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Last year, as the coronavirus began spreading in New York, I worked closely with Renee Melides, a photo editor on the Business desk, on a photo essay that visualized the city as it became a global epicenter of the pandemic. When that piece was just a concept and life still seemed somewhat normal, the two of us sat over a coffee. To this day, it’s the only time I’ve had an editor green light an idea mid-pitch.

“Yes,” Renee said, interrupting me. “Do it. Now.” And I walked outside and started photographing.

Back then, anxiety and uncertainty dominated New York, and when the story ran, it led with an image of a man praying during a meal in a Greenwich Village McDonald’s.

With that story published, I pulled back from daily assignments as a freelance photographer in an attempt to understand the virus, as well as the risks that my family and I faced. I never stopped working, though. Instead, I moved through many parts of New York on long daily runs. Nine miles out, nine miles back. I’d pass through different neighborhoods, assessing and acknowledging changes by shooting on my iPhone.