Nippon Professional Baseball draft and emphasized it to Hokkaido when it informed him it wanted to make him the No. 1 overall pick. The Los Angeles Dodgers were keenly interested at the time, but Hokkaido lured him with the idea of allowing him to pitch and hit.
Takashi Ofuchi, the Fighters’ amateur scout group leader who evaluated Ohtani for years and helped develop the plan, told Bleacher Report in 2017: “If a person has the possibility to do everything, we need to look at that person and his talent and bring his skills along all at the same time. It’s like Michelangelo and Einstein. They could do art, science, everything.”
Ohtani has been painting with bold, broad brush strokes ever since. And in an age of specialization, the Angels and Ohtani are zigging while everybody else is zagging. Why, indeed, place a fence around creative genius?
Through Wednesday he was ranked second in the majors in home runs (10) and extra-base hits (21) and tied for third in total bases (78). On the mound, he is 1-0 with a 2.10 E.R.A. over five starts with 40 strikeouts and a .126 opponents’ batting average. He even leads the Angels with six steals.
In Seattle a couple of Sundays ago, he was hit by a pitch and immediately stole second and third. “I could not have loved that moment any more,” Maddon said.
In a precautionary move, the Angels moved his start, which had been scheduled for the next day, to midweek, but he still smashed a two-run homer and circled the bases to chants of “M.V.P.! M.V.P.!”
More than a dozen heirs of a Jewish couple who left Germany as Hitler rose to power have filed a lawsuit in Georgia seeking to recover a Pissarro painting said to have been part of an extensive collection of works seized by Nazis.
The painting, “The Anse des Pilotes, Le Havre,” an oil on canvas work depicting a harbor scene, was among works belonging to Margaret and Ludwig Kainer taken by Nazis after they left Germany, according to the lawsuit filed on Monday in Federal District Court in Atlanta.
Dated 1903, the year of Pissarro’s death, the painting has been valued at about $500,000 to $1 million. It is believed to now be in the possession of the Horowitz Family Foundation in Atlanta, or members of the Horowitz family there, the lawsuit said, naming as respondents the foundation and members of the family: Gerald D. Horowitz; his wife, Pearlann Horowitz; and their son, Scott Horowitz.
“The Nazis confiscated or misappropriated hundreds of thousands of pieces of art as part of their genocidal campaign against the Jewish people,” the suit says, adding, “The story continues today, with the Kainers’ heirs continuing to try and locate and demand their rightful property.”
lawsuit that the Kainer heirs filed, in State Supreme Court in New York in 2013, which described the foundation as “a sham” meant to cheat them out of their inheritance. Lawyers for UBS said years ago in court papers that the company has no relationship with the foundation. The foundation has maintained that, under the terms of Norbert Levy’s will, it has a legal right to the assets it has collected.
In 2017, a judge dismissed the case against the foundation and UBS, saying that the court system in New York was not the proper forum for the heirs’ claims, and an appellate court upheld the decision. Lawyers for the heirs are now challenging those rulings in the state’s Court of Appeals, arguing that the case should be decided in New York.
It is not clear whether the existence of the Swiss foundation could further complicate the dispute over the Pissarro. A lawyer who has represented the foundation in the New York litigation did not reply to an email message asking whether the foundation plans to make any claims of ownership of the Pissarro painting.
According to the lawsuit filed this week in Atlanta, Margaret and Ludwig Kainer left for Switzerland in 1932 to obtain medical care, but never returned to their home in Germany. Alarmed by the persecution of Jews there, they instead moved to France. Meanwhile, the lawsuit said, Nazis sold the stolen Pissarro at auction in 1935.
Eventually, the Kainers registered the work as looted with the French Department of Reparations and Restitutions, the plaintiffs said, adding that information about the painting, along with a photograph of it, was included in a directory of property looted in France and elsewhere during the war.
The painting’s path during the 60 years after the auction in Germany is uncertain. In 1995, the lawsuit said, Gerald D. Horowitz bought the painting from Achim Moeller Fine Art in New York.
the Mondex Corporation, an art recovery company representing the Kainer heirs, that the painting still existed.
People working with Mondex sent letters inquiring about the painting to the museum and to the Horowitz family. Later, lawyers for the heirs sent letters to members of the family and to the Horowitz Foundation, asking for the return of “The Anse des Pilotes, Le Havre.”
The lawsuit added that lawyers for the Horowitzes refused the demand that the work be turned over and denied that the heirs had any right to it.
Now, the precise location of the painting remains a mystery to the heirs.
The lawsuit said that in the summer of 2015, representatives of the Kainer family had spoken briefly with Scott Horowitz.
“Mr. Horowitz was unwilling to confirm whether his father still possessed the painting,” the lawsuit stated, “and refused to disclose its whereabouts.”