In one scene, Uyghur women are seen dancing in a rousing Bollywood style face-off with a group of Uyghur men. In another, a Kazakh man serenades a group of friends with a traditional two-stringed lute while sitting in a yurt.
Welcome to “The Wings of Songs,” a state-backed musical that is the latest addition to China’s propaganda campaign to defend its policies in Xinjiang. The campaign has intensified in recent weeks as Western politicians and rights groups have accused Beijing of subjecting Uyghurs and other Muslim minorities in Xinjiang to forced labor and genocide.
The film, which debuted in Chinese cinemas last week, offers a glimpse of the alternate vision of Xinjiang that China’s ruling Communist Party is pushing to audiences at home and abroad. Far from being oppressed, the musical seems to say, the Uyghurs and other minorities are singing and dancing happily in colorful dress, a flashy take on a tired Chinese stereotype about the region’s minorities that Uyghur rights activists quickly denounced.
“The notion that Uyghurs can sing and dance so therefore there is no genocide — that’s just not going to work,” said Nury Turkel, a Uyghur-American lawyer and senior fellow at the Hudson Institute in Washington. “Genocide can take place in any beautiful place.”
Western sanctions, the Chinese government has responded with a fresh wave of Xinjiang propaganda across a wide spectrum. The approach ranges from portraying a sanitized, feel-good version of life in Xinjiang — as in the example of the musical — to deploying Chinese officials on social media sites to attack Beijing’s critics. To reinforce its message, the party is emphasizing that its efforts have rooted out the perceived threat of violent terrorism.
In the government’s telling, Xinjiang is now a peaceful place where Han Chinese, the nation’s dominant ethnic group, live in harmony alongside the region’s Muslim ethnic minorities, just like the “seeds of a pomegranate.” It’s a place where the government has successfully emancipated women from the shackles of extremist thinking. And the region’s ethnic minorities are portrayed as grateful for the government’s efforts.
reality on the ground, in which the authorities maintain tight control using a dense network of surveillance cameras and police posts, and have detained many Uyghurs and other Muslims in mass internment camps and prisons. As of Monday, the film had brought in a dismal $109,000 at the box office, according to Maoyan, a company that tracks ticket sales.